Archive of Author | Dr Gindi & Jill Marsden

Dr. Gindi is a German contemporary sculptor. Her work focuses on the infinity of human existence. She has had several exhibitions globally, including shows in Switzerland, Italy, Spain, Germany, France, United States and China. She is a member of the US National Sculpture Society. Gindi was selected for the 2021 Figurativas Painting and Sculpture Competition of the European Museum of Modern Art in Barcelona and the National Sculpture Society’s 2022 Annual Awards Exhibition at Brookgreen Gardens in South Carolina.

https://www.dr-gindi.com/

Professor Jill Marsden is Senior Lecturer on the BA English and Creative Writing programme. She studied as both an undergraduate and postgraduate at The University of Essex and began teaching at the University of Bolton in 1992.

She is the author of After Nietzsche: Notes Towards a Philosophy of Ecstasy (Palgrave 2002) and a range of other publications on Nietzsche, literary modernism, nineteenth century European thought and continental philosophy. Her research interests embrace all aspects of ‘literary thinking’, particularly the affinities between philosophy and literature.

Articles with Dr Gindi & Jill Marsden


The Silent Reverberation of Materiality

Sculptor Dr Gindi is an artist of the elemental, a material thinker who pursues philosophical inquiry through a deep engagement with extra-human sensibility. Attuned to the resonation of material things, she is also a sculptor of words, deploying a distinctive, poetic idiom to elicit the conditions through which something new can be sensed. For Dr Gindi, the artist is a conduit through which the art forces of nature reveal a world in the process of becoming, rendering tangible a thought or sentiment in the process of finding form. Beyond the allure of the enchanting surface she hearkens to the ‘silent reverberation of materiality’ and in sentiments reminiscent of Whitman, speaks in this interview of its utterance. She discusses her ideas and work with Jill Marsden, Professor of Literature and Philosophy, The University of Bolton, UK. She is the author of ‘After Nietzsche: Notes Towards a Philosophy of Ecstasy’ (Palgrave 2002) and assorted essays on Nietzsche, aesthetics, modernism and literary thinking.