Connections and Convergence
Connections and Convergence explores, among other things, space and time in sculpture, art and science collaborations, complex systems and biology, archaeology and dreaming, fractals and sacred geometry.
Contributions include:
The material of Ludwika Ogorzelec’s sculptures is space itself, and the line of wood, metal or glass is only the contour for the “crystals of space”. Her works are usually created in reference to the context of the cultures and places in which they are presented, most often in situ (in open space, often in architecturally shaped surroundings, in the interiors of exhibition halls of museums and galleries). In Shape in Time, an interview with art and ecology author, John K. Grande, she discusses her ideas and work.
Siobhán McDonald is an Irish artist based in Dublin. In a practice that emphasizes field work and collaboration she works with natural materials, withdrawing them from their cycles of generation, growth and decay. In Floating Body she explores Dublin Port as a gateway of exchange—reimagined as a porous space of interspecies cohabitation.
Sohrab Crews’ experience of a range of different geographical and cultural contexts has had a strong bearing on his work, as has his significant interest in post-war European avant-garde art, American painting and sculpture, and mixed-media practices of all kinds. His own work manifests the recurrent themes of order and control, structure, colour and expressive intensity, notably through his ongoing experimentation with a wide range of ideas, mediums and techniques. Fragments Aligned shows his recent exhibition.
Sabahat Fida is a lecturer in Zoology with the Higher Education Department in Kashmir. With academic training spanning in both the sciences (MSc Zoology) and the humanities (MA Philosophy), her work seeks to bridge the realms of science, metaphysics, religion, and philosophy.
Gayle Chong Kwan is an award-winning multidisciplinary artist and academic whose work is exhibited internationally in galleries and the public realm. Her large-scale photographic works, immersive installations, and sensory ritual events are at the intersection of historical and archival research and fine art practice, and position the viewer as one element in a cosmology of the political, social and ecological. She has created a new installation work, ‘Oneiric Archaeologies’, in VR game design, sound, tactile wearable sculptures, and social dreaming to explore the collective re-shaping, re-use, and understanding of Avebury Neolithic site through dreaming.
Plus, articles by –
Mitchell Newberry: Mathematics of scale: Big, small and everything in between
And –
A feature on the Arts MSU Power Up Artist-in-Residence program at Michigan State University and The Facility for Rare Isotope Beams (FRIB).