“My work is an exploration of complex systems in nature, and the dynamic interplay of structure and contingency that makes up the universe. I begin with spirals as a basic unit of configuration. Using compressed air to create and move small currents of paint, I yield control to my materials so that these basic units become force fields, drawing energy within themselves like a vortex and radiating it outward. As they bump up against one another, and overlap, they create interference patterns and complex interstitial spaces. These vibrate in a dynamic interplay in which nothing is static, where “positive and “negative” spaces shift in relation to one another in the shifting light.”
The magazine will feature exclusive interviews with artists, scientists, writers and creative thinkers.
Harold Offeh is an artist working in a range of media including performance, video, photography, learning and social arts practice. Offeh, often employs humour as a means to confront the viewer with historical narratives and contemporary culture and is interested in the space created by the inhabiting or embodying of history.
Leah Clements’s practice is concerned with the relationship between the psychological, emotional, and physical, often through personal accounts of unusual or hard-to-articulate experiences. Her work also focuses on sickness / cripness / disability in art, in critical and practical ways.
In March 2019, Leah launched ‘Access Docs for Artists’: an online resource made in collaboration with Lizzy Rose and Alice Hattrick to help disabled artists create and use access documents.
Sarah Howe is a UK based artist whose installations situate still and moving image within sculptural space. Her work stands in the crossing between a material and psychological landscape, in a reach to illustrate heightened inner states.
Her installation ‘Consider Falling’ is rooted in research into derealisation (the condition of feeling that reality is unreal) and depersonalisation (a feeling of detachment from oneself, or that oneself is unreal) collectively referred to as DPD.
Esther Rolinson is a British visual artist who explores the use of new media technology as well as long-established artistic languages such as drawing and sculpture. Her interest in bringing consciousness to our sensations led her to work with light. Due to its immediacy and potential to affect our senses, light became an important feature of her artistic production, one among a wide range of materials that she uses. Another key element is computer programming. In her work the use of new media is as essential as pencil and paper.
Marta Kaczmarczyk is an expert in persuasive science and technology. She is interested in demystifying the psychedelic experience and creating a scientific framework that would be more accessible to the Western mind and more relevant than the shamanic or new age framework which is popular in the psychedelic community. She is a co-founder and a coordinator of Psychedelic Society of the Netherlands; a non-profit organization focused on advocating a safe use of psychedelic substances.
Joshua Burraway is a medical anthropologist working at the intersection between social and political theory, cultural phenomenology, addiction medicine, and psychiatry. He is interested in how historical and structural forces shape different modes of subjectivity, in particular with regards to altered states of consciousness induced by psychoactive chemicals among homeless substance-users.
Dr Peter Sjöstedt-H is an Anglo-Scandinavian philosopher of mind who specializes in the thought of Whitehead and Nietzsche, and in fields pertaining to panpsychism and altered states of sentience. In the words of futurist, philosopher and pop star Alexander Bard: ‘One of our favourite contemporary philosophers, Peter Sjöstedt-H…think a psychedelic Nietzsche’.
Gene Kogan is an artist, programmer and leading educator in the field of creative AI – who is developing the world’s first decentralized autonomous artist. He is a collaborator within numerous open-source software projects, and gives workshops and lectures on topics at the intersection of code and art.
Ernest Edmonds’ art is in the constructivist tradition and he is a pioneer in the use of computers and computational ideas. His art explores algorithms used to relation to colour, time, communication and interaction. He first used computers in his practice in 1968, first showed an interactive artwork with Stroud Cornock in 1970 and first showed a generative time-based computer work in London in 1985. His many awards include ACM SIGGRAPH 2017; Distinguished Artist Award for Lifetime Achievement In Digital Art and ACM SIGCHI 2017; Lifetime Achievement Award for the Practice of Computer Human Interaction.