Taney Roniger is a visual artist, writer, and educator based in New York. Since the late 90s she has been exploring the relationship between art, science, and the spirituality of immanence in both her work as an artist and in numerous essays and symposia. ‘Pilgrimage to Myyrmaki – The Silent Music of Things’ recounts her visit to a church in Finland and her recent artworks it inspired.
Stephen Nowlin is Los Angeles-based artist, curator, and writer whose practice is inspired by science, the histories of science and art, and theories of knowledge. His work employs the use of digital tools, photography, and scanning technology, resulting in small and large-scale limited edition archival pigment prints. Artist in Residence, Mount Wilson Observatory, California.
As an artist, planner/designer and eco-cultural activist, Richard Lowenberg has dedicated his creative life to investigations, understandings and artful realization of works presenting and collaboratively setting examples for ‘an ecology of the information environment’, and resulting opportunities for development of a culturally and ecologically rooted society.
Joseph Nechvatal’s contemporary art practice engages in the fragile wedding of image production and image resistance. Through his version of an art-of-noise, he brings a subversive reading to the human body through computational viruses, articulating concerns regarding safety, identity and objectivity. He is interviewed by New York–based artist, Chris Dorland.
Alan MacDonald was a graphic designer and illustrator for 40 years.
“As a metaphysical artist I am concerned with a three-way comparison between: metaphysics (science of subject / why), Science of object (how), and information technology, the most important metaphor we have for the nature of consciousness. Vedic philosophy, describes the three in one nature of consciousness; rishi, devata, chandas (knower, known, process of knowing). My ‘Dream Sequence’ series proposes dreams as daily status reports from the source regarding our level of alignment with the source. I record every dream, interpret upon waking and illustrate it.”
During April 2026, Gayle Chong Kwan interrogated the history of the scientific canon with a major installation in the Grand Gallery of the National Museum of Scotland for Edinburgh Science Festival. Through a large-scale site-specific sculptural installation, the work reflects on the cultural legacy of science, exploring and rethinking scientific histories through Chong Kwan’s detailed research into scientific artefacts and archives across eight major collections and speaking with communities.
Joël Chevrier has been Physics Professor at Université Grenoble Alpes (UGA) since 1998. In this article he examines Antony Gormley’s sculptures, which prompt questions: How far does the human body extend? Where are its limits? Are there even limits?
This article introduces the Tree Veneration Society (TVS), an interdisciplinary charity of eco-artists and scientists dedicated to fostering cultural and ecological awareness of trees. While scientific research clearly demonstrates the essential role of forests in climate regulation and biodiversity, the article argues that meaningful environmental action also requires shifts in perception, values, and cultural narratives. Drawing on Deep Ecology and eco-art practice, the article presents tree veneration as a relational framework that reconnects humans with the living world. TVS’s exhibitions, workshops, and public programs are discussed as practical models for cultivating ecological care and responsibility.
Michael Nicoll Yahgulanaas’ art has many incarnations including Haida manga, sculpture, painting, mixed media, ceramics or long murals made on Japanese paper. In this interview with art and ecology author, John K. Grande, he discusses his ideas and work.
Curated by Dr. Charissa Terranova at the SP/N Gallery at The University of Texas at Dallas, ‘Organic Worlds: Symbiogenesis in Art’ tackles its subject matter(s) of organisms and organicism, and, arguably, of the Great Chain of Being and Lynn Margulis’ theory of symbiogenesis. ‘Organic Worlds’ seats mankind as conscious players in the biological Great Chain of Being — below God and above rock — and invites the layman viewer to introspect upon and engage with the commemorations of life in this exhibition.