D.L. Marrin (nickname West) is an applied scientist specializing in biogeochemistry, water resources and aquatic ecology. He also works with artists in utilizing spatial/temporal patterns to communicate science and develop functional art.
Exploring particular issue themes, articles will be created by contributors via invitation, commission and open submission from subscribers.
Laura Krasnow usies the medium of photography to explore the connections between the artistic and scientific realms of inquiry.
Working with traditional and non-traditional art making tools, including printmaking, digital photography, film and Polaroid film, drawing and paint, she seeks to interpret theories of physics, math and neurological research, to reconstruct individual recollections of time, place, and space.
“Human memory represents my main research interest, and more specifically I study how personal memories are remembered in normal people and in those whose ability to remember is exceptional. I believe in disseminating the results of research to the larger public. My work on memory has been featured in newspapers and magazines in the UK (among many, The Sunday Times) and around the world (among many,The Washington Post). I enjoy collaborations with artists (see the False Memory Archive; The Not Knowns theatre project, both funded by the Wellcome Trust).”
Giuliana Mazzoni is Professor of Psychology, University of Hull.
Davinia Fernández-Espejo is Senior Lecturer, School of Psychology and Centre for Human Brain Health, University of Birmingham. Her main goal is to understand how the brain supports consciousness and what goes wrong for patients to become entirely unaware after severe brain injury. She uses techniques such as MRI (structural and functional), tDCS, and behavioural approaches in both healthy volunteers and patients with a disorder of consciousness to test hypotheses about the role of different brain structures in the clinical deficits they present. This research is directly translated into the development of diagnostic and prognostic biomarkers to be used in clinical settings, as well as the development of novel treatment approaches.
Dr Martin Archer is a Space Physicist at Queen Mary University of London (and Imperial College London). Martin became a published scientist whilst still an undergraduate, working on the Cluster space mission. It is this work which has inspired his PhD research on structures and waves in the Earth’s magnetosphere.
“I am interested in the flow of liquids and gases at very small scales (so-called microfluidics) where experimental analysis is often impossible. Using mathematical modelling and computational simulation can then provides unique insight into such flows.
Much of my research has concerned the dynamics of liquid drops – how they merge, form and interact with solid surfaces (do they splash?).”
James Sprittles is Assistant Professor in Mathematics, University of Warwick.
Dr. Sheena Calvert is a philosopher/artist/designer and educator, working at both University of the Arts, London and the Royal College of Art. She has an active interest in the intersections between a wide range of creative disciplines, including practices ranging from typography and experimental book-works, to works involving sound/performance. She is particularly concerned with exploring the implications of emergent language-based technologies, including developments in ‘natural’ language technologies, which potentially impact on the future of human language.
Sidney Perkowitz, Candler Professor of Physics Emeritus at Emory University, writes about science and art, and other popular topics in science. His latest books are ‘Physics: A Very Short Introduction’ and ‘Real Scientists Don’t Wear Ties’.
Robert Pepperell is an interdisciplinary researcher who works between art, science, and philosophy. He has published research in the fields of art history and theory, neuroscience, perceptual psychology, computer science, and philosophy of mind. He current leads FovoLab (www.fovography.com), where methods from art and science are combined to investigate the nature of visual experience and how it can be represented.
When celebrated neuropsychologist Paul Broks’s wife died of cancer, it sparked a journey of grief and reflection that traced a lifelong attempt to understand how the brain gives rise to the soul. The result of that journey. ‘The Darker the Night, the Brighter the Stars’, is a gorgeous, evocative meditation on fate, death, consciousness, and what it means to be human.
In this correspondence Paul Broks discusses the production of this book with Garry Kennard, its illustrator.