Semiconductor is UK artist duo Ruth Jarman and Joe Gerhardt. They make visually and intellectually engaging artworks which explore the material nature of our world and how we experience it through the lens of science and technology, questioning how these devices mediate our experiences.
Christopher Henshilwood holds a 10 year South Africa National Research Foundation funded Research Chair and Professorship at the University of the Witwatersrand, South Africa. He is also the Professor of African Prehistory in the Archaeology, History, Culture and Religion Institute at the University of Bergen, Norway.
Karen Loise van Niekerk is an archaeologist working on Middle Stone Age sites, specifically Blombos Cave and Klipdrift Shelter, in the southern Cape, South Africa.
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. In his recent series of drawings he explores the impermanent and shifting process of time and waves.
Margaret Inga Urías is a multidisciplinary artist primarily using the medium of drawing to create engraved sculptures, site-specific installations, large-scale murals, constructed photographs and works on paper. Drawn to lost histories, concealed origins and imperceptible, forgotten connections, she is interested in conditions that entangle the past, the present, and the future–re-examining how we orient ourselves, not only in the immediacy of places around us, but also in the universe that maintains us. With a specific interest in the physical laws and circumstances that brought space, time, matter and beings into existence, she creates works that often function as trace narratives– following the story of the small, the coincidental, and the invisible, over vast stretches of time.
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. In his recent series of drawings he explores the impermanent and shifting process of time.
“Einstein’s special theory of relativity, shows that time is … relative: the faster you move relative to me, the slower time will pass for you relative to my perception of time. So in our universe of expanding galaxies, spinning stars and swirling planets, experiences of time vary: everything’s past, present and future is relative.
So is there a universal time that we could all agree on?”
Thomas Kitching is a cosmologist, Reader in astrophysics, and Royal Society University Research Fellow working at the Mullard Space Science Laboratory at UCL. His interests are in dark energy, dark matter, statistics, and computer science. He is a manager in one of the worlds largest cosmology experiments, a European Space Agency mission called Euclid.
“Deep time represents a certain displacement of the human and the divine from the story of creation. Yet in the Anthropocene, ironically we humans have become that sublime force, the agents of a fearful something that is greater than ourselves.”
David Farrier is a senior lecturer in English literature at the University of Edinburgh, where his research interests include eco-criticism, postcolonial studies, and asylum and refugee contexts. He is currently working on a book about deep time in contemporary poetry
“Up to today, most experiments have tested entanglement over spatial gaps. The assumption is that the ‘nonlocal’ part of quantum nonlocality refers to the entanglement of properties across space. But what if entanglement also occurs across time? Is there such a thing as temporal nonlocality?”
Elise Crull is assistant professor in history and philosophy of science at the City College of New York. She is the author, together with Guido Bacciagaluppi, of the book The ‘Einstein Paradox’: Debates on Nonlocality and Incompleteness in 1935 (forthcoming).
“My new study – which I worked on with linguist Emanuel Bylund – shows that bilinguals do indeed think about time differently, depending on the language context in which they are estimating the duration of events. But unlike Hollywood, bilinguals sadly can’t see into the future. However, this study does show that learning a new way to talk about time really does rewire the brain. Our findings are the first psycho-physical evidence of cognitive flexibility in bilinguals.”
Panos Athanasopoulos is Professor of Linguistics and English Language, Lancaster University. He works in the areas of experimental psycholinguistics, experimental cognitive linguistics, bilingual cognition, linguistic and cultural relativity, first, second and additional language learning.
Richelle Gribble’s exhibition, ‘Anthropocene’, took place at the Jonathan Ferrara Gallery (New Orleans, LA) between May and July 2018. With a strong interest in environmentalism, the artist examines human impact on nature and the biological consequences of human influence. Gribble’s highly conceptual work includes painting, drawing and sculpture.