Dr Pamela Whitaker is an art therapist living in Ireland who practices under the name of Groundswell, a social enterprise working in the areas of art therapy, art and participation, environmental arts, and arts and health. She has written ‘Groundswell: The Nature and Landscape of Art Therapy in Materials and Media in Art Therapy’ (edited by Catherine Hyland Moon) and ‘The Art Therapy Assemblage in Art Therapy and Postmodernism’ (edited by Helene Burt).
The magazine will feature exclusive interviews with artists, scientists, writers and creative thinkers.
Dr. Kate Stafford is a Principal Oceanographer at the Applied Physics Lab and affiliate Associate Professor in the School of Oceanography at the University of Washington in Seattle. She has worked in marine habitats all over the world, from the tropics to the poles, and is fortunate enough to have seen (and recorded) blue whales in every ocean in which they occur. Stafford’s current research focuses on the changing acoustic environment of the Arctic and how changes from declining sea ice to increasing industrial human use may be influencing subarctic and Arctic marine mammals.
Anna Sofie Jespersen is a Danish artist based in London who produces emotive figurative works. Anna’s powerful drawings are laden with feeling. Her large scale works have a particularly strong impact. She trained at the Chelsea College of Art and has won awards for both drawing and painting, including second prize in the 2016 Jerwood Drawing Prize for her work ‘Sid in Bathtub’. She was shortlisted for the 2017 Bloomberg New Contemporaries.
Pei-Ying Lin is an artist / designer from Taiwan and currently based in Eindhoven, the Netherlands. Her main focus is on the combination of science and human society through artistic methods and is particularly interested in building a common discussion ground for different cultural perspectives regarding elements that construct our individual perception of the world.
Heather Dewey-Hagborg is an artist and biohacker who is interested in art as research and technological critique. Her controversial biopolitical art practice includes the project ‘Stranger Visions’ in which she created portrait sculptures from analyses of genetic material (hair, cigarette butts, chewed up gum) collected in public places.
“At the core of my practice are concerns as to how humankind comes to terms with mortality: by unearthing the unseen, making the invisible visible. Part of that process is about being open about impairment, and working to empower others through creativity to find a voice with which to challenge stigma. Ultimately my work is underpinned by themes of fragility and resilience, a shared and positive sense of survival in the face of chronic health conditions, and the politics and myths surrounding disability.”
Rachel Gadsden is a British artist who is exhibited internationally and who works across the mainstream and disability art sectors, presenting cross-cultural visual dialogues that consider the most profound notions of what it is to be human.
Artist Klari Reis is best known for her Petri Dish series, a multicolour set of circular blobs created using a blend of media and ground-breaking techniques. The core of her approach is the transformation and pigmentation of a UV-resistant plastic, the epoxy polymer, into unique and cutting edge artworks. She uses the tools and techniques of science in her creative process, constantly experimenting with new ways to apply materials and methods. She is driven by curiosity and her desire to explore and document the natural and unnatural with a sense of wonder and joy.
“My artistic narrative is influenced by my experience and involvement, over the years, in the scientific study and investigation of cell structure and function……….The physical and chemical properties of atoms and molecules, the composition of matter, the energy, matter’s wear and degradation — these are the raw materials I use to compose a personal artistic landscape.”
Thalia Gatzouli currently lives and works as an artist and a Nuclear physician in Thessaloniki, Greece.
Andrew McKeown has completed many large scale sculpture commissions throughout the U.K and internationally. Recurring themes within his work are those of growth, change and renewal and these natural or organic themes are often combined with site specific historical or industrial references which can be both literal and metaphorical. Andrew’s expertise is in sculpture, design and environmental regeneration. Casting and mould making processes inform and influence his work in both a practical and conceptual way and he often create installations of multiple sculptures which are cast or fabricated in durable materials such as iron, steel, bronze and stone.
Massinissa Selmani’s work aims to create drawn forms mingling a documentary approach with fictional constructions and animations, while taking as its point of departure contemporary political and social issues from press cuttings. Through confrontation, juxtaposition and even the superposition of actual elements, whose contexts have systematically been concealed, the artist creates enigmatic, ambiguous scenes unlikely to happen in reality.