“I am an environmental artist, making site specific nature based sculpture, often referred to as Land Art or Art in Nature. I also work in art and Science. I make installations inside and make works on paper, works with maps, digital and video art, and works with mushrooms. My work makes connections between different phenomena in the world, specifically between Nature and Culture, Inner and Outer and Microcosm and Macrocosm. To this end I collaborate with scientists and technicians from a broad spectrum of disciplines and use whatever visual means, technologies and materials best suit the situation.”
Heather Davis is currently a postdoctoral fellow at the Institute for the Arts and Humanities at the Pennsylvania State University where she researches the ethology of plastic and its links to petrocapitalism. She is the co-editor (with Etienne Turpin) of ‘Art in the Anthropocene: Encounters Among Aesthetics, Politics, Environments and Epistemologies’ (Open Humanities Press, 2015) and ‘Desire Change: Contemporary Feminist Art in Canada’ (MAWA/McGill Queen’s UP, forthcoming 2017).
“We face our humanity and its effect on climate change with a cold stare crafting works that are as emotionally alarming as the hard facts of our scientists.”
Artist, film-maker, writer, curator, and founder and international director of the Cape Farewell project, David Buckland’s focus of enquiry is embedded in what we touch, intellectually and physically.
Curator of ‘eARTh’ for the Royal Academy 2009, U-n-f-o-l-d for Cape Farewell 2010, and Carbon 12 for Paris 2012, he had also produced the films ‘Art from the Arctic’ 2006 for the BBC and ‘Burning Ice’ for Sundance, 2010.
In 2001 he created and now directs the international Cape Farewell project – www.capefarewell.com. Bringing artists, visionaries, scientists and educators together, Cape Farewell continues to build an international collective awareness and the cultural response to climate disruption.
As a techno romanticist, Jasmine Targett’s work aims to visually and conceptually investigate ‘blind spots’ in perception, making the void between existence and nature tangible. Exploring the tension between awareness and visibility, her work highlights issues surrounding anthropocentrism and the environment.
‘Soil Culture’ was a programme that the Centre for Contemporary Art and the Natural World (CCANW) delivered between 2013-16 which used the arts to inspire a deeper public understanding of the importance of soil, becoming the UK’s most substantial contribution to the UN International Year of Soils 2015.
Clive Adams is the founding director of the CCANW, a not-for-profit organisation which explores new understandings of our place within nature through the arts. Its aim is to use the arts to provide insights into today’s pressing environmental and social challenges.
I am a Visual artist working in the medium of paint, film and sound. I am interested in the changeable nature of landmass, historical events and their interconnection to time. Many of my works seek to merge the poetic and the scientific to delve into a field that’s unknown to me. My current project ‘Crystalline,’ arises out of my ongoing inquiry into how humanity has become the dominant force of change on the planet. Positioning the work within geological history, this project explores our understanding of time and our relationship with a continually changing environment.
“If soil is conceived as a super-organism – as more than the sum of its parts – it remains essentially amorphous, without an overriding form. We, descendents from the living earth, are that aspect of the soil that has taken form – that has pulled itself together and learnt to move around. We are soil that has learnt to talk and reflect on its place in the cosmos. We are walking, talking, thinking soil.”
Daro Montag’s art practice has, for many years, been involved with environmental and ecological issues – he is particularly interested in the inherent creativity of the organic world. His research and creative practice start from the premise that the natural world is best understood as being constituted of interacting events rather than consisting of discrete objects.
“Climate change is happening throughout the planet. Individual countries help, ignore or curb its advancement as the planet warms. Art and science are together on this. Both are sounding the alarm in their own ways.”
Ellen Alt is a mixed media artist. She has exhibited her work in the U.S, Israel, Germany, Russia, China and England. One of her pieces was presented to Hillary Clinton on the occasion of the peace treaty between Israel and Jordan and is in the collection of the White House.
“Migration is universal. Whether human or animal, voluntary or forced, fluid or disrupted, it is one of the most important survival skills we possess. We migrate for food, security, and better climate. We migrate to escape predators, birth our young, and seek opportunity. We migrate because the route is mapped in our genes, and because we yearn for change.”
Chantal Bilodeau is a playwright, translator, and research artist whose work focuses on the intersection of science, policy, culture, and climate change. She is the Artistic Director of The Arctic Cycle – an organization created to support the writing, development and production of eight plays that look at the social and environmental changes taking place in the eight countries of the Arctic – and the founder of the blog and international network Artists & Climate Change.
CLIMARTE is a Melbourne-based organisation that produces, promotes, and facilitates arts events with an alliance of arts practitioners and organisations that advocate for immediate, effective, creative, and inspired action on climate change.
Following on from the successful 2015 inaugural event, ART+CLIMATE=CHANGE 2017 will take place across Melbourne and regional Victoria from 19 April until 14 May, providing a platform for the discussion of the challenges, opportunities, impacts, and solutions associated with climate change.
Kimberly Thompson is a research assistant in wildlife ecology in the Zuckerberg and Pauli Labs at the University of Wisconsin-Madison. She studies the impacts of climate change on the subnivium microclimate and the subsequent effects on the wood frog.
Featuring – Zaria Forman: Drawings that show the beauty and fragility of Earth ; Al Gore: The Case for Optimism on Climate Change ; Satish Kumar: Soil, Soul and Society ; Sam ‘Ohu Gon III: Lessons from a thousand years of island sustainability ; Tega Brain: Eccentric Engineering: Thoughts for the Anthropocene ; and Francesco Sauro: Deep Under the Earth’s Surface, Discovering Beauty and Science.