Dr. Claudia Schnugg is a curator and producer of art and science collaboration and a researcher in the intersections of art and aesthetics with science, technology, and business. She produces artscience collaborations, artist-in-residence programs, media art projects as well as various projects intertwining art, science, technology, and innovation in business, industry, scientific organizations and cultural organizations. She also holds workshops, runs research projects, and gives talks about developments on the intersection of art, science, technology, and business.
Margaret Wertheim is Vice-Chancellor’s Fellow in Science Communication, The University of Melbourne. She is an internationally noted writer and exhibition curator whose work focuses on relations between science and the wider cultural landscape. The author of six books, including ‘The Pearly Gates of Cyberspace,’ a groundbreaking exploration of the history of Western concepts of space from Dante to the Internet.
Wertheim is the founder and director of the Institute For Figuring, a Los Angeles-based organization devoted to the aesthetic and poetic dimensions of mathematics and science. (www.theiff.org) Through the IFF, she has designed exhibitions for galleries and museums in a dozen countries, including the Hayward Gallery in London and the Smithsonian’s National Museum of Natural History in Washington D.C. The IFF’s “Crochet Coral Reef” project – spearheaded by Margaret and twin sister Christine – is the largest participatory science-and-art endeavor in the world, and has been shown at the Andy Warhol Museum (Pittsburgh), the Science Gallery (Dublin), New York University Abu Dhabi, and elsewhere. Through an unlikely conjunction of handicraft and geometry, the Crochet Coral Reef offers a window into mathematics while addressing the issue of reef degradation due to global warming. Wertheim’s TED talk on the topic has been viewed more than a million times, and translated into 20 languages, including Arabic.
‘The Art of Science’ explores the work of 40 artists and artist–scientists, from different cultures and eras, uncovering how these innovators have designed futuristic technology centuries ahead of its time, investigated time and space through abstract art, and created sculpture informed by Nasa technology.
‘The Art of Science’ explores topics such as: Climate breakdown and conservation ; Deep space and cosmic archaeology ; How media is used to communicate ideas relating to science ; Exploring being human alongside biotechnology ; and AI and Neural Networks.
Nancy Locke is Associate Professor of Art History, Penn State. Dr. Locke teaches courses in European art, ca. 1780–1940, and the history of photography from its inception to the present. She is the author of Manet and the Family Romance (Princeton University Press, 2001), as well as articles in such journals as Art Bulletin, Burlington Magazine, and Nineteenth-Century Art Worldwide; furthermore, she has published chapters in edited volumes on such topics as fascism and art in France and Italy, and the representation of childhood in the nineteenth century. Recent essays on Manet, “The Social Character of Manet’s Art,” in the exhibition catalogue Manet, l’inventeur du moderne (Musée d’Orsay, Paris, 2011), and “Manet and the Ethics of Realism,” in Perspectives on Manet (ed. Therese Dolan, Ashgate, 2012), propose that Manet was above all an artist concerned with giving form to the social questions and ethical dilemmas of modern life.
Liam Guilfoyle is a Postdoctoral Research Officer, University of Oxford, working on the Oxford Argumentation in Religion and Science (OARS) project, funded by the Templeton World Charity Foundation. He is particularly motivated by exploring the challenges and possibilities for teachers drawing on educational research for classroom practice and to this end, he is a member of the Teaching Council’s Research Engagement Group (REG) in Ireland, which works to promote teachers’ engagement with and in research. Liam also serves as a reviewer for the International Journal of Science Education and NARST: A Worldwide Organization for Improving Science Teaching and Learning through Research.
Philip F. Palmedo studied art history and physics as an undergraduate at Williams College, and received his PhD in nuclear engineering from MIT. He carried out nuclear reactor physics research at the French nuclear laboratory at Saclay and at Brookhaven National Laboratory. He then initiated and headed the International Resources Group and the Long Island Research Institute. He has written extensively in many areas, including several books on modern sculpture. His most recent book is ‘Deep Affinities: Art and Science’, on which this article is based.
A global disaster might occur sooner than we ever could have anticipated. What will happen afterwards, no one knows. But in the art project ‘Universitas’, a veil is lifted. ‘Universitas’ explores what’s possible when creativity meets science and ecology.
Linda Dalrymple Henderson is the David Bruton, Jr. Centennial Professor in Art History at the University of Texas at Austin. Her research and teaching focus on modern art in its broader cultural context, including ideas such as ‘the fourth dimension,’ the history of science and technology, and mystical and occult philosophies. In addition to over eighty journal articles and book and catalog essays, she is the author of ‘The Fourth Dimension and Non-Euclidean Geometry in Modern Art’ (Princeton University Press, 1983; new, enlarged ed., MIT Press, 2013) and ‘Duchamp in Context: Science and Technology in the Large Glass and Related Works’ (Princeton, 1998).In 2014 Professor Henderson won a Lifetime Achievement Award, given by the Society for Literature, Science, and the Arts. In 2018 she received a Leonardo Pioneer Award, given by the journal Leonardo on its 50th Anniversary.
Robin Dunbar is Professor of Evolutionary Psychology, Department of Experimental Psycology, University of Oxford. His research is concerned with trying to understand the behavioural, cognitive and neuroendocrinological mechanisms that underpin social bonding in primates (in general) and humans (in particular).
Chris Zebrowski is a Lecturer in Politics and International Relations, Loughborough University. His research analyses the concept of resilience in the context of the changing rationalities and practices of risk management and security.
Per Olsson is a Researcher, Stockholm Resilience Centre, Stockholm University. He is a transdisciplinary researcher and has worked in the interface of natural and social sciences and humanities. His current research focuses on agency and system entrepreneurship, social-ecological innovations, transformations to sustainability, and how to reverse current trends of crossing critical thresholds and tipping points in the Earth system.
Benjamin Bowman is a youth studies specialist with broad academic background in politics, the politics of youth, and especially young people’s activism. Benjamin works with the Manchester Centre for Youth Studies, and is Lecturer in Youth Justice at Manchester Metropolitan University.