Artist Klari Reis is best known for her Petri Dish series, a multicolour set of circular blobs created using a blend of media and ground-breaking techniques. The core of her approach is the transformation and pigmentation of a UV-resistant plastic, the epoxy polymer, into unique and cutting edge artworks. She uses the tools and techniques of science in her creative process, constantly experimenting with new ways to apply materials and methods. She is driven by curiosity and her desire to explore and document the natural and unnatural with a sense of wonder and joy.
“My artistic narrative is influenced by my experience and involvement, over the years, in the scientific study and investigation of cell structure and function……….The physical and chemical properties of atoms and molecules, the composition of matter, the energy, matter’s wear and degradation — these are the raw materials I use to compose a personal artistic landscape.”
Thalia Gatzouli currently lives and works as an artist and a Nuclear physician in Thessaloniki, Greece.
Andrew McKeown has completed many large scale sculpture commissions throughout the U.K and internationally. Recurring themes within his work are those of growth, change and renewal and these natural or organic themes are often combined with site specific historical or industrial references which can be both literal and metaphorical. Andrew’s expertise is in sculpture, design and environmental regeneration. Casting and mould making processes inform and influence his work in both a practical and conceptual way and he often create installations of multiple sculptures which are cast or fabricated in durable materials such as iron, steel, bronze and stone.
“Umwelt a three-artist exhibition at BioBAT Art Space…….Meredith Tromble, Patricia Olynyk, and Christine Davis are established artists who approach science as material for art. They have individually worked directly with scientists: as residents in their labs, as observers of scientific proceedings, as interviewers treating scientists as informants, and as direct co-creators of artworks. This collaborative presentation offers the opportunity to think about the different approaches that artists are taking to work with science in the new wave of art-science interactions and collaborations that is now well underway.”
Micaela Lattanzio is a Roman photographer and artist who explores the fragmentation of female identity through the deconstruction and the subsequent reworking of female portraits. Her work explores the intricate paths of consciousness and self-awareness, the body and is a reflection on social relationships, on the specific weight that our presence has in our environment.
“My studio practice often fuses common household materials and ordinary life activities with semi-exotic art textures, supplies and procedures. I mix forms of art and life with emotional and ideological premises that culminate in artifacts that seem to find solace in concrete irreverence.”
Brett Reif is influenced by Arte Povera and specializes in non-traditional media wall work, sculpture and installation. His use of common household materials, surfaces and objects along with raw, natural objects to create drawings, paintings, reliefs, sculptures and installations, nurtures home materials to embody our stress, conflict, hope and fear.
Sarah Howe is a UK based artist whose installations situate still and moving image within sculptural space. Her work stands in the crossing between a material and psychological landscape, in a reach to illustrate heightened inner states.
Her installation ‘Consider Falling’ is rooted in research into derealisation (the condition of feeling that reality is unreal) and depersonalisation (a feeling of detachment from oneself, or that oneself is unreal) collectively referred to as DPD.
Esther Rolinson is a British visual artist who explores the use of new media technology as well as long-established artistic languages such as drawing and sculpture. Her interest in bringing consciousness to our sensations led her to work with light. Due to its immediacy and potential to affect our senses, light became an important feature of her artistic production, one among a wide range of materials that she uses. Another key element is computer programming. In her work the use of new media is as essential as pencil and paper.