As well as illustrated articles and interviews, the magazine will include ‘visual’ and ‘sound’ articles.
Leonie Bradley is an artist working in a range of media including film, photography and print. Her work explores scale and ways of looking, from a unique tonal range. She creates large, handmade digital images that subvert the conventional viewing distance.
‘Wavefront’ is a collaboration with Kit Yates, Senior Lecturer in Department of Mathematical Sciences and Tim Rogers, Reader in Department of Mathematical Sciences, University of Bath.
“Water takes a central place in my view of the world. It is the container of life and the connective element in the landscape.”
Siobhan McDonald is a visual artist working in the medium of paint, film and sound. She is interested in the changeable nature of landmass, historical events and their interconnection to time. Many of her works seek to merge the poetic and the scientific to delve into a field that’s unknown to her.
Curated by arts collective Shrinking Space, who have previously worked with the likes of Somerset House and the Science Gallery London, The Wonder Project will encompass specially commissioned soundscapes, sculptures and artworks from a roster of esteemed UK artists and creative studios. Audiences will meander through Wakehurst’s woods, meadows and glades to interact with installations embedded into the landscape. The Wonder Project will encourage people to step out of their comfort zones, step away from their go-to-responses to any given situation, and attempt to wonder about where they find themselves in a new light.
Visualogical is both an interactive digital art workshop and a novel system of social investigation, developed by artist Victoria Westerman and curator Natasha Gertler.
By harnessing the power of group collaboration and artificial intelligence, Visualogical hacks into the visual subconscious of participants and allows them to illustrate it with regards to a chosen theme.
Margaret Inga Urías is a multidisciplinary artist primarily using the medium of drawing to create engraved sculptures, site-specific installations, large-scale murals, constructed photographs and works on paper. Drawn to lost histories, concealed origins and imperceptible, forgotten connections, she is interested in conditions that entangle the past, the present, and the future–re-examining how we orient ourselves, not only in the immediacy of places around us, but also in the universe that maintains us. With a specific interest in the physical laws and circumstances that brought space, time, matter and beings into existence, she creates works that often function as trace narratives– following the story of the small, the coincidental, and the invisible, over vast stretches of time.
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. In his recent series of drawings he explores the impermanent and shifting process of time.
Richelle Gribble’s exhibition, ‘Anthropocene’, took place at the Jonathan Ferrara Gallery (New Orleans, LA) between May and July 2018. With a strong interest in environmentalism, the artist examines human impact on nature and the biological consequences of human influence. Gribble’s highly conceptual work includes painting, drawing and sculpture.
When photography captures the Earth’s topography, vegetation often obfuscates the fine details. Light Detection and Ranging (LiDAR) allows the solid surface to be viewed in a new light. I have applied LiDAR technology to research the “Carolina bays”, ovoid basins found by the tens of thousands in the USA.
“My art seeks to give form to those processes of thought which have yet to be fully articulated and to explore the enormous scope of the beautiful and delicately balanced neural choreographies designed to reflect what is occurring in our own minds as we think.”
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. In his recent series of drawings he explores the impermanent and shifting process of thinking.
Jason Lane is an artist who collects predominantly reclaimed steel and is drawn to the aged qualities and personal histories of materials. Inspiration for his work is also in part derived from a fascination with mechanical objects and their animalistic qualities. He makes mechanical sculptures, which include a vehicular sound sculpture that was used in the closing ceremony of the 2012 Paralympics and the Blackpool art car parade in 2008. He has also made a series of drawing machines.