Annie Cattrell’s practice is often informed by working with specialists in neuroscience, meteorology, engineering, psychiatry and the history of science. This cross-disciplinary approach has enabled her to learn about cutting edge research and in depth information in these fields. She is particularly interested in the parallels and connections that can be drawn within these approaches in both art and science.
The magazine will feature exclusive interviews with artists, scientists, writers and creative thinkers.
Grant Maxwell is the author of ‘The Dynamics of Transformation: Tracing an Emerging World View’, ‘How Does It Feel?: Elvis Presley, The Beatles, Bob Dylan, and the Philosophy of Rock and Roll’, and ‘Beyond Plato’s Cave’. He has served as a professor at Baruch College and Lehman College in New York, and he has written for the American Philosophical Association blog, American Songwriter magazine, and the Journal of Religion and Popular Culture.
Micaela Lattanzio is a Roman photographer and artist who explores the fragmentation of female identity through the deconstruction and the subsequent reworking of female portraits. Her work explores the intricate paths of consciousness and self-awareness, the body and is a reflection on social relationships, on the specific weight that our presence has in our environment.
“My studio practice often fuses common household materials and ordinary life activities with semi-exotic art textures, supplies and procedures. I mix forms of art and life with emotional and ideological premises that culminate in artifacts that seem to find solace in concrete irreverence.”
Brett Reif is influenced by Arte Povera and specializes in non-traditional media wall work, sculpture and installation. His use of common household materials, surfaces and objects along with raw, natural objects to create drawings, paintings, reliefs, sculptures and installations, nurtures home materials to embody our stress, conflict, hope and fear.
Todd McLellan is a photographer and fixer from Canada. He was formally educated in photography at the Alberta University of the Arts but gained the bulk of his knowledge working in the field. He works both in the commercial photography/motion world as well as developing his personal work. His most recent photo series ‘Things Come Apart’ is a teardown of our everyday objects. The series is also currently touring North America with the Smithsonian Institution Traveling Exhibition Service (SITES) until 2021.
“My work is an exploration of complex systems in nature, and the dynamic interplay of structure and contingency that makes up the universe. I begin with spirals as a basic unit of configuration. Using compressed air to create and move small currents of paint, I yield control to my materials so that these basic units become force fields, drawing energy within themselves like a vortex and radiating it outward. As they bump up against one another, and overlap, they create interference patterns and complex interstitial spaces. These vibrate in a dynamic interplay in which nothing is static, where “positive and “negative” spaces shift in relation to one another in the shifting light.”
Harold Offeh is an artist working in a range of media including performance, video, photography, learning and social arts practice. Offeh, often employs humour as a means to confront the viewer with historical narratives and contemporary culture and is interested in the space created by the inhabiting or embodying of history.
Leah Clements’s practice is concerned with the relationship between the psychological, emotional, and physical, often through personal accounts of unusual or hard-to-articulate experiences. Her work also focuses on sickness / cripness / disability in art, in critical and practical ways.
In March 2019, Leah launched ‘Access Docs for Artists’: an online resource made in collaboration with Lizzy Rose and Alice Hattrick to help disabled artists create and use access documents.
Sarah Howe is a UK based artist whose installations situate still and moving image within sculptural space. Her work stands in the crossing between a material and psychological landscape, in a reach to illustrate heightened inner states.
Her installation ‘Consider Falling’ is rooted in research into derealisation (the condition of feeling that reality is unreal) and depersonalisation (a feeling of detachment from oneself, or that oneself is unreal) collectively referred to as DPD.
Esther Rolinson is a British visual artist who explores the use of new media technology as well as long-established artistic languages such as drawing and sculpture. Her interest in bringing consciousness to our sensations led her to work with light. Due to its immediacy and potential to affect our senses, light became an important feature of her artistic production, one among a wide range of materials that she uses. Another key element is computer programming. In her work the use of new media is as essential as pencil and paper.