Archive | Audio/Visual RSS feed for this section

As well as illustrated articles and interviews, the magazine will include ‘visual’ and ‘sound’ articles.

Interlocking Systems of Making

“My work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also satisfied a strong interest in the ideas and methodology of science as a basis for the conceptual underpinning of the work. As such, the method of creating my work is scientifically inspired with a well thought out and tested process oriented to have optimal pragmatic results both for the quality of the work itself and the benefits of the process for me as the maker.”

Daniel Hill is a painter, sound artist, curator, educator, and writer whose work explores the relationship between visual art, sound, and science. His paintings employ a rules based system in which the notion of embodied cognition is an inquiry as well as the balance between the aesthetic and conceptual.

Ecstasis

Fine artist Luciana Haill works with stroboscopic lighting & brainwaves (EEG signal) exploring consciousness & expressing the results through digital media, performance, sound & drawings.
Her artworks focus on liminal states of consciousness, sleep – more specifically the discrete states of Lucid Dreaming (the awareness within a dream & the ability to take control) & ‘Hypnagogia’ which is an inspirational state more commonly experienced at the onset of sleep & day-dreaming. She investigates the neural correlates & reveals these to the audience as changes in textured soundscapes & data visualisations. She is currently a visiting lecturer at Brighton University for the Digital Media Art MA.

Neural Zoo

Sofia Crespo’s work consists of different projects working with artificial intelligence, computed image recognition, and neural networks. Her project, Neural Zoo, explores how creativity combines known elements in a specific way in order to create something entirely new. In the process of generating new creatures, that don’t exist yet, she offers a perspective on how similar human creativity works. The creator, in this case, would be the algorithm itself, but with a human artist as its muse.

Ai-Da: Robot Artist

“Ai-Da is the world’s first ultra-realistic AI robot artist. She can draw, and is a performance artist. As a machine, with AI capabilities, her artist persona is the artwork, along with her drawings, performance art and collaborative paintings and sculptures.”

Named in honour of the pioneering female mathematician Ada Lovelace, Ai-Da was invented by gallery director Aidan Meller. She had her first solo exhibition, ‘Unsecured Futures’, at St John’s College, Oxford in June 2019.

Missing Mass

Experimenting with ideas of time, space and physicality, Carey Young’s body of artistic work explores law as a separate kind of ‘reality’, one with its own inherent subjectivities and points of breakdown.

‘Missing Mass’ (2010) is a sculptural work created with the scientific guidance of Prof. Malcolm Fairbairn, an astrophysicist based at King’s College London and is exhibited at the Science Gallery, London exhibition ‘Dark Matter: 95% of the Universe is missing’.

The Alchemy of Oblique Topography

Ryota Matsumoto is a principal and founder of an award-winning interdisciplinary design office, Ryota Matsumoto Studio. He is an artist, designer and urban planner. His artwork reflects the morphological transformations of our ever-evolving urban and ecological milieus, which could be attributed to a multitude of spatio-temporal phenomena influenced by social, economic, and cultural factors.

Cassini’s Dreams

Sounds of the cosmos have only been explored to a limited degree yet Saturn’s rings have not been deeply explored for its sound. From Cassini’s research, artist China Blue and her team translated the raw data from the dust and ice particles combined with an artistic interpretation of what would be heard from Cassini’s viewpoint as it traveled through and around Saturn’s rings, to create the bases of her exhibition at the Venice Biennale 2019.

Exploring interconnections of order and chaos

“I am an emerging artist living in Cambridgeshire. Due to circumstances involving one of my children and a traumatic brain injury, I began my current practice as a way to cope with the neurological rehabilitation that has consumed family life. This experience feeds heavily into my artistic process.”

Katherine Gravett has worked in collaboration with neuroscientists in Cambridge and her work has been exhibited in artistic, scientific and therapeutic settings.