Amanpreet Badhwar is currently a postdoctoral fellow at the Centre de Recherche de l’Institut Universitaire de Gériatrie de Montréal (CRIUGM), Université de Montréal , where she works on Alzheimer’s disease (AD) and related dementias. Her research combines structural and functional imaging with clinical and genetic assessments to relate variations in brain connectivity to clinical status, and to develop early markers of AD pathology. She is also an artist. In this exclusive interview she discusses her relationship between art and neuroscience.
Canadian multidisciplinary artist Stéphanie Morissette’s works reflect on human behavior and the use of technologies in our quotidian life as well as in the geopolitical sphere; on conflicts and their psychological impact on the different participating actors.
In this exclusive interview she discusses her project, ‘Shadows in a Labyrinth’ (with co-collaborator Dale Einarson), which reflects on the complexity, the flaws and ephemeral aspects of our brain and memory, as well as on the medium and technologies, drawing parallels with mental illness and disease like Alzheimer.
Dan Lloyd is the Thomas C. Brownell Professor of Philosophy and a Professor of Neuroscience at Trinity College, Connecticut. He is the author/editor of ‘Subjective Time: The philosophy, psychology, and neuroscience of temporality’ (co-edited with Valtteri Arstila). In this article he discusses his developing research into the animation and sonification of brain activity.
Alexa Piotte is a graphic designer living in Montreal. She holds a Bachelor’s degree in Fine Arts majoring in Design and minoring in behavioural neuroscience psychology from Concordia University. In this exclusive interview she discusses her work relating design and neuroscience, including her collaborative project, ‘BDL: Mapping out the Genetic Blueprint of the Fruit Fly Visual System’, with Hunter Shaw, a Ph.D. candidate in biology at McGill University.
Tyler Sloan is a freelance data artist/scientist. While he is not developing custom Jupyter-based data processing pipelines, he produces computer-generated artwork and data-driven motion design using Open Data and formal scientific models. His artwork combines elements of his training as a developmental neurobiologist (B.Sc, Ph.D.) with his passion for Open Data.
Julia Buntaine Hoel is a conceptual artist whose work is inspired by and based on Neuroscience, the scientific study of the brain. She is also director of SciArt Center, and editor in chief of SciArt Magazine. Julia attained her double BA in neuroscience and sculpture from Hampshire College, her post-baccalaureate certificate in Studio Art from Maryland Institute College of Art, and her MFA of Fine Arts from the School of Visual Arts. She also teaches, consults, curates, and frequently writes about art, and is currently the Innovator-in-Residence at Rutgers University.
Anjan Chatterjee is a professor of neurology at the Perelman School of Medicine at the University of Pennsylvania. He is director of the Penn Center for Neuroaesthetics and a member of the Center for Cognitive Neuroscience. His research focuses on spatial cognition and its relationship to language. He also conducts neuroaesthetics research and writes about the ethical use of neuroscience findings in society.
Shanthi Chandrasekar is a multimedia and multidisciplinary artist with a BSc in Physics and an MA in Psychology. The underlying focus of her work is to understand the workings of the cosmos and life itself, with a particular fascination for the workings of the brain. She has also been trained in the traditional art form Tanjore Style painting. While many of her works are influenced by her Indian heritage, her true inspiration comes from the mystery and majesty of the world around her; her muse lives where the scientific overlaps with the spiritual.
“Cellular Kinesics is an exploration of the communication methods of cells during a spinal cord injury. Heavily influenced by the research data, videos, and imaging of neuroscientist Andrew Greenhalgh, this work is a collaborative effort of science and art.”
Shima Rastegarnia has a B.Sc. in computer science. She was always interested in art and uses different mediums in her paintings. Shima is also interested in graphic design, 3D modeling, and in making video games.
Rosi Maria Di Meglio has recently completed a Bachelor’s degree in Fine Arts at Concordia University. Her artistic practice focuses on space and memory, on real life experiences and transformation. She considers herself a poetic abstract expressionist artist. Her philosophy is founded on the ideas that art has the power to move people whether they are observing or creating.
Josefina Maranzano is mostly a self-taught artist. She studied medicine in La Plata and worked for a few years in Argentina as a general practitioner and a radiologist. At present, Josefina shares her life between painting and exploring new techniques in visual arts and conducting brain imaging medical research. She very recently submitted her Ph.D. thesis in neuroscience (with a focus in multiple sclerosis) at McGill University.
“I create drawings that offer an interpretation on mental processes to reveal the nature of human consciousness and the process of thought, bridging the connection between the mysterious three pound macroscopic brain and the microscopic behaviour of neurons.”
Artist, writer and Editor of Interalia Magazine, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years.