For over 40 years, Diane Burko has investigated monumental geological phenomena. Her practice at the intersection of art and science focuses on issues of climate change. Originally basing her imagery on research and visual data from scientists, she soon moved to bear witness directly in the Polar regions. In her painting projects such as ‘Politics of Snow’ and ‘Polar Investigations’ she explores visual strategies, translating data into imagery.
Jasmine Pradissitto is a physicist and a painter who sculpts and creates installations in plastics, light, metal, and geopolymers, embracing the dual worlds of the Scientist and Artist.
Described as ‘holograms you can touch’, her sculptures in new and discarded plastics, change in colour as the observer moves. Inspired by nature, the human condition, and scientific breakthroughs, forms are melted and reshaped from plastics using an innovative process she has developed, as a commentary on an unsustainable, increasingly Anthropocene world slowly being reshaped by the things we consume and then disregard.
Epicurean Endocrinology’s latest project, ‘Cooking Sex’, is a series of sex-hormone altering meals and food products that explore the endocrine-system altering properties of industrially produced food.
Byron Rich is an artist, professor and lecturer. His work on speculative design, tactical media ecology, and emerging technologies in biological science, computer science, and transportation, has been widely shown and written about internationally.
Liz Flyntz is a curator, information architect, artist, and writer. She is the co-editor and co-author of ‘The Present Is the Form of All Life’, a book about the time capsule works of media art and architecture group Ant Farm.
Sarah Sutton is an associate professor of Art at Ithaca College, who is interested in vision science, spatial structures and speculative futures. Although her work is grounded in her painting practice, her collaboration with scientists and philosophers with overlapping interests provides creativity and vitality to her painting and teaching.
Nicolas Strappini’s work investigates how physical science apparatus and experimental equipment can be used alongside printmaking and many other mark-making processes to form novel artworks. The formations that he creates appear to be self-authoring and generative, and use techniques that are to some degree dependent on natural, random processes.
Rebecca Gasior Altman is a writer and sociologist. Her work explores the social history of chemistry, plastics, pollution and environmental legacy— what we pass from one generation to the next. She holds a PhD in environmental sociology from Brown University, and serves on the Board of Directors of the Science and Environmental Health Network, a national think-tank.
Siobhan McDonald is an award-winning Irish artist interested in the changeable nature of landmass, historical events and their interconnection to time. Her latest exhibition, titled ‘Hidden Monuments’, presents a series of artistic enquiries to remind us of the Cairns, standing stones and Megalithic structures that foreshadow our architectural histories.
“When you are looking closely at the world it is impossible not to see damage and – if you have some understanding of what you are looking at – absence, so increasingly my work is motivated by the catastrophic impact of human actions on the natural world. I am inspired and appalled in equal measure by what I see around me.”
Emma Tuck’s work is informed by natural forms and patterns, refracted through the psychological, the political and the trivial.
BioBAT Art Space is the first exhibition space in New York City that is entirely dedicated to the intersection of Art and Science. Their inaugural art exhibit, ‘Spontaneous Emergence of Order’ features four interdisciplinary artists who create works based in science and technology.
Spontaneous emergence of order is a form of self-organization out of seeming chaos, the organic forming of systems mastered by no one person or thing, but the unfolding, natural order of a collective of events and actions. The four artists in this exhibit are sifting through this ordered chaos and creating their own new order based on their findings. Whether their interest is in the biological or the technological their artworks are all connected through the messiness of life itself and our connections to the natural world.
Dr Tony D. Sampson is reader in digital culture and communications in the School of Arts and Digital Industries (ADI), co-founder of Club Critical Theory and organiser of the Affect and Social Media conferences. His publications include ‘The Spam Book’ (Hampton Press, 2009) ‘Virality: Contagion Theory in the Age of Networks’ (Minnesota, 2012), ‘The Assemblage Brain: Sense Making in Neuroculture’ (Minnesota, 2016) and ‘Affect and Social Media’ (2018).
Dr Denise Baden is an Associate Professor within Southampton Business School at the University of Southampton. She worked in the area of social psychology for 3 years before joining the Southampton Business School in 2005, where she has been engaged in research and teaching in the areas of ethics, entrepreneurship and sustainable business.
Garth Paine is a composer, scholar and acoustic ecologist. He is an associate professor in interactive sound and digital media in the School of Arts, Media and Engineering and associate professor of composition in the School of Music at Arizona State University. He crosses art-science boundaries with his community embedded work on environmental listening and creative place-making in addition to his environmental musical works and performances. In 2018 he was researcher/artist in residence in Europe at IRCAM (Centre Pompideau) and Center for Arts and Media (ZKM).