Tag Archives: Drawing

Encrypted beauty in Rita Rodner’s ‘Universe for Beginners’

‘Universe for Beginners’ is a pattern-rich cosmos conjured up by British-based, Polish artist Rita Rodner. Brooding black-and-white paintings, photographs and drawings appear, on first glance, to be traditional landscapes evoking notions of the sublime. But, lines of code dotted across the surface invite audiences to question if these images are, in fact, virtual. Using experimental techniques, and working directly from source code, Rodner encrypts beauty into her layered realms, reflecting the connections between art and science, dark and light, chaos and code.

Cortical

Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 40 years. He studied Fine Art and Physics before founding The Interalia Centre in 1990. Since then, he has lectured extensively on art and science and written articles on James Turrell, Andy Goldsworthy and Susan Derges, among others. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Gallery, University of Bath (Second Prize Winner). Co-author of ‘The Art of Science’ (Welbeck Publishers, 2021).

Human-Machine Collaborations

Sougwen 愫君 Chung is a Chinese-Canadian artist and researcher, and is the founder and artistic director of Scilicet, a London-based studio exploring human & non-human collaboration. A former research fellow at MIT’s Media Lab, she is considered a pioneer in the field of human-machine collaboration – exploring the mark-made-by-hand and the mark-made-by-machine as an approach to understanding the dynamics of humans and systems.

Lines of Empathy

‘Lines of Empathy’ is a group show brought together by Italian, London-based, artist Giulia Ricci. The title ‘Lines of Empathy’ is a synthesis of the project’s main themes: on one hand the exploration of the process of mark-making while drawing on paper by hand, on the other, empathy as the act of reaching out into someone else’s experience.

Jack Tait: Master of the Analog Drawing Machine

The authors herein present an introduction to the extraordinary and wide-ranging work of analog drawing machine artist Jack Tait. Now 88 and still active as an artist and theorist, that work has been previously recognized only within a relatively small circle of specialists within his native Britain; but given the current explosion of interest in techno-art, it has seemed appropriate to the authors to employ the communication format to introduce his art to a global audience: a body of work addressing the currently vital questions of the analog versus the digital, and the random versus the deterministic.

Time Waves (II)

Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 40 years. He studied Fine Art and Physics before founding The Interalia Centre in 1990. Since then, he has lectured extensively on art and science and written articles on James Turrell, Andy Goldsworthy and Susan Derges, among others. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Gallery, University of Bath (Second Prize Winner). Co-author of ‘The Art of Science’ (Welbeck Publishers, 2021).

Revelations

An American who has lived in Prague since 1991, Robert Horvitz believes that what you do defines who you are. He currently spends 29.4% of his time sleeping, dreaming and snoring; 9.0% of his time writing about communication policy issues; 8.4% of his time watching television; 7.2% of his time shopping for, preparing and eating food; 4.8% of his time drawing; 3.8% of his time teaching drawing; and 3.6% of his time looking at Facebook waiting for someone to “like” something he posted. In the 1970s he wrote for Artforum magazine, in the 1970s and 80s he was the art editor of CoEvolution Quarterly and the Whole Earth Review. In the 1990s he advised George Soros on electronic media and the development of journalism in post-communist societies. In the 2000s he created and managed the Open Spectrum Foundation.

Brainstorms, Terrains and Mental Mapping

Heidi Whitman’s installations, constructions, paintings, and drawings are invented terrains or mental maps. Her installation, ‘New World’, was included in Wayfinding: Contemporary Artists, Critical Dialogues, and the Sidney R. Knafel Map Collection at the Addison Gallery of American Art in 2020-21. She has exhibited internationally, most recently in ‘The Art of Mapping’ at TAG Fine Arts in London.

FlowDancing

Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. He studied Fine Art and Physics before founding The Interalia Centre in 1990. Since then, he has lectured extensively on art and science and written articles on James Turrell, Andy Goldsworthy and Susan Derges, among others. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Gallery, University of Bath (Second Prize Winner). Co-author of ‘The Art of Science’ (Welbeck Publishers, 2021).

Time Traveller: Donald Burgy’s journey from the far future to the distant past

Donald Burgy has been well-known for his futuristic conceptual artworks for more than 50 years. Much less known is his recent work on the interpretation of prehistoric drawings. This essay considers his recent work as a necessary complement to the earlier work and identifies a fundamental change in Burgy’s understanding of the relationship between art and science as part of this complementarity.