Bob Sturm is a Lecturer in Digital Media at the School of Electronic Engineering and Computer Science, Queen Mary University of London, specialising in audio and music signal processing, machine listening, and evaluation. Oded Ben-Tal is a composer with complementary research interests at the intersection of Music, Cognition, and Computing. His compositions range from instrumental works to interactive pieces combining live performers with electronics, and include multimedia collaborations with artist from other domains such as video, dance, and visual design.
Mario Klingemann is an artist working with algorithms, data and artificial neural networks. He investigates the possibilities that machine learning and artificial intelligence offer in understanding how creativity, culture and their perception work. He has worked part-time as an artist in residence at Google Arts and Culture since early 2016 and is a prominent member of a new school of artists who are turning neural network technology inside out. In this exclusive interview he discusses his ideas and work.
Mike Tyka studied Biochemistry and Biotechnology at the University of Bristol. He obtained his PhD in Biophysics in 2007 and went on to work as a research fellow at the University of Washington and has been studying the structure and dynamics of protein molecules. Since 2015 he has also begun working with artificial neural networks as an artistic medium and tool. His latest generative portraits series “Portraits of Imaginary People” has been shown at ARS Electronica in Linz, OutOfSight 2017 and at the New Musueum in Karuizawa, Japan. Mike currently works on machine learning at Google in Seattle.
“My focus is consciousness. First, consciousness from the body and mind, then as it relates to its inherent contexts, history, religion and culture.”
Lewis deSoto is an American artist of Cahuilla Native American ancestry. His multimedia installations combine sound, light, video, space, and sculpture elements and are site-specific or oriented toward making a complete environment. His conceptual artwork utilizes automobiles, inflatables, electronics, photography, wood and metal construction. In this exclusive interview he discusses his ideas and work.
“I am interested in time and temporality; our relationship to time and our perception of time. The vocabulary I often employ is fleeting light….Creating scenarios wherein the viewer is made aware of the present moment and transitory moments.”
Miya Ando is an American artist whose metal canvases and sculpture articulate themes of perception and ones relationship to time. The foundation of her practice is the transformation of surfaces. In this exclusive interview she discusses her ideas and work.
Bill Viola is a seminal figure in the field of video creating installations, films, sound environments, flat panel video pieces and works for concerts, opera and sacred spaces for over four decades. Viola uses video to explore the phenomenon of sense perception as an avenue to self-knowledge. His works focus on universal human experiences and have roots in both Eastern and Western art as well as spiritual traditions, including Zen Buddhism, Islamic Sufism, and Christian Mysticism. Using the inner language of subjective thoughts and collective memories, his videos communicate to a wide audience, allowing viewers to experience the work directly, and in their own personal way.
“For me, the swarming process is a metaphor for the journey towards achieving a collective identity. A ritual for social cohesion. The swarm must unite as a colony if they want to survive.”
Heloise Tunstall-Behrens, together with co-director and movement designer Roswitha Gerlitz and composer Auclair, presented her musical project ‘The Swarm’ at the Vault Festival, London in February 2017. ‘The Swarm’ uses an all-female choir to reproduce the noise of a beehive, along with an urban soundscape as a backdrop. Choral music, voice and movement merge in this avant-garde piece, which hopes to raise awareness of the endangered condition of honeybees and their importance in a city environment.
For more than 10 years, Simon Park, an internationally recognised molecular microbiologist, has worked at the fertile intersection between art and science. As well as collaborating with artists, he also produces his own work, his practice being inspired by the aesthetics and processes of the usually invisible microbiological world. In 2015 he won the Peter Wildy Prize for his outstanding outreach work in microbiology.
While attending grad school at NYU, I also took piano classes. I loved learning Baroque pieces from JS Bach, Henry Purcell, and Domenico Scarlatti. When the pieces were originally composed, the piano didn’t exist yet, and they were primarily written for a harpsichord which doesn’t allow for much tonality There is something very fascinating to […]
‘Before the Eternal Silence’ is a time-based installation that uses the past eighteen years of environmental data to explore the belief that the destruction of human habitation is getting worse, and emphasize the interconnected influence between humans and our environment.