Sidney Perkowitz, Candler Professor of Physics Emeritus at Emory University, writes about science and art, and other popular topics in science. His latest books are ‘Physics: A Very Short Introduction’ and ‘Real Scientists Don’t Wear Ties’.
Fine artist Luciana Haill works with stroboscopic lighting & brainwaves (EEG signal) exploring consciousness & expressing the results through digital media, performance, sound & drawings.
Her artworks focus on liminal states of consciousness, sleep – more specifically the discrete states of Lucid Dreaming (the awareness within a dream & the ability to take control) & ‘Hypnagogia’ which is an inspirational state more commonly experienced at the onset of sleep & day-dreaming. She investigates the neural correlates & reveals these to the audience as changes in textured soundscapes & data visualisations. She is currently a visiting lecturer at Brighton University for the Digital Media Art MA.
Simon Colton is a British computer scientist, currently working as Professor of Computational Creativity in the Game AI Research Group at Queen Mary University of London, UK and in the Sensilab at Monash University, Australia. He previously had an appointment at Falmouth University, UK and led the Computational Creativity Research Groups at Goldsmiths, University of London and at Imperial College, London in the positions of Professor and Reader, respectively. Simon is the driving force behind thepaintingfool.com, an artificial intelligence that he hopes will one day be accepted as an artist in its own right.
Sofia Crespo’s work consists of different projects working with artificial intelligence, computed image recognition, and neural networks. Her project, Neural Zoo, explores how creativity combines known elements in a specific way in order to create something entirely new. In the process of generating new creatures, that don’t exist yet, she offers a perspective on how similar human creativity works. The creator, in this case, would be the algorithm itself, but with a human artist as its muse.
Gene Kogan is an artist, programmer and leading educator in the field of creative AI – who is developing the world’s first decentralized autonomous artist. He is a collaborator within numerous open-source software projects, and gives workshops and lectures on topics at the intersection of code and art.
Ahmed Elgammal is Professor at the Department of Computer Science, Rutgers University. Director of the Art & AI Lab. Executive Council Faculty at the Center for Cognitive Science at Rutgers University. His research focusses on Computer Vision, Visual Learning, Data Science in Digital Humanities, and Human motion analysis. His research on Art & AI received wide international media attention, including many reports on the Washington Post, New York Times, NBC News, the Times, the Daily Telegraph, Science News, and many others.
Rui Penha is assistant professor of composition at the Superior School of Music and Performing Arts in Porto. He is a composer and media artist, and his work has appeared in the National Contemporary Art Museum in Lisbon, among many others.
Miguel Carvalhais is an assistant professor at the University of Porto in Portugal. His latest book is ‘Artificial Aesthetics: Creative Practices in Computational Art and Design’ (2016).
Melissa Avdeeff is Assistant Professor in Media & Communications at Coventry University.
As a scholar of all things popular, my research interests include: the sociability of music playback technologies; social media and music fandom; the role of popular music in society; emerging technology and media; posthumanism in pop music.
“Ai-Da is the world’s first ultra-realistic AI robot artist. She can draw, and is a performance artist. As a machine, with AI capabilities, her artist persona is the artwork, along with her drawings, performance art and collaborative paintings and sculptures.”
Named in honour of the pioneering female mathematician Ada Lovelace, Ai-Da was invented by gallery director Aidan Meller. She had her first solo exhibition, ‘Unsecured Futures’, at St John’s College, Oxford in June 2019.
Professor Arthur I Miller is an authority on creativity, in both the arts and sciences. In his latest book, ‘The Artist in the Machine: The World of AI-Powered Creativity’, he introduces us to AI’s that are creating art, literature, and music that may well surpass the creations of humans. In this exclusive interview he discusses ideas and work that forms the subject of his book and celebrates the creative possibilities of artificial intelligence in art, music, and literature.