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The magazine will feature exclusive interviews with artists, scientists, writers and creative thinkers.


Michael Geddis is an emerging Northern Irish visual artist who specialises in drawing. He delights in the elegant beauty of natural forms and finds tiny microscopic structures particularly inspirational. Geddis worked as a Veterinary Surgeon for over 25 years before ill health forced his early retirement. He then enrolled at Belfast School of Art (Ulster University) and in 2013 graduated with First Class Honours in Fine Art. His degree show drawings drew acclaim at a national level when he won the James White Prize for Drawing at the RDS Annual Student Awards in Dublin. Since then, he has been developing his practice through a series of awarded artist residencies/bursaries, some collaborative projects and an Arts Council Lottery Funded project using micro-surgeons magnifying loupes to produce finely detailed drawings.

In this exclusive interview, he discusses his work and his thoughts on drawing.

Temporary Material

“My practice focuses on our relationship with materials and materials temporary nature. I use this as an entry to reflect upon the beauty and the energy rooted in the rhythms and cycles of our surroundings, of our consciousness, and of our interrelationships with the world. Particular relationships found in materials used in leisurely rituals and domestic utensils are most commonly used to in my practice to inform my work.
Primarily a drawing based practice; I extend my knowledge and understanding of drawing into sculptures, installations and animations.”

In this exclusive interview, Steven Maybury discusses his ideas and work in relation to the practice of drawing.

The Mathematics of Life

Kit Yates is a Lecturer in Mathematics at the University of Bath, UK, where his research focuses on the mathematical modelling and analysis of biological systems. Throughout his career to date, he has worked on a variety of intriguing problems, modelling the random motion of single molecules at one extreme, to the large-scale migration of swarming insects at the other. In this exclusive interview he discusses his research and work in Mathematical Biology.

A world over-amplified and speeding up

“A world over-amplified and speeding up.

The telescoping of industrialised environment, consumer spectacle, celebration, delirium, waste and war through time.”

Tod Hanson’s current work can also be seen as an outcome of past experience producing large scale graphic works with Greenpeace UK and painting nightclub interiors. This with an interest in architecture, the decorative arts, diagrams and mapping.

An Exploration between Vision and Sound

“My work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also satisfied a strong interest in the ideas and methodology of science as a basis for the conceptual underpinning of the work. As such, the method of creating my work is scientifically inspired with a well thought out and tested process oriented to have optimal pragmatic results both for the quality of the work itself and the benefits of the process for me as the maker. I pursue a union between the perceptual and conceptual with a visual art that can be both perceptually powerful enough to hold the eye in our visually demanding world, yet simultaneously meditative, reflective, and firmly rooted in a solid conceptual foundation.”

Daniel Hill is an abstract painter and sound artist whose work has been included in numerous exhibitions exploring the relationship between painting, sound, and science.
He is currently an Adjunct Associate Professor of Art at Pace University in Manhattan.

Experiencing the human condition ‘in-between’

Rachel Kneebone’s intricate works address and question the human condition: renewal, transformation, life cycles and the experience of inhabiting the body. Her sculptures operate in a near-subliminal space, oscillating and blurring the boundaries between the conscious and the subconscious, the real and the imagined, everything and nothing. Working in porcelain, the material properties of her work further heighten and convey an awareness of opposing states, appearing to be not only heavy, solid and strong but also light, fragmentary and soft. In the work fragments of the human body multiply, merge and cascade down, unfurling around a complex tableau of organic and geometric forms.

In this exclusive interview, Rachel Kneebone discusses her work and her interest in addressing the human condition that is centred on the human body.

In Dialogue with Art and Science

“Science and art both seek to observe, record and explain the world around us, just using different means. Both have their theoretical frameworks, evolving techniques, and schools of thought. Above all, both scientists and artists need to be creative and insightful in order to make meaningful contributions to their respective fields.”

Amanpreet Badhwar is currently a postdoctoral fellow at the Centre de Recherche de l’Institut Universitaire de Gériatrie de Montréal (CRIUGM), Université de Montréal , where she works on Alzheimer’s disease (AD) and related dementias. Her research combines structural and functional imaging with clinical and genetic assessments to relate variations in brain connectivity to clinical status, and to develop early markers of AD pathology. She is also an artist. In this exclusive interview she discusses her relationship between art and science.


Ralph Helmick is a sculptor who is interested in how referential forms and images can be broken down and subsequently re-formed anew. The approach is often paralleled by a fascination with how small three-dimensional components can collectively create larger sculptures, forging a microcosmic/macrocosmic dynamic. In this exclusive interview he discusses his work and ideas.

Martin Hewer: Cosmology

Using traditional painting materials to explore the cosmos, Martin Hewer is fascinated by what other worlds might look like and how to record them with paint. Light, space, time and the unseen are almost impossible to express within the limits of pigments but this has not deterred his exploration. The results are symbolic of a striving humanity.