Dr. Claudia Schnugg is a curator and producer of art and science collaboration and a researcher in the intersections of art and aesthetics with science, technology, and business. She produces artscience collaborations, artist-in-residence programs, media art projects as well as various projects intertwining art, science, technology, and innovation in business, industry, scientific organizations and cultural organizations. She also holds workshops, runs research projects, and gives talks about developments on the intersection of art, science, technology, and business.
The magazine will feature exclusive interviews with artists, scientists, writers and creative thinkers.
Dr Ahna Skop is a Professor in the Department of Genetics and an affiliate faculty member in Life Sciences Communication and the UW-Madison Arts Institute at the University of Wisconsin-Madison. She mentors both scientists and art students in her lab, and also serves on the board of the Wisconsin Science Museum, where many of her artscience collaborations are on display. Some of her work can be seen in the main entrance of the Genetics/Biotechnology Center building on the UW-Madison campus with a 40ft-scientific art piece called “Genetic Reflections”. She has also curated and contributed to a traveling exhibition of scientific art called “TINY: Art from microscopes” from the UW-Madison campus, and she has organized the bi-annual Worm Art Show for the International C. elegans Meeting for over 24 years. Ahna is a winner of the prestigious Presidential Early Career Awards for Scientists and Engineers (PECASE).
Patrick McDonnell is a founding member of European Medical Illustration Association. For over 20 years he was a member of the Association of Medical Illustrators, during which time he won various awards in the AMI salons. Award of Excellence for Medical Book. 1st, 2nd and honourable mention for medical computer graphics. He has illustrated over 20 Medical textbooks and surgical atlases on various subjects for different doctors, surgeons and scientists.
Dr Pamela Whitaker is an art therapist living in Ireland who practices under the name of Groundswell, a social enterprise working in the areas of art therapy, art and participation, environmental arts, and arts and health. She has written ‘Groundswell: The Nature and Landscape of Art Therapy in Materials and Media in Art Therapy’ (edited by Catherine Hyland Moon) and ‘The Art Therapy Assemblage in Art Therapy and Postmodernism’ (edited by Helene Burt).
Dr. Kate Stafford is a Principal Oceanographer at the Applied Physics Lab and affiliate Associate Professor in the School of Oceanography at the University of Washington in Seattle. She has worked in marine habitats all over the world, from the tropics to the poles, and is fortunate enough to have seen (and recorded) blue whales in every ocean in which they occur. Stafford’s current research focuses on the changing acoustic environment of the Arctic and how changes from declining sea ice to increasing industrial human use may be influencing subarctic and Arctic marine mammals.
Anna Sofie Jespersen is a Danish artist based in London who produces emotive figurative works. Anna’s powerful drawings are laden with feeling. Her large scale works have a particularly strong impact. She trained at the Chelsea College of Art and has won awards for both drawing and painting, including second prize in the 2016 Jerwood Drawing Prize for her work ‘Sid in Bathtub’. She was shortlisted for the 2017 Bloomberg New Contemporaries.
Pei-Ying Lin is an artist / designer from Taiwan and currently based in Eindhoven, the Netherlands. Her main focus is on the combination of science and human society through artistic methods and is particularly interested in building a common discussion ground for different cultural perspectives regarding elements that construct our individual perception of the world.
Heather Dewey-Hagborg is an artist and biohacker who is interested in art as research and technological critique. Her controversial biopolitical art practice includes the project ‘Stranger Visions’ in which she created portrait sculptures from analyses of genetic material (hair, cigarette butts, chewed up gum) collected in public places.
“At the core of my practice are concerns as to how humankind comes to terms with mortality: by unearthing the unseen, making the invisible visible. Part of that process is about being open about impairment, and working to empower others through creativity to find a voice with which to challenge stigma. Ultimately my work is underpinned by themes of fragility and resilience, a shared and positive sense of survival in the face of chronic health conditions, and the politics and myths surrounding disability.”
Rachel Gadsden is a British artist who is exhibited internationally and who works across the mainstream and disability art sectors, presenting cross-cultural visual dialogues that consider the most profound notions of what it is to be human.
Artist Klari Reis is best known for her Petri Dish series, a multicolour set of circular blobs created using a blend of media and ground-breaking techniques. The core of her approach is the transformation and pigmentation of a UV-resistant plastic, the epoxy polymer, into unique and cutting edge artworks. She uses the tools and techniques of science in her creative process, constantly experimenting with new ways to apply materials and methods. She is driven by curiosity and her desire to explore and document the natural and unnatural with a sense of wonder and joy.