Tag Archives: Art

Three In One Nature of Consciousness & Dream Seequence

Alan MacDonald was a graphic designer and illustrator for 40 years.
“As a metaphysical artist I am concerned with a three-way comparison between: metaphysics (science of subject / why), Science of object (how), and information technology, the most important metaphor we have for the nature of consciousness. Vedic philosophy, describes the three in one nature of consciousness; rishi, devata, chandas (knower, known, process of knowing). My ‘Dream Sequence’ series proposes dreams as daily status reports from the source regarding our level of alignment with the source. I record every dream, interpret upon waking and illustrate it.”

Gayle Chong Kwan: The Great Instauration

During April 2026, Gayle Chong Kwan interrogated the history of the scientific canon with a major installation in the Grand Gallery of the National Museum of Scotland for Edinburgh Science Festival. Through a large-scale site-specific sculptural installation, the work reflects on the cultural legacy of science, exploring and rethinking scientific histories through Chong Kwan’s detailed research into scientific artefacts and archives across eight major collections and speaking with communities.

Tree Veneration in the Time of the Anthropocene: Why Trees Matter and Why a Cultural Response Matters Too

This article introduces the Tree Veneration Society (TVS), an interdisciplinary charity of eco-artists and scientists dedicated to fostering cultural and ecological awareness of trees. While scientific research clearly demonstrates the essential role of forests in climate regulation and biodiversity, the article argues that meaningful environmental action also requires shifts in perception, values, and cultural narratives. Drawing on Deep Ecology and eco-art practice, the article presents tree veneration as a relational framework that reconnects humans with the living world. TVS’s exhibitions, workshops, and public programs are discussed as practical models for cultivating ecological care and responsibility.

As above, so below: ‘Organic Worlds’ celebrates human-nature symbiogenesis

Curated by Dr. Charissa Terranova at the SP/N Gallery at The University of Texas at Dallas, ‘Organic Worlds: Symbiogenesis in Art’ tackles its subject matter(s) of organisms and organicism, and, arguably, of the Great Chain of Being and Lynn Margulis’ theory of symbiogenesis. ‘Organic Worlds’ seats mankind as conscious players in the biological Great Chain of Being — below God and above rock — and invites the layman viewer to introspect upon and engage with the commemorations of life in this exhibition.

Reflections on the Evolution of Consciousness

Primarily a visual artist, Paul Forte also writes essays and poetry. Forte’s career as an artist began in the San Francisco Bay Area in the early 1970’s. Influenced early on by Conceptual art, Forte has employed a variety of media over the years to realize ideas, including making and self-publishing artist’s books and related objects.
“An experimental approach to art making coupled with an abiding sense of the poetic are the hallmarks of my art. It is an art that has explored this approach and sensibility through a variety of media and artforms over the years: Word works and poetry, artist’s books and book works, performance art, drawings, collage, montage, and assemblage. Central to much of this work is the use of found or appropriated material.”

Rutherford Chang: Hundreds and Thousands

Rutherford Chang’s first institutional solo presentation ‘Hundreds and Thousands’ is at UCCA Center for Contemporary Art in Beijing. Rutherford Chang (1979-2025) was a New York-based conceptual artist whose practice revolved around collection, repetition, cultural memory, and value. His work often recontextualized everyday media, transforming their significance to reveal underlying cultural narratives. This marks the first posthumous exhibition for the artist and first solo museum exhibition as well as the worldwide debut of several works.

Gisela Colón: Radiant Earth

Mesmerizing, light-infused artworks take over the Bruce Museum’s Sculpture Gallery in “Gisela Colón: Radiant Earth”. Showcasing nine luminescent sculptures, the exhibition offers a powerful introduction to the work of internationally acclaimed sculptor Gisela Colón, whose radiant forms explore the profound forces and energies of the natural world.

The Architecture of Misalignment: Visualizing Domain Coordination in Embodied Experience

Contemporary approaches to emotion and embodiment often diverge along bottom-up (somatic) and top-down (cognitive) lines, giving rise to disagreements about the origins of feeling, the role of meaning, and regulation mechanisms. This paper introduces a visual–operational framework that distinguishes body-led and mind-led domains as coupled operating systems governed by different rules for safety, security, attention, and boundary behavior. Misalignment is modeled as forced single-domain operation, while coherence is defined as restored domain coordination enabling voluntary switching and bidirectional exchange. Through diagrams and visual translation artifacts, the framework functions as an orientation interface that renders existing approaches complementary and interoperable.