For over 40 years, Diane Burko has investigated monumental geological phenomena. Her practice at the intersection of art and science focuses on issues of climate change. Originally basing her imagery on research and visual data from scientists, she soon moved to bear witness directly in the Polar regions. In her painting projects such as ‘Politics of Snow’ and ‘Polar Investigations’ she explores visual strategies, translating data into imagery.
Thomas Cronin is Professor of Biological Sciences, University of Maryland, Baltimore County. His research interest is in Visual ecology: the evolution, adaptation, and specialization of visual systems of animals ranging from the simplest marine invertebrates to complex animals like mantis shrimps, cuttlefish, whooping cranes, and right whales
James Sprittles is an Associate Professor in the Mathematics Institute at the University of Warwick, who studies the mathematical modelling and computational simulation of technologically-relevant interfacial flows, which are particularly relevant in the emerging fields of nano- and microfluidics.
“In the past we tended to imagine that water was a scarce and precious resource. But as we learn more about our place in the Universe, we are becoming ever more aware that water is everywhere.”
Professor Jonti Horner, an astronomer and astrobiologist who currently works in the Computational Engineering and Science Research Centre at the University of Southern Queensland, in Toowoomba, Australia.
“Water takes a central place in my view of the world. It is the container of life and the connective element in the landscape.”
Siobhan McDonald is a visual artist working in the medium of paint, film and sound. She is interested in the changeable nature of landmass, historical events and their interconnection to time. Many of her works seek to merge the poetic and the scientific to delve into a field that’s unknown to her.
“My art is literally created by water, and imbued with its dynamics of movement, fluidity and flow, through my “floating colors” art-making process.”
Laura Ferguson has made her own body the subject of her art, finding beauty in a curving spine and exploring the connections between pain, consciousness, and creativity. “Floating on inner seas” will be part of a book-in-progress about her own art and the process of making it, ‘The Consciousness of the Body’.
“If we each have responsibility for our own safety, we also have responsibility for our own adventure. Each time we swim in a city river, we re-imagine our city from the inside. Our skin is a permeable boundary, letting in the water and the city, feeling the soft impact of the seasons and the water.”
Amy Sharrocks is a live artist, sculptor and film-maker who invites people to come on journeys in which their own experience, communication and expression are a vital part. She has making work about people and water for 10 years.
“We are all bodies of water! What we do to water, we do to every body, including ourselves.”
Astrida Neimanis writes mostly about bodies, water and weather, in an intersectional feminist mode. Her most recent monograph is Bodies of Water: Posthuman Feminist Phenomenology. She is currently Senior Lecturer in the Department of Gender and Cultural Studies and Key Researcher at the Sydney Environment Institute at the University of Sydney, on Gadigal land, in Australia.
“A river is elusive: ever shifting, always moving, and in a constant state of flux. Is a river the water it contains or the channel through which it flows; or is it essentially a self-replicating memory? My work centers on the many facets of water: as a subject, a material, and an experience. I am looking for the ephemeral, sublime, and perceptually mysterious.”
David Teeple is a multidisciplinary artist using glass, water, and light to create formally simple yet perceptually complex works.
Susan Derges has established an international reputation through her practice involving cameraless, lens-based, digital and reinvented photographic processes, encompassing subject matter informed by the physical and biological sciences as well as landscape and abstraction. Her art comprises an ongoing enquiry into the relationship of the self to the observed.