Sounds of the cosmos have only been explored to a limited degree yet Saturn’s rings have not been deeply explored for its sound. From Cassini’s research, artist China Blue and her team translated the raw data from the dust and ice particles combined with an artistic interpretation of what would be heard from Cassini’s viewpoint as it traveled through and around Saturn’s rings, to create the bases of her exhibition at the Venice Biennale 2019.
The exhibition ‘Borderlines’ gives form to the conceptual, geo-political, economic and cultural impacts of borders. It draws attention to the ownership of the earth beneath our feet, the UK border in Ireland, tribal territories, anarchic polar exploration and the world-wide distribution of natural resources.
Dana Simmons is a neuroscientist, science-artist, and medical writer in Chicago. While at the university, Dana transformed Purkinje neurons into art by testing the limits of confocal microscopy and adding an artistic touch. She is endlessly fascinated by the beauty in the brain and the patterns that are ever-present throughout microscopic and macroscopic nature. In 2016 she received the Passion in Science: Arts & Creativity award from the New England Biolabs.
Inspired by an aesthetic in which art, science, medicine and ecology intersect, Elaine Whittaker’s art practice considers biology as contemporary art practice. Based principally in installation, sculpture, painting, drawing and digital imagery, her artworks incorporate a range of materials: from the traditional, such as paint, pigment and wax, to the unconventional, such as mosquitoes, salt crystals, cells and live microorganisms. They have been exhibited nationally and internationally, in art and science galleries, and featured in literary, medical and art magazines, including William Myers’ book, Bio Art: Altered Realities (2015). In this article she reflects on Contained, her 2018 exhibition, and the effects of illness on identity as experienced by her mother when she contracted Tuberculosis at an early age.
Matthew MacKisack is a cultural historian and a Postdoctoral Research Fellow at the University of Exeter Medical School. He has published numerous articles in intellectual and cultural history, focusing on how imagining and imagination have been employed and understood.
Adrian Holme is a teacher, writer and artist. He is an Associate Lecturer on the MA Art and Science, Central Saint Martins, and his cross-disciplinary background encompasses biology, fine art and information science. He is also a Lecturer on the BA Hons. Illustration course at Camberwell College of Arts, UAL, where he coordinates and delivers a humanities / critical theory element. His art practice extends across drawing, installation and performance, and he also works as a commercial copy writer and editor. In ‘A house built on sand?’ he draws upon sociological theory to critically examine the concept of identity represented in contemporary ‘identity politics’.
Christopher Henshilwood holds a 10 year South Africa National Research Foundation funded Research Chair and Professorship at the University of the Witwatersrand, South Africa. He is also the Professor of African Prehistory in the Archaeology, History, Culture and Religion Institute at the University of Bergen, Norway.
Karen Loise van Niekerk is an archaeologist working on Middle Stone Age sites, specifically Blombos Cave and Klipdrift Shelter, in the southern Cape, South Africa.
“I am an emerging artist living in Cambridgeshire. Due to circumstances involving one of my children and a traumatic brain injury, I began my current practice as a way to cope with the neurological rehabilitation that has consumed family life. This experience feeds heavily into my artistic process.”
Katherine Gravett has worked in collaboration with neuroscientists in Cambridge and her work has been exhibited in artistic, scientific and therapeutic settings.
Simon Head is a typographer, a draughtsman and photographer.
His work as an artist combines these rigours; striking a balance between passivity and action; responding to time, image, and structure.
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. In his recent series of drawings he explores the impermanent and shifting process of time and waves.