Tag Archives: Technology

Ai-Da: Robot Artist

“Ai-Da is the world’s first ultra-realistic AI robot artist. She can draw, and is a performance artist. As a machine, with AI capabilities, her artist persona is the artwork, along with her drawings, performance art and collaborative paintings and sculptures.”

Named in honour of the pioneering female mathematician Ada Lovelace, Ai-Da was invented by gallery director Aidan Meller. She had her first solo exhibition, ‘Unsecured Futures’, at St John’s College, Oxford in June 2019.

On ‘The Artist in the Machine’

Professor Arthur I Miller is an authority on creativity, in both the arts and sciences. In his latest book, ‘The Artist in the Machine: The World of AI-Powered Creativity’, he introduces us to AI’s that are creating art, literature, and music that may well surpass the creations of humans. In this exclusive interview he discusses ideas and work that forms the subject of his book and celebrates the creative possibilities of artificial intelligence in art, music, and literature.

Fairy Tales and Machine Learning: Retelling, Reflecting, Repeating, Recreating

Anna Ridler is an artist and researcher who works with information and data. She was a 2018 EMAP fellow and was listed by Artnet as one of nine “pioneering artists” exploring AI’s creative potential. She is particularly interested in constructing stories and narratives and exploring the intersections of where the quantitative meets the qualitative.

Georgia Ward Dyer studied Philosophy at the University of Cambridge before developing an art practice which focuses on creating conversations about abstract, complex ideas by making them tangible through process-led, multivalent works. Her work often addresses questions of meaning, ontology and epistemology.

Missing Mass

Experimenting with ideas of time, space and physicality, Carey Young’s body of artistic work explores law as a separate kind of ‘reality’, one with its own inherent subjectivities and points of breakdown.

‘Missing Mass’ (2010) is a sculptural work created with the scientific guidance of Prof. Malcolm Fairbairn, an astrophysicist based at King’s College London and is exhibited at the Science Gallery, London exhibition ‘Dark Matter: 95% of the Universe is missing’.

Voices

Aura Satz is Moving Image Tutor and Reader in Fine Art (Sound and Moving Image) on the Contemporary Art Practice programme at the Royal College of Art.

Aura Satz’s work encompasses film, sound, performance and sculpture. Her work centres on the trope of ventriloquism in order to conceptualise a distributed, expanded and shared notion of voice. Works are made in conversation and use dialogue as both method and subject matter.
Satz has made a body of work centred on various sound technologies in order to explore notation systems, code and encryption, and ways in which these might resist standardisation, generating new soundscapes, and in turn new forms of listening and attending to the other.

Cartoon Logic

Andy Holden is an artist who works in a variety of mediums.

His immersive new installation, ‘Laws of Motion in a Cartoon Landscape’, for the Science Gallery London exhibition ‘Dark Matter: 95% of the Universe is missing’ reflects on the physics of a cartoon environment which defy the normal conditions of gravity, force, and velocity.

On the Surface

Rachel Pimm works in sculpture, video and performance to explore environments and their materialities, histories and politics often from the point of view of non-human agents such as plants, minerals, worms, water, gravity or rubber. She is interested in the potential of surfaces and matter to transform.

Working in sound, Lori E Allen uses sources including obscure dialogue, background noise, cut-up word percussion and distorted popular television themes to create audio landscapes.

95% of the Universe is missing

Professor Malcolm Fairbairn is a member of the Theoretical Particle Physics and Cosmology Research Group, Kings College London. His research lies at the boundary between cosmology, particle physics and astrophysics. In particular, he is interested in dark matter, dark energy, cosmological inflation and particle astrophysics. He has been awarded an ERC consolidator grant running from 2015-2020 to study dark matter and particle physics in the early Universe.

Our study suggests the elusive ‘neutrino’ could make up a significant part of dark matter

Ian G McCarthy is a Reader in theoretical astrophysics at the Astrophysics Research Institute at Liverpool John Moores University in Liverpool, UK. He is a member of the ARI’s Computational & Theoretical Galaxy Formation group.

“I use both supercomputer simulations and good old-fashioned “pencil and paper” theory to study a variety of topics relating to structure formation in the Universe, including the formation and evolution of galaxies and the use of large-scale structure as a sensitive probe of cosmology. I work closely with observers to test the predictions of the simulations/models and to intepret the observational data.”