Tag Archives: Art

WHAT GOD IS. (WITHOUT THE WOO WOO) and NEW EDEN

“Humans in their desire for answers to life’s most pressing questions have creatively reimagined and transformed God over the ages to fit their needs, values and beliefs. Despite all of the diversity and complexity ascribed to the thousands of variations of God, there seems to be room for one more. The true picture of God may not be supernatural, meta-physical or even metaphorical, but a creative force that may be as old as life in the Universe.”

Steve Sangapore is an American contemporary oil painter. Using vastly different stylistic approaches with various series’, his work can be described as an amalgamation of realism, surrealism and abstraction with thematic focuses on the human condition.

Abstraction, the Ether, and the Fourth Dimension: Kandinsky, Mondrian, and Malevich in Context

Linda Dalrymple Henderson is the David Bruton, Jr. Centennial Professor in Art History at the University of Texas at Austin. Her research and teaching focus on modern art in its broader cultural context, including ideas such as ‘the fourth dimension,’ the history of science and technology, and mystical and occult philosophies. In addition to over eighty journal articles and book and catalog essays, she is the author of ‘The Fourth Dimension and Non-Euclidean Geometry in Modern Art’ (Princeton University Press, 1983; new, enlarged ed., MIT Press, 2013) and ‘Duchamp in Context: Science and Technology in the Large Glass and Related Works’ (Princeton, 1998).In 2014 Professor Henderson won a Lifetime Achievement Award, given by the Society for Literature, Science, and the Arts. In 2018 she received a Leonardo Pioneer Award, given by the journal Leonardo on its 50th Anniversary.

Projecting desires and fears

Anna Sofie Jespersen is a Danish artist based in London who produces emotive figurative works. Anna’s powerful drawings are laden with feeling. Her large scale works have a particularly strong impact. She trained at the Chelsea College of Art and has won awards for both drawing and painting, including second prize in the 2016 Jerwood Drawing Prize for her work ‘Sid in Bathtub’. She was shortlisted for the 2017 Bloomberg New Contemporaries.

Ritual forms and transformations

Kate Southworth makes paintings, drawings, prints and rituals as a way of understanding the transformative energies and unseen patterns of the psyche. Her work experiments with a ‘scattered form’ in which several visible and invisible fragments co-exist. Recent work maps her journeys into the unconscious mind revealing geometric and net-like forms. She has a particular interested in how processes of transformation emerge in the symbolic sphere: the hexagrams of the i-ching, alchemy, yoga traditions, calendric practices, and myths.

CIRCLINGS

CIRCLINGS shows examples of a new book of drawings by Garry Kennard, which were prompted by the final lines of the last canto of Dante’s Divine Comedy. These words describe the vision that Dante experiences at end of his journey through hell, purgatory and paradise. They tell of his witnessing the creative power at the heart of creation. In this he sees a great circling of reflected spheres and rainbows and, somehow, the human image within it all. The article includes the preface by Paul Broks, clinical neuropsychologist-turned-writer.

Topology and the Visualization of Space

Artist and author, Tony Robbin, works with painting, sculpture and computer visualizations. He is a pioneer in the computer visualization of four-dimensional geometry. With his paintings and innovative computer visualizations of hyperspace, he continues to investigate different models of the fourth dimension and how these are applied in art and physics.

Vessels

Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Gallery, University of Bath (Second Prize Winner). In ‘Vessels’ he shows some recent work from the series.

The Camille Diaries: New Artistic Positions on M/otherhood, Life and Care

The exhibition and the symposium ‘The Camille Diaries: New Artistic Positions on M/Otherhood, Life and Care’ (at ArtLaboratoryBerlin) presents new artistic works by eleven international artists:- Sonia Levy, Mary Maggic, Naja Ryde Ankarfeldt, Baum & Leahy, Špela Petric, Margherita Pevere, Ai Hasegawa, Nicole Clouston, Cecilia Jonsson and Tarah Rhoda. Under the current conditions of our world (the environmental crises, gender aspects, biopolitics, etc.), the artists reflect the term “motherhood” in a greatly expanded form, namely as a ‘taking care of’, as an interpersonal relationship.

In Posse: Making female sperm

Charlotte Jarvis is an artist and lecturer working at the intersection of art and science. Her practice often utilises living cells and DNA: “I have recorded music onto DNA, seen my heart beat outside of my body and am currently making the world’s first female sperm. My work explores the body as a liminal space – a site for transformation, hybridisation and magic”. In Posse is a work In progress: “A mission to make ‘female’ sperm from my own stem cells”.