Curated by arts collective Shrinking Space, who have previously worked with the likes of Somerset House and the Science Gallery London, The Wonder Project will encompass specially commissioned soundscapes, sculptures and artworks from a roster of esteemed UK artists and creative studios. Audiences will meander through Wakehurst’s woods, meadows and glades to interact with installations embedded into the landscape. The Wonder Project will encourage people to step out of their comfort zones, step away from their go-to-responses to any given situation, and attempt to wonder about where they find themselves in a new light.
Visualogical is both an interactive digital art workshop and a novel system of social investigation, developed by artist Victoria Westerman and curator Natasha Gertler.
By harnessing the power of group collaboration and artificial intelligence, Visualogical hacks into the visual subconscious of participants and allows them to illustrate it with regards to a chosen theme.
Margaret Inga Urías is a multidisciplinary artist primarily using the medium of drawing to create engraved sculptures, site-specific installations, large-scale murals, constructed photographs and works on paper. Drawn to lost histories, concealed origins and imperceptible, forgotten connections, she is interested in conditions that entangle the past, the present, and the future–re-examining how we orient ourselves, not only in the immediacy of places around us, but also in the universe that maintains us. With a specific interest in the physical laws and circumstances that brought space, time, matter and beings into existence, she creates works that often function as trace narratives– following the story of the small, the coincidental, and the invisible, over vast stretches of time.
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. In his recent series of drawings he explores the impermanent and shifting process of time.
Richelle Gribble’s exhibition, ‘Anthropocene’, took place at the Jonathan Ferrara Gallery (New Orleans, LA) between May and July 2018. With a strong interest in environmentalism, the artist examines human impact on nature and the biological consequences of human influence. Gribble’s highly conceptual work includes painting, drawing and sculpture.
The ‘Drawing through Time and Image’ symposium, devised and organised by Jack Southern, took place at the Hardwick Gallery at the University of Gloucestershire in Cheltenham during March 2018.
Guest artists and speakers included Dryden Goodwin, Barbara Walker, Tim Knowles, Jessie Brennan and Jean Boyd.
“My work mainly depends on – and is influenced by – everyday life: the political, social and cultural events that occur and change our ideas and perception of the world around us. Wars, social injustice, natural catastrophes have marked people, reshaped regions – the fragility of human existence.”
Alexandra Dementieva main interests focus on social psychology and perception and their application in multimedia interactive installations. Her videowork integrates different elements including behavioral psychology, developing narrative using a ‘subjective camera’.
Marie Munk is an interdisciplinary artist, working with sculpture, installation, video and performance. She examines the materiality of physical interaction and artificial simulation of intimacy. Using silicone as a metaphor for the bodily, Munk creates alternative realities, which questions current tendencies in society.
“Our artworks investigate human futures and evolutionary paths influenced by emerging and disruptive technologies. So our work is not so much a prediction of the future or solution to issues of the day, but instead invites audiences into a space to explore the endless opportunities that can shift according to our desires and dreams.”
Based in London, Burton Nitta is an interdisciplinary art and design studio collaborating with science and technology to investigate our future world and human evolution.
When photography captures the Earth’s topography, vegetation often obfuscates the fine details. Light Detection and Ranging (LiDAR) allows the solid surface to be viewed in a new light. I have applied LiDAR technology to research the “Carolina bays”, ovoid basins found by the tens of thousands in the USA.