Siobhan McDonald is an award-winning Irish artist interested in the changeable nature of landmass, historical events and their interconnection to time. Her latest exhibition, titled ‘Hidden Monuments’, presents a series of artistic enquiries to remind us of the Cairns, standing stones and Megalithic structures that foreshadow our architectural histories.
Jasmine Pradissitto is a physicist and a painter who sculpts and creates installations in plastics, light, metal, and geopolymers, embracing the dual worlds of the Scientist and Artist.
Described as ‘holograms you can touch’, her sculptures in new and discarded plastics, change in colour as the observer moves. Inspired by nature, the human condition, and scientific breakthroughs, forms are melted and reshaped from plastics using an innovative process she has developed, as a commentary on an unsustainable, increasingly Anthropocene world slowly being reshaped by the things we consume and then disregard.
Epicurean Endocrinology’s latest project, ‘Cooking Sex’, is a series of sex-hormone altering meals and food products that explore the endocrine-system altering properties of industrially produced food.
Byron Rich is an artist, professor and lecturer. His work on speculative design, tactical media ecology, and emerging technologies in biological science, computer science, and transportation, has been widely shown and written about internationally.
Liz Flyntz is a curator, information architect, artist, and writer. She is the co-editor and co-author of ‘The Present Is the Form of All Life’, a book about the time capsule works of media art and architecture group Ant Farm.
“When you are looking closely at the world it is impossible not to see damage and – if you have some understanding of what you are looking at – absence, so increasingly my work is motivated by the catastrophic impact of human actions on the natural world. I am inspired and appalled in equal measure by what I see around me.”
Emma Tuck’s work is informed by natural forms and patterns, refracted through the psychological, the political and the trivial.
Jenny Walsh is a glass artist who uses glass in combination with other materials to explore the interface between art, science and technology, examining both the role of glass in scientific discoveries, as well as using glass to convey scientific concepts.
“My main aim is to raise questions about how scientific developments – particularly relating to my current preoccupation with medical imaging – change the way people think about themselves, their bodies and their identity”.
Julie Light is a visual artist primarily creating sculptural objects in glass and other materials. Her current work is focused on the relationships between medical technologies and the self.
“Water takes a central place in my view of the world. It is the container of life and the connective element in the landscape.”
Siobhan McDonald is a visual artist working in the medium of paint, film and sound. She is interested in the changeable nature of landmass, historical events and their interconnection to time. Many of her works seek to merge the poetic and the scientific to delve into a field that’s unknown to her.
“A river is elusive: ever shifting, always moving, and in a constant state of flux. Is a river the water it contains or the channel through which it flows; or is it essentially a self-replicating memory? My work centers on the many facets of water: as a subject, a material, and an experience. I am looking for the ephemeral, sublime, and perceptually mysterious.”
David Teeple is a multidisciplinary artist using glass, water, and light to create formally simple yet perceptually complex works.
Margaret Inga Urías is a multidisciplinary artist primarily using the medium of drawing to create engraved sculptures, site-specific installations, large-scale murals, constructed photographs and works on paper. Drawn to lost histories, concealed origins and imperceptible, forgotten connections, she is interested in conditions that entangle the past, the present, and the future–re-examining how we orient ourselves, not only in the immediacy of places around us, but also in the universe that maintains us. With a specific interest in the physical laws and circumstances that brought space, time, matter and beings into existence, she creates works that often function as trace narratives– following the story of the small, the coincidental, and the invisible, over vast stretches of time.
The “Access to Justice” project has taken four years of careful negotiation and numerous visual concepts before The Law Society of Upper Canada eventually selected my landmark artwork for a prime location bridging Toronto’s Nathan Phillips Square and University Avenue, via the pedestrianised promenade of McMurtry Gardens of Justice.