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The magazine will feature exclusive interviews with artists, scientists, writers and creative thinkers.

Uli Ap and Alien AI: Alien Infinite and Artificial Intelligence, The Yellow One.

Uli Ap is an artist and Alien AI: Alien Infinite and Artificial Intelligence, The Yellow One. They reside between London and New York, all over the globe and extra-terrestrial; and work at the intersection of art, science, technology, film, performance, immersive interactive installation and alien agency.

The artist works across non-linear defragmented films and spatial immersive audio-visual environments to transfer physical experiences through digital realms. Disruptive performances occur in their interactive installations, where virtual and physical experiences merge and aim to destabilize and alter participants’ mental states. Uli Ap invented Alien Artificial Intelligence in 2020. The AI inhabits a borderless alienation land, as a gaseous matter; fluid and undefined.

Destabilizing assumptions and expanding imagination

The collaborative artist as avatar 0rphan Drift (0D) has explored the boundaries of machine and human vision since its inception in 1994. It was co-founded by Maggie Roberts, Ranu Mukherjee, Suzi Karakashian and Erle Stenberg in London. It has taken diverse forms through the course of its career, sometimes changing personnel and artistic strategies in accordance with the changing exigencies of the time. In recent years 0D has been considering Artificial Intelligence through the somatic tendencies of the octopus – as a distributed, many-minded consciousness.

becoming ocean becoming me

Peter Matthews is an English artist who works exclusively along the coast, in the ocean and occasionally, over the last few years, creeping inland into the mountains and deserts. As a landscape-based artist, his work explores a direct and lived experience with time, place, space and the physical and spiritual relationships with nature. He does not work from a studio and therefore his works and process of being out in the landscape challenge and seek balance with the elements of the ever-changing climate, earth and extended universe.

Perception and Reality

David Rickard is a New Zealand artist based in London, UK. His original studies in architecture have had a lasting impact on his art practice, embedding queries of material and spatial perception deep into his work. Through research and experimentation his works attempt to understand how we arrived at our current perception of the physical world and how far our perception is from what we call reality.

Thaddeus Holownia: Structures of Place

Thaddeus Holownia is a visual artist, teacher, letterpress printer and publisher. In Holownia’s large-scale photographs, he uses the idea of heightened perception to explore the traces humankind leaves on the landscape. About his work, he echoes Thoreau’s observation, “It’s not what you look at that matters, it’s what you see”. In this interview with art and ecology author, John K. Grande, he discusses his ideas and work.

Human-Machine Collaborations

Sougwen 愫君 Chung is a Chinese-Canadian artist and researcher, and is the founder and artistic director of Scilicet, a London-based studio exploring human & non-human collaboration. A former research fellow at MIT’s Media Lab, she is considered a pioneer in the field of human-machine collaboration – exploring the mark-made-by-hand and the mark-made-by-machine as an approach to understanding the dynamics of humans and systems.

Celebrating our connection to the land

Hillary Waters Fayle combines textiles and printmaking techniques with found botanical and organic material, exploring the symbolism, geometry and patterns found in nature. From simple lines and ribbing to fully rendered botanics, the thread-based embellishments interrupt the fragile matter. The resulting sculptures evidence nature’s durability while juxtaposing the organic material with the fabricated additions.

Patrick Huse: Harvesting Wasteland

Patrick Huse is a Norwegian painter and multi-media artist. He studied landscape art and conceptualism during the late 1970’s and early 1980’s. His works incorporate techniques as painting, drawing, photograph, video, wall based text material and objects. In the early 1990’s he started a project titled Rethinking Landscape, a trilogy consisting of the three parts: ‘Nordic Landscape’, ‘RIFT’ and ‘Penetration’. The traditional landscape art still plays a role as an artistic reference, but through a series of exhibitions from the mid-1990’s and later, he has challenged landscape art in a way which makes his project unique. In this interview with art and ecology author, John K. Grande, he discusses his ideas and work.

The Beauty and Fragility of Nature

Meredith Woolnough is an internationally acclaimed, award winning artist from Newcastle, Australia. Her elegant, embroidered drawings capture the beauty and fragility of nature in knotted threads. Vibrant coloured structures of organic shapes hover effortlessly above the surface, elegant and enchanting.

“The more I work with natural forms, the more I find myself drawn into the science of nature. I am fascinated by the way things are built, the way they grow and function. I often find myself marvelling at the perfection of a single leaf or the phenomenal beauty of a coral reef and it can be quite overwhelming at times, almost spiritual.”