Linda Dalrymple Henderson is the David Bruton, Jr. Centennial Professor in Art History at the University of Texas at Austin. Her research and teaching focus on modern art in its broader cultural context, including ideas such as ‘the fourth dimension,’ the history of science and technology, and mystical and occult philosophies. In addition to over eighty journal articles and book and catalog essays, she is the author of ‘The Fourth Dimension and Non-Euclidean Geometry in Modern Art’ (Princeton University Press, 1983; new, enlarged ed., MIT Press, 2013) and ‘Duchamp in Context: Science and Technology in the Large Glass and Related Works’ (Princeton, 1998).In 2014 Professor Henderson won a Lifetime Achievement Award, given by the Society for Literature, Science, and the Arts. In 2018 she received a Leonardo Pioneer Award, given by the journal Leonardo on its 50th Anniversary.
Robin Dunbar is Professor of Evolutionary Psychology, Department of Experimental Psycology, University of Oxford. His research is concerned with trying to understand the behavioural, cognitive and neuroendocrinological mechanisms that underpin social bonding in primates (in general) and humans (in particular).
Chris Zebrowski is a Lecturer in Politics and International Relations, Loughborough University. His research analyses the concept of resilience in the context of the changing rationalities and practices of risk management and security.
Per Olsson is a Researcher, Stockholm Resilience Centre, Stockholm University. He is a transdisciplinary researcher and has worked in the interface of natural and social sciences and humanities. His current research focuses on agency and system entrepreneurship, social-ecological innovations, transformations to sustainability, and how to reverse current trends of crossing critical thresholds and tipping points in the Earth system.
Benjamin Bowman is a youth studies specialist with broad academic background in politics, the politics of youth, and especially young people’s activism. Benjamin works with the Manchester Centre for Youth Studies, and is Lecturer in Youth Justice at Manchester Metropolitan University.
Max Saunders is Professor of English and Co-Director of the Centre for Life-Writing Research at King’s College London, where he teaches modern literature. From September 2019 he will be Interdisciplinary Professor of Modern Literature and Culture at the University of Birmingham.
He was awarded a Leverhulme Major Research Fellowship from 2008-10 to research the To-Day and To-Morrow book series. His resulting book on the series and futurology, ‘Imagined Futures’, is published by Oxford University Press (2019).
Andre Spicer is Professor of Organisational Behaviour, Cass Business School, City, University of London. His main expertise is in the area of organizational behaviour. In particular he has done work on organizational power and politics, identity, the creation of new organizational forms, space and architecture plays at work and more recently leadership.
Charlotte Jarvis is an artist and lecturer working at the intersection of art and science. Her practice often utilises living cells and DNA: “I have recorded music onto DNA, seen my heart beat outside of my body and am currently making the world’s first female sperm. My work explores the body as a liminal space – a site for transformation, hybridisation and magic”. In Posse is a work In progress: “A mission to make ‘female’ sperm from my own stem cells”.
Pei-Ying Lin is an artist / designer from Taiwan and currently based in Eindhoven, the Netherlands. Her main focus is on the combination of science and human society through artistic methods and is particularly interested in building a common discussion ground for different cultural perspectives regarding elements that construct our individual perception of the world.
Jasmine Pradissitto is an international artist, innovator, and speaker with a background in physics based in London. Inspired by nature, the human condition, the mythopoetic and a more sustainable future, her forms create a commentary on an unsustainable, increasingly Anthropocene world slowly being reshaped by the things we consume and then disregard. She creates work that builds awareness about diminishing air quality and biodiversity extinction.
Heather Dewey-Hagborg is an artist and biohacker who is interested in art as research and technological critique. Her controversial biopolitical art practice includes the project ‘Stranger Visions’ in which she created portrait sculptures from analyses of genetic material (hair, cigarette butts, chewed up gum) collected in public places.
This essay considers projects by two multimedia artists working in Scotland to propose that culture and local ecology are inseparable and mutually-determining aspects of our understanding of and care for place. The work of Inge Thomson and Deirdre Nelson encompasses material cultures and oral traditions, with an emphasis on marine environments, creating new narratives of passage as works of advocacy for ‘vernacular, community-based ecology’.