Annie Cattrell’s practice is often informed by working with specialists in neuroscience, meteorology, engineering, psychiatry and the history of science. This cross-disciplinary approach has enabled her to learn about cutting edge research and in depth information in these fields. She is particularly interested in the parallels and connections that can be drawn within these approaches in both art and science.
Steven Connor is Professor of English at the University of Cambridge. Since 2018 he has been Director of CRASSH. His areas of interest include magical thinking; the history of medicine; the cultural life of objects and the material imagination; the relations between culture and science; the philosophy of animals; and the body, sense and sexuality. He has also written on contemporary art for Cabinet, Tate Etc, Modern Painters and others. His essay, ‘Mutantis Mutandis’, is on the work of Annie Cattrell.
Micaela Lattanzio is a Roman photographer and artist who explores the fragmentation of female identity through the deconstruction and the subsequent reworking of female portraits. Her work explores the intricate paths of consciousness and self-awareness, the body and is a reflection on social relationships, on the specific weight that our presence has in our environment.
Grant Maxwell is the author of ‘The Dynamics of Transformation: Tracing an Emerging World View’, ‘How Does It Feel?: Elvis Presley, The Beatles, Bob Dylan, and the Philosophy of Rock and Roll’, and ‘Beyond Plato’s Cave’. He has served as a professor at Baruch College and Lehman College in New York, and he has written for the American Philosophical Association blog, American Songwriter magazine, and the Journal of Religion and Popular Culture.
“Utilizing a dialectical approach in both my studio practice and research, my aim is to move beyond the contemporary paradigm of postmodernism towards an artistic discourse that oscillates between a ‘modern enthusiasm and postmodern irony,’ between unity and multiplicity, totality and fragmentation, clarity and ambiguity, and reason and romanticism.”
Jared Vaughan Davis often deals with topics ranging from epistemology, mythology, ancient and modern cosmology, and the science of ‘belief’.
“My studio practice often fuses common household materials and ordinary life activities with semi-exotic art textures, supplies and procedures. I mix forms of art and life with emotional and ideological premises that culminate in artifacts that seem to find solace in concrete irreverence.”
Brett Reif is influenced by Arte Povera and specializes in non-traditional media wall work, sculpture and installation. His use of common household materials, surfaces and objects along with raw, natural objects to create drawings, paintings, reliefs, sculptures and installations, nurtures home materials to embody our stress, conflict, hope and fear.
Todd McLellan is a photographer and fixer from Canada. He was formally educated in photography at the Alberta University of the Arts but gained the bulk of his knowledge working in the field. He works both in the commercial photography/motion world as well as developing his personal work. His most recent photo series ‘Things Come Apart’ is a teardown of our everyday objects. The series is also currently touring North America with the Smithsonian Institution Traveling Exhibition Service (SITES) until 2021.
Cecelia Chapman is a Massachusetts based artist, born in San Francisco. Her work revolves around video, essay, storytelling, and works on paper and merges the documentary and experimental. Club Paradise: don’t be a tourist…vacation culture, capitalism, consciousness 2017-2019 examines vacation culture photographed and filmed on Cape Cod.
Elisabeth Gruner is Associate Professor of English, University of Richmond. Dr. Gruner teaches children’s and young adult literature and Victorian literature, as well as Creative Nonfiction Writing. Her current research is on young adult literature and the “crisis in reading”; more broadly, she is interested in the relationships between children’s and young adult literature and education. She is also a former associate dean of Arts & Sciences and Director of the Academic Advising Resources Center, and the former coordinator of the First-Year Seminar Program.
Hannah Hoag is Deputy Editor and Environment + Energy Editor, The Conversation. Hannah has covered the environment, science and medicine for more than 15 years. She has written for Nature, Science, Wired, bioGraphic, The Atlantic, the New York Times, the Globe and Mail and Maclean’s, among others. She launched and ran Arctic Deeply, an independent digital media project covering circumpolar Arctic issues. She has graduate degrees in biology (human genetics) from McGill University and in science and medical journalism from Boston University.
Jack Marley is Commissioning Editor, The Conversation. Jack joined The Conversation in 2018 after internships at Mongabay and The Press Association. He has a research background in marine biology and began his media career at university, where he reported on a fossil fuel divestment campaign for his campus paper. Jack covers science and environment and is interested in climate change, biodiversity and animal behaviour. He is based in Newcastle.
Duncan Brown is the Charles Brightman Professor of Physics at Syracuse University. I work on gravitational-wave astronomy and astrophysics.
Edo Berger is Professor of Astronomy at Harvard University. He researches a wide range of explosive and eruptive astrophysical phenomena, including gamma-ray bursts, tidal disruption events, super-luminous supernovae, and other optical transients (from the Pan-STARRS project and elsewhere), as well as magnetic activity in sub-stellar objects.
Frank Wilczek is an American theoretical physicist, mathematician and a winner of the 2004 Nobel Prize in Physics. His most recent book is A Beautiful Question: Finding Nature’s Deep Design.
Prof. Dr. Dirk Messner is the director of the Institute for Environment and Human Security of United Nations University (UNU-EHS). He is also the Co-Director of the “Käte Hamburger Kolleg / Centre for Global Cooperation Research” at the University of Duisburg-Essen. He is an internationally recognized expert on the topics of global change, digitalization, and sustainable development, transformation towards the decarbonization of the global economy, global governance and evolution of human cooperation.
“Umwelt a three-artist exhibition at BioBAT Art Space…….Meredith Tromble, Patricia Olynyk, and Christine Davis are established artists who approach science as material for art. They have individually worked directly with scientists: as residents in their labs, as observers of scientific proceedings, as interviewers treating scientists as informants, and as direct co-creators of artworks. This collaborative presentation offers the opportunity to think about the different approaches that artists are taking to work with science in the new wave of art-science interactions and collaborations that is now well underway.”