We Contain Multitudes

Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 40 years. He studied Fine Art and Physics before founding The Interalia Centre in 1990. Since then, he has lectured extensively on art and science and written articles on James Turrell, Andy Goldsworthy and Susan Derges, among others. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Gallery, University of Bath (Second Prize Winner). Co-author of ‘The Art of Science’ (Welbeck Publishers, 2021). In ‘We Contain Multitudes’ he shows some his recent work.

We Contain Multitudes XIII, 2025. Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 50 cms

We Contain Multitudes XIII, 2025 (detail). Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 50 cms

We Contain Multitudes II, 2025. Acrylic gel, ink, watercolour, seasalt, 50 x 50 cms

We Contain Multitudes II, 2025. Acrylic gel, ink, watercolour, seasalt, 50 x 50 cms

We Contain Multitudes XXI, 2025. Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 35 cms

We Contain Multitudes XXI, 2025 (detail). Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 35 cms

We Contain Multitudes XXII, 2025. Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 35 cms

We Contain Multitudes XXII, 2025 (detail). Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 35 cms

We Contain Multitudes XXIV, 2025. Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 40 cms

We Contain Multitudes XXIV, 2025 (detail). Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 40 cms

We Contain Multitudes XXXI, 2025. Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 40 cms

We Contain Multitudes (Thought Moments II), 2025. Iridescent acylic gel, ink, watercolour, seeds, seasalt, 50 x 40 cms

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www.richardbrightart.com

All images copyright and courtesy of Richard Bright

Art, Creativity, Drawing, Imagination

About Richard Bright

Artist and Writer; Studied Fine Art (BA) and Physics (Bsc); Editor-in-Chief: Interalia Magazine; Founder and Director of The Interalia Centre (founded in 1990 - www,interaliacentre.org), an organisation which addresses the relationship between the Arts, Sciences and Consciousness through innovative conferences, lectures and workshops, establishing a dialogue between art and science at an accessible level. Since The Interalia Centre was founded, it has successfully run 11 International conferences, 2 art/science festivals, "Dialogues" between artists and scientists, "science-in-art" residencies, as well as taking the art/science dialogue into the business environment. Lectured widely on the Art/Science interface, and has also given courses on colour theory and practice, geometry and art, and scientific concepts in early 20th century art. Book publications include – Andy Goldsworthy: Ice and Snow Drawings (Fruitmarket Gallery, Edinburgh, 1992); Susan Derges: River Taw (Michael Hue-Williams, London, 1997); James Turrell: The Elliptic Eclipse (MJH/Cantz Publishers,1999); Strange and Charmed: Science and the Contemporary Visual Arts - contributing chapter: – ‘Uncertain Entanglements: Art and Physics’ (Calouste Gulbenkian Foundation, 2000). 'The Art of Science', (Welbeck Publishing, 2021) - co-author with Heather Barnett, Nathan Cohen, Sheena Calvert and Adrian Holme. Shortlisted for the Arts and Business ‘Creative Britons 2000’ Award, and recipient of a Sci~art 2000 award (with Professors John D Barrow and Martin Kemp), for the project ‘Connections in Space: from the Quantum to the Cosmos’ - CD and Website. View all posts with Richard Bright →

Interalia Magazine

An online magazine dedicated to the interactions between the arts, sciences and consciousness.

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We Contain Multitudes

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