Transgenic Art and Beyond
Eduardo Kac’s work encompasses many genres. He is internationally recognized for his media poetry, telepresence, transgenic and bio artworks. A pioneer of telecommunications art in the pre-Web 1980s, he emerged in the early ’90s with radical works combining telerobotics and living organisms. At the dawn of the twenty-first century Kac opened a new direction for contemporary art with his “transgenic art”–first with a groundbreaking transgenic work entitled Genesis (1999), which included an “artist’s gene” he invented, and then with his fluorescent rabbit called Alba (2000). His visionary integration of robotics, biology and networking explores the fluidity of subject positions in the post-digital world.







