Curated by arts collective Shrinking Space, who have previously worked with the likes of Somerset House and the Science Gallery London, The Wonder Project will encompass specially commissioned soundscapes, sculptures and artworks from a roster of esteemed UK artists and creative studios. Audiences will meander through Wakehurst’s woods, meadows and glades to interact with installations embedded into the landscape. The Wonder Project will encourage people to step out of their comfort zones, step away from their go-to-responses to any given situation, and attempt to wonder about where they find themselves in a new light.
Visualogical is both an interactive digital art workshop and a novel system of social investigation, developed by artist Victoria Westerman and curator Natasha Gertler.
By harnessing the power of group collaboration and artificial intelligence, Visualogical hacks into the visual subconscious of participants and allows them to illustrate it with regards to a chosen theme.
When photography captures the Earth’s topography, vegetation often obfuscates the fine details. Light Detection and Ranging (LiDAR) allows the solid surface to be viewed in a new light. I have applied LiDAR technology to research the “Carolina bays”, ovoid basins found by the tens of thousands in the USA.
“Color, light and science are my areas of artistic interest. My work explores both the abstract interactions of color and light as well as science in art. Whether I create a work of pure abstraction or one developed from a scientific concept, creating art holds an endless fascination for me. It is the excitement of discovering the unknown that I find moving.”
The “Access to Justice” project has taken four years of careful negotiation and numerous visual concepts before The Law Society of Upper Canada eventually selected my landmark artwork for a prime location bridging Toronto’s Nathan Phillips Square and University Avenue, via the pedestrianised promenade of McMurtry Gardens of Justice.
Inspired by the natural world with a background in science, I make intuitive art with paint and mixed media then process images digitally to share educational stories and ideas. By using art to explore science, enhanced learning and insight can arise through both the creative process and the end result.
“As a metaphysical artist I am concerned with a three-way comparison between: metaphysics (science of subject / why), Science of object (how), and information technology, the most important metaphor we have for the nature of consciousness.”
“I am exploring adult fairytale narrative to develop the landscape as a dramaturgic and anthropomorphic element wherein all forms of life are connected through energy conversion, growth and decay.”
“My work is abstract, though influenced by observations of microscopic imagery. Colonies of cellular shapes migrate, flow and multiply. Clusters of orbs are tethered together in unknown universes.”
Cryptic 2017 examines the relationship between art, science and technology, and features artworks that use technology and science variously as medium or message. Explore digital and kinetic interactive artworks, virtual reality, and mixed media installations, all set in the idiosyncratic spaces of the Crypt Gallery, London.