Inspired by the natural world with a background in science, I make intuitive art with paint and mixed media then process images digitally to share educational stories and ideas. By using art to explore science, enhanced learning and insight can arise through both the creative process and the end result.
Mario Klingemann is an artist working with algorithms, data and artificial neural networks. He investigates the possibilities that machine learning and artificial intelligence offer in understanding how creativity, culture and their perception work. He has worked part-time as an artist in residence at Google Arts and Culture since early 2016 and is a prominent member of a new school of artists who are turning neural network technology inside out. In this exclusive interview he discusses his ideas and work.
Leah Henrickson is a doctoral student at Loughborough University’s School of the Arts, English and Drama. Her current research focuses on discerning the social and literary implications of natural language generation. Her past research projects have focused on the visualities of medieval manuscripts and 1960s/70s American countercultural material.
Arthur I. Miller is fascinated by the nature of creative thinking – the mind’s ability to transform information from everyday experiences into the most sublime works of art, literature, music and science. Professor Emeritus at University College London, he is currently completing a book on AI and creativity in art, literature and music, ‘Mozart’s Flute: Genius and Creativity in the Age of Machines’.
Mike Tyka studied Biochemistry and Biotechnology at the University of Bristol. He obtained his PhD in Biophysics in 2007 and went on to work as a research fellow at the University of Washington and has been studying the structure and dynamics of protein molecules. Since 2015 he has also begun working with artificial neural networks as an artistic medium and tool. His latest generative portraits series “Portraits of Imaginary People” has been shown at ARS Electronica in Linz, OutOfSight 2017 and at the New Musueum in Karuizawa, Japan. Mike currently works on machine learning at Google in Seattle.
AI challenges fundamental concepts such as the human and the machine. Myth, metaphor, and generally the languages of art and literature as well as philosophy can be helpful in thinking through the challenges of AI when the languages of science, technology and commerce fail. The paper examines the enduring value of Mary Shelley’s Frankenstein in considering the questions of AI. The impact of AI upon human agency is also discussed. Without ways of thinking about, and grappling with a phenomenon as far reaching and transformative as AI, humans risk unintended, unforseen and perhaps unwelcome consequences of their technologies.
“As a metaphysical artist I am concerned with a three-way comparison between: metaphysics (science of subject / why), Science of object (how), and information technology, the most important metaphor we have for the nature of consciousness.”
“My focus is consciousness. First, consciousness from the body and mind, then as it relates to its inherent contexts, history, religion and culture.”
Lewis deSoto is an American artist of Cahuilla Native American ancestry. His multimedia installations combine sound, light, video, space, and sculpture elements and are site-specific or oriented toward making a complete environment. His conceptual artwork utilizes automobiles, inflatables, electronics, photography, wood and metal construction. In this exclusive interview he discusses his ideas and work.
“The dialogue between contemporary art and spirituality is broader and more complex than it was during modernism because contemporary art is more varied, and because spirituality as a discourse is more diverse including religious traditions that go beyond Judaeo-Christianity.”
Dr Rina Arya is a Reader at the University of Wolverhampton who is interested in the visual and material culture of religion. In this exclusive interview she discusses nature of the dialogue between art and spirituality, how they come together and what form they take.
“I am exploring adult fairytale narrative to develop the landscape as a dramaturgic and anthropomorphic element wherein all forms of life are connected through energy conversion, growth and decay.”