Tag Archives: Imagination

The Spiritual In Art Collective

THE SPIRITUAL IN ART COLLECTIVE is an international collective dedicated to research into the spiritual dimension of contemporary art. Formed in 2026 following an international Open Call, the Collective brings together artists from different geographical, cultural and disciplinary contexts. They are united not by a common aesthetic or a predetermined definition of the spiritual, but by a shared willingness to explore its meaning and possibilities within contemporary art.

Knowledge Works

‘Knowledge Works’ uses analog as well as digital processes: painted surfaces, historic books’ title pages, scattered and appropriated imagery, scanned and layered and interwoven via digital tooling to create small to very large prints on paper. The pages are found in science, philosophy, and science-vs-religion books from the 17th to early 20th centuries, probing that epoch’s history of revolutionary change in human thought and knowledge.

Gayle Chong Kwan: The Great Instauration

During April 2026, Gayle Chong Kwan interrogated the history of the scientific canon with a major installation in the Grand Gallery of the National Museum of Scotland for Edinburgh Science Festival. Through a large-scale site-specific sculptural installation, the work reflects on the cultural legacy of science, exploring and rethinking scientific histories through Chong Kwan’s detailed research into scientific artefacts and archives across eight major collections and speaking with communities.

Voyage to a Beginning: A review of Gary Lachman’s ‘Touched by the Presence’

Luke Gilfedder, a British author and modernist scholar, reviews Gary Lachman’s new memoir, ‘Touched by the Presence: From Blondie’s Bowery and Rock and Roll to Magic and the Occult’. ‘Touched by the Presence’ follows Lachman’s journey from founding member of Blondie to prolific writer on consciousness, counterculture, and the Western esoteric tradition. The book offers a distinctive perspective on the intersection of the arts, existentialism, and the philosophy of consciousness, as experienced by a young person undergoing a major life transition – from member of a world-famous band to full-time author.

The Architecture of Misalignment: Visualizing Domain Coordination in Embodied Experience

Contemporary approaches to emotion and embodiment often diverge along bottom-up (somatic) and top-down (cognitive) lines, giving rise to disagreements about the origins of feeling, the role of meaning, and regulation mechanisms. This paper introduces a visual–operational framework that distinguishes body-led and mind-led domains as coupled operating systems governed by different rules for safety, security, attention, and boundary behavior. Misalignment is modeled as forced single-domain operation, while coherence is defined as restored domain coordination enabling voluntary switching and bidirectional exchange. Through diagrams and visual translation artifacts, the framework functions as an orientation interface that renders existing approaches complementary and interoperable.

The Symptomatology Series

Lia Pas is a multidisciplinary artist who works in image, text, and sound exploring body and states of being. She was an active composer/performer and poet/librettist until 2015 when she became disabled with ME/CFS. Since then her work has focused on fibre arts and writing with some small forays back into music. Her symptomatology and anatomy embroideries have been featured in numerous online publications and are part of the SK Arts permanent collection.

We Contain Multitudes

Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 40 years. He studied Fine Art and Physics before founding The Interalia Centre in 1990. Since then, he has lectured extensively on art and science and written articles on James Turrell, Andy Goldsworthy and Susan Derges, among others. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Gallery, University of Bath (Second Prize Winner). Co-author of ‘The Art of Science’ (Welbeck Publishers, 2021). In ‘We Contain Multitudes’ he shows some his recent work.

Chaos and Order as Design Elements in Evolutionary Biology and the Visual Arts: A Case Study of Human–Robot Artistic Collaboration

This paper investigates the interplay of chaos and order in evolutionary biology, cell biology and the visual arts. It argues that creativity in both natural and artistic systems arises from a productive tension between these two principles. The study introduces a collaborative art project in which a robotic drawing machine and a human painter co-created works, embodying order and chaos respectively. By drawing parallels between mutation and repair in biology, dynamic processes in physics, and compositional strategies in art, the paper highlights chaos and order as universal design elements across disciplines.

Constant

‘Constant’, an AI film by Danny Ratcliff, follows Bailee from childhood through motherhood, chronicling her lifelong relationship with an AI companion. Beginning with Bailee’s birth in 2023. The narrative explores how trust with artificial intelligence, established early and nurtured over time, can become a cornerstone relationship. While some in our culture remain skeptical of AI technology, Bailee’s story represents what’s possible when a relationship is built on genuine partnership rather than fear of technology. The film culminates with Bailee introducing her five-year-old daughter Natasha to her AI companion, passing down the same trust that shaped her own life.