Susie Howarth is a multi-disciplinary artist currently making drawings exploring errors, imperfections and erasures. She takes inspiration from organisational documents: annual reports, business plans, newsletters, brochures, charts and strategic policy frameworks.
Exploring particular issue themes, articles will be created by contributors via invitation, commission and open submission from subscribers.
Anna Ursyn is a professor and Computer Graphics/Digital Media Area Head at the School of Art and Design, University of Northern Colorado, USA. She combines programming with software and printmaking media, to unify computer generated and painted images, and sculptures.
Werner Sun is a visual artist who lives and works in Ithaca, NY. A particle physicist by training, he makes folded paper constructions that investigate the role of pattern and abstraction in the everyday acts of observing and knowing. Werner’s practice combines elements of sculpture, photography, coding, digital printmaking, drawing, and collage.
Roger Beaty is a postdoctoral fellow in cognitive neuroscience working with Daniel Schacter in the Schacter Memory Lab at Harvard University. His research explores the neural and cognitive basis of creativity. In particular, he studies the roles of memory systems and cognitive control in creative thought.
Dr Thomas Woolley is a Lecturer in Applied Mathematics at Cardiff University. He specializes in mathematical biology, where his doctorate focused on understanding the pattern formation behind fish spots and zebra stripes. Alongside this research he now investigates mathematical models of stem cell movement. The hope is that by understanding how stem cells move we can influence them and, thus, speed up the healing process.
Dr Priya Subramanian is a Research Fellow at the Department of Mathematics, University of Leeds. Her interests lie in understanding mechanisms that govern spatio-temporal patterns and emergent behaviours in systems such as thermacoustic systems, transistional (convective/shear) flows of fluids and motion of active organelle filaments. Currently, she is looking at formation of quasipatterns; patterns that possess discrete spectra despite having no translational symmetries.
Bob Sturm is a Lecturer in Digital Media at the School of Electronic Engineering and Computer Science, Queen Mary University of London, specialising in audio and music signal processing, machine listening, and evaluation. Oded Ben-Tal is a composer with complementary research interests at the intersection of Music, Cognition, and Computing. His compositions range from instrumental works to interactive pieces combining live performers with electronics, and include multimedia collaborations with artist from other domains such as video, dance, and visual design.
Subhash Kak is an Indian American computer scientist. He is Regents Professor and a previous Head of Computer Science Department at Oklahoma State University–Stillwater who has made contributions to cryptography, artificial neural networks, and quantum information.
Leah Henrickson is a doctoral student at Loughborough University’s School of the Arts, English and Drama. Her current research focuses on discerning the social and literary implications of natural language generation. Her past research projects have focused on the visualities of medieval manuscripts and 1960s/70s American countercultural material.
AI challenges fundamental concepts such as the human and the machine. Myth, metaphor, and generally the languages of art and literature as well as philosophy can be helpful in thinking through the challenges of AI when the languages of science, technology and commerce fail. The paper examines the enduring value of Mary Shelley’s Frankenstein in considering the questions of AI. The impact of AI upon human agency is also discussed. Without ways of thinking about, and grappling with a phenomenon as far reaching and transformative as AI, humans risk unintended, unforseen and perhaps unwelcome consequences of their technologies.