The magazine will feature exclusive interviews with artists, scientists, writers and creative thinkers.
“We are all bodies of water! What we do to water, we do to every body, including ourselves.”
Astrida Neimanis writes mostly about bodies, water and weather, in an intersectional feminist mode. Her most recent monograph is Bodies of Water: Posthuman Feminist Phenomenology. She is currently Senior Lecturer in the Department of Gender and Cultural Studies and Key Researcher at the Sydney Environment Institute at the University of Sydney, on Gadigal land, in Australia.
“A river is elusive: ever shifting, always moving, and in a constant state of flux. Is a river the water it contains or the channel through which it flows; or is it essentially a self-replicating memory? My work centers on the many facets of water: as a subject, a material, and an experience. I am looking for the ephemeral, sublime, and perceptually mysterious.”
David Teeple is a multidisciplinary artist using glass, water, and light to create formally simple yet perceptually complex works.
“The idea of interconnectedness has been one of the central themes of my water work for over forty years. Water issues are vast and present intricately complex problems. I think that the solutions and suggestions for actions lie in a diversity of approaches. It will take all of us working together cooperatively to come to the assistance of bodies of water around the globe. In this radically interconnected world it behooves each of us to compassionately take care of each other and our environment, because we are one and the same.”
In her pioneering inter-disciplinary practice, Basia Irland focusses on rivers and watersheds, water scarcity, climate change, ecological restoration and waterborne diseases. Her poetic, socially-engaged work endeavours to reconnect people with their local waterways in order to foster care, appreciation and responsibility.
“In many ways the brain is a time machine, we remember the past to predict the future and we engage in mental time travel (we can mentally project ourselves into the past and future). Additionally, we are pretty good at telling time, whether demonstrated by catching a ball, playing the piano, or anticipating when the red light will change to green. But how does Mother Nature build clocks using neurons?”
Dean Buonomano is a professor in the Departments of Neurobiology and Psychology, and a member of the Brain Research Institute, and the Integrative Center for Learning and Memory at UCLA. He is a leading researcher on how the brain tells time. His new book is is titled ‘Your Brain is a Time Machine: The Neuroscience and Physics of Time.’
“One could say that the study of time consciousness overlaps with the study of phenomenal consciousness. Conscious awareness is extended awareness of duration, temporal order, the present-moment, and the passage of time.”
Marc Wittmann is currently employed at the Institute for Frontier Areas of Psychology and Mental Health, Freiburg, Germany. He has written two books on the topic of time perception. ‘Felt Time’ has been published in 2016 by MIT Press and ‘Altered States of Consciousness’ is going to appear in August 2018, also published by MIT Press.
“My work mainly depends on – and is influenced by – everyday life: the political, social and cultural events that occur and change our ideas and perception of the world around us. Wars, social injustice, natural catastrophes have marked people, reshaped regions – the fragility of human existence.”
Alexandra Dementieva main interests focus on social psychology and perception and their application in multimedia interactive installations. Her videowork integrates different elements including behavioral psychology, developing narrative using a ‘subjective camera’.
Marie Munk is an interdisciplinary artist, working with sculpture, installation, video and performance. She examines the materiality of physical interaction and artificial simulation of intimacy. Using silicone as a metaphor for the bodily, Munk creates alternative realities, which questions current tendencies in society.
“Our artworks investigate human futures and evolutionary paths influenced by emerging and disruptive technologies. So our work is not so much a prediction of the future or solution to issues of the day, but instead invites audiences into a space to explore the endless opportunities that can shift according to our desires and dreams.”
Based in London, Burton Nitta is an interdisciplinary art and design studio collaborating with science and technology to investigate our future world and human evolution.
“I observe how human interactions happen and how the body moves through space, the motion and gestures associated with different activity. I also question why we move the way we do and how may we change those habits. In addition, I am extremely interested in how these natural interactions are effected by digital technology and artificial futures.”
Betty Zhang is an interaction designer and interdisciplinary artist creating sensory experiences that are immersive and interactive in both digital and non-digital media. Currently, she is exploring wearable technology, gestural interactions, biofeedback, and sound installations. Her work deals mainly with the body as a multi-functioning interface and performative medium.
“I build interactive tools and design experiences that make human-computer interaction more tangible, divergent and meaningful. I work in this manner to investigate how computation could be unveiled and brought out into the real world, thus rendering it accessible to the diverse forms of distributed and embodied cognition that humans have always been using to live and act on this planet.”
Raul Altosaar is an infradisciplinary artist, technician and researcher. He leverages his foundational skills in computer graphics and extended realities to design spatial experiences and interactive tools.