As well as illustrated articles and interviews, the magazine will include ‘visual’ and ‘sound’ articles.
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Gallery, University of Bath (Second Prize Winner). In ‘Vessels’ he shows some recent work from the series.
Jasmine Pradissitto is an international artist, innovator, and speaker with a background in physics based in London. Inspired by nature, the human condition, the mythopoetic and a more sustainable future, her forms create a commentary on an unsustainable, increasingly Anthropocene world slowly being reshaped by the things we consume and then disregard. She creates work that builds awareness about diminishing air quality and biodiversity extinction.
“I dye, paint and stitch silk and wool to create boldly colored biomorphic wallhangings inspired by microscopic/cellular imagery – a kind of visual invented biology with textiles.”
Fiber artist, Karen Kamenetzky, creates a kind of ‘invented biology’, inspired by microscopic and cellular imagery, with works zooming in on that fundamental nature of things and bringing it into vision. She works loosely from sketches but each piece travels a route of evolution and change.
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Gallery, University of Bath (Second Prize Winner). In his recent series of drawings he explores the impermanent and shifting process of time and waves.
“Utilizing a dialectical approach in both my studio practice and research, my aim is to move beyond the contemporary paradigm of postmodernism towards an artistic discourse that oscillates between a ‘modern enthusiasm and postmodern irony,’ between unity and multiplicity, totality and fragmentation, clarity and ambiguity, and reason and romanticism.”
Jared Vaughan Davis often deals with topics ranging from epistemology, mythology, ancient and modern cosmology, and the science of ‘belief’.
“My work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also satisfied a strong interest in the ideas and methodology of science as a basis for the conceptual underpinning of the work. As such, the method of creating my work is scientifically inspired with a well thought out and tested process oriented to have optimal pragmatic results both for the quality of the work itself and the benefits of the process for me as the maker.”
Daniel Hill is a painter, sound artist, curator, educator, and writer whose work explores the relationship between visual art, sound, and science. His paintings employ a rules based system in which the notion of embodied cognition is an inquiry as well as the balance between the aesthetic and conceptual.
Fine artist Luciana Haill works with stroboscopic lighting & brainwaves (EEG signal) exploring consciousness & expressing the results through digital media, performance, sound & drawings.
Her artworks focus on liminal states of consciousness, sleep – more specifically the discrete states of Lucid Dreaming (the awareness within a dream & the ability to take control) & ‘Hypnagogia’ which is an inspirational state more commonly experienced at the onset of sleep & day-dreaming. She investigates the neural correlates & reveals these to the audience as changes in textured soundscapes & data visualisations. She is currently a visiting lecturer at Brighton University for the Digital Media Art MA.
Sofia Crespo’s work consists of different projects working with artificial intelligence, computed image recognition, and neural networks. Her project, Neural Zoo, explores how creativity combines known elements in a specific way in order to create something entirely new. In the process of generating new creatures, that don’t exist yet, she offers a perspective on how similar human creativity works. The creator, in this case, would be the algorithm itself, but with a human artist as its muse.
“Ai-Da is the world’s first ultra-realistic AI robot artist. She can draw, and is a performance artist. As a machine, with AI capabilities, her artist persona is the artwork, along with her drawings, performance art and collaborative paintings and sculptures.”
Named in honour of the pioneering female mathematician Ada Lovelace, Ai-Da was invented by gallery director Aidan Meller. She had her first solo exhibition, ‘Unsecured Futures’, at St John’s College, Oxford in June 2019.
Experimenting with ideas of time, space and physicality, Carey Young’s body of artistic work explores law as a separate kind of ‘reality’, one with its own inherent subjectivities and points of breakdown.
‘Missing Mass’ (2010) is a sculptural work created with the scientific guidance of Prof. Malcolm Fairbairn, an astrophysicist based at King’s College London and is exhibited at the Science Gallery, London exhibition ‘Dark Matter: 95% of the Universe is missing’.