In recent history, the arts and sciences have often been considered opposing fields of study, but a growing trend in drawing research is beginning to bridge this divide. Gemma Anderson’s ‘Drawing as a Way of Knowing in Art and Science’ introduces tested ways in which drawing as a research practice can enhance morphological insight, specifically within the natural sciences, mathematics and art.
Exploring particular issue themes, articles will be created by contributors via invitation, commission and open submission from subscribers.
Tam Hunt is an Affiliate Guest in Psychology in the META Lab, Psychological and Brain Sciences Department, University of California, Santa Barbara. His work focuses on the philosophy of mind, reconciliation of scientific and spiritual views of the world, and the interaction of mind and matter. A practicing lawyer, he brings a unique perspective to psychology and philosophy.
Thomas Cronin is Professor of Biological Sciences, University of Maryland, Baltimore County. His research interest is in Visual ecology: the evolution, adaptation, and specialization of visual systems of animals ranging from the simplest marine invertebrates to complex animals like mantis shrimps, cuttlefish, whooping cranes, and right whales
Jenny Walsh is a glass artist who uses glass in combination with other materials to explore the interface between art, science and technology, examining both the role of glass in scientific discoveries, as well as using glass to convey scientific concepts.
Costas Andrew Mikellides is a qualified Interior Designer, former Chairman of the British Institute of Interior Design, Fellow Member of the Royal Chartered Society of Designers, with experience in industry and education.
“Within my art practice I examine ways in which climate and current cultural awareness influence how we regard landscape phenomena”.
Catherine Richardson experiments with natural processes using paint, inks, pond water and metals; building a library of textures by freezing, thawing, evaporating, heating and burning. Using these textures the artist compiles mixed medium ‘paintings’ on panel or paper. Richardson then uses digital techniques to organize a collage of scanned textures, creating imagery that expresses landforms experienced.
Leon Radschinski-Gorman graduated from the MA Art and Science course, University of Arts London where he researched how relationships between sound and image can be reconciled from a cognitive science and neurological point of view. This essay presents a cross-modal and embodied account of creativity with sound in order to understand better the processes involved in being creative.
Agonism / Antagonism is a new exhibition resulting from artist Neus Torres Tamarit’s residency in the laboratory of Dr Max Reuter, Reader in evolutionary genetics at UCL, and part of a long-term collaboration with computer scientist Ben Murray.
James Sprittles is an Associate Professor in the Mathematics Institute at the University of Warwick, who studies the mathematical modelling and computational simulation of technologically-relevant interfacial flows, which are particularly relevant in the emerging fields of nano- and microfluidics.
“In the past we tended to imagine that water was a scarce and precious resource. But as we learn more about our place in the Universe, we are becoming ever more aware that water is everywhere.”
Professor Jonti Horner, an astronomer and astrobiologist who currently works in the Computational Engineering and Science Research Centre at the University of Southern Queensland, in Toowoomba, Australia.