Florian Coulmas is Professor emeritus of Japanese Society and Sociolinguistics at the IN-EAST Institute of East Asian Studies at Duisburg-Essen University. He has published numerous books, including one about Hiroshima, where he once lived. In 2016, he was awarded the Meyer-Struckmann-Prize for Research in Arts and Social Sciences.
“Eyes on the road is a travelogue which isn’t really a travelogue because it is about a journey fifty years back.”
Professor Nick Jennings is an internationally-recognised authority in the areas of AI, autonomous systems, cyber-security and agent-based computing. He was awarded the 2026 Research Excellence Award by the International Joint Conference on Artificial Intelligence.
His research focuses on developing agentic AI systems for large-scale, open and dynamic environments. In particular, he is interested in how to endow individual autonomous agents with the ability to act and interact in flexible ways and with effectively engineering systems that contain both humans and software agents.
Nick is passionate about the real-world impact of research and his systems have been deployed to save lives in the aftermath of disasters, to win Olympic medals for TeamGB, and to monitor the impact of climate change on glaciers.
He has also been involved with a number of start-ups including Aerogility, Darktrace, Sentient Sports, Reliance Cyber Systems, Trans Humanity and is a board member of Midlands Mindforge.
Gerlinde Bigga is a Scientific Coordinator of the Leibniz Science Campus “Geogenomic Archaeology Campus Tübingen”, University of Tübingen
“I am an archaeologist specialized in Early Prehistory (Palaeolithic), Near Eastern Archaeology, and Archaeobotany. Currently, I work as the Scientific Coordinator and Science Communicator at a large research campus in Tübingen, where we conduct cutting-edge research developing new methods to detect ancient DNA in (cave) sediments.”
Taney Roniger is a visual artist, writer, and educator based in New York. Since the late 90s she has been exploring the relationship between art, science, and the spirituality of immanence in both her work as an artist and in numerous essays and symposia. ‘Pilgrimage to Myyrmaki – The Silent Music of Things’ recounts her visit to a church in Finland and her recent artworks it inspired.
As an artist, planner/designer and eco-cultural activist, Richard Lowenberg has dedicated his creative life to investigations, understandings and artful realization of works presenting and collaboratively setting examples for ‘an ecology of the information environment’, and resulting opportunities for development of a culturally and ecologically rooted society.
Michael Nicoll Yahgulanaas’ art has many incarnations including Haida manga, sculpture, painting, mixed media, ceramics or long murals made on Japanese paper. In this interview with art and ecology author, John K. Grande, he discusses his ideas and work.
We know from cognitive science and neuroscience that the brain is not a passive observer, like a camera lens. The brain actively composes what we perceive. Still we persist, in all our endeavors – from trying to cure cancer to conceiving of a unified theory – to operate from a materialist perspective. Perhaps this needs to change.
Cleandra Waldron, a counselling psychologist, shares the troubling patterns emerging with clients in her therapy room. Clients increasingly reveal details of their conversations with LLMs as they turn to AI for mental health support. Often unaware of the risks to privacy and dependence, they reveal intimate details of their lives and even medical data. A recent Sky News article reported that an alarming 1.2 million people had discussed suicide with ChatGPT. The ease of 24/7 support without wait times during an unprecedented mental health crisis—which largely operates in a regulatory void—has dangerous implications for user safety. Human psychological services have taken years to build safeguards and protections that clients take for granted, while AI poses as a therapist without any of the regulatory safeguards and protective guardrails that a human therapeutic relationship is bound by.
This article examines the real-world implications of AI therapy through the lens of clinical practice, revealing alarming gaps in data privacy, the dangers of AI “hallucinations” in therapeutic contexts, and the fundamental tension between business models optimized for engagement and the wellbeing of users. Drawing on recent legal actions against big tech AI companies, emerging research, and first-hand accounts from therapy sessions, it carefully asks critical questions: What do we lose when algorithms replace human connections? How do we balance the increased demand for cost-effective therapeutic services with common-sense protections that keep users safe?
The future of AI and its implications for therapy remain unclear. This article poses more questions than answers but aims to increase awareness and promote further research in the field of AI therapy, encouraging the implementation of common-sense policies that protect users from a therapist that never gets sick or goes on holiday.
Sabahat Fida’s work sits at the crossroads of science, religion, and metaphysics, often integrating theology with reflections from nature. This article explores justice as a divine and ontological principle—rooted in Shia theology, classical philosophy, and natural analogies—culminating in the lived example of Imam Ali (ʿa).
Zoë Fowler is a graduate student at the State University of New York, Albany in the Gaesser Lab.
“I am broadly interested in the intersection of social cognition, morality, and memory and imagination. My specific interests include empathy and its influence on morality as well as the role of imagination in the formation and maintenance of social bonds. Prior to SUNY Albany, I attended Emory University where I began as an undergraduate research assistant at Yerkes National Primate Research Center.”
Brendan Bo O’Connor (Bren) is a cognitive scientist, scholar of imagination, and outsider artist. As an associate professor in the Department of Psychology at the University at Albany he directs the Imagination & Cognition Lab, using psychology, philosophy, and neuroscience to explore the relationship between imagination, empathy, altruism, and morality. As an artist, he is the creator and director of the Lucid Dream Minigolf project, an existential traveling minigolf course funded by the Alliance of Resident Theatres New York and New York State Council on the Arts. Before UAlbany, he was a postdoctoral researcher at Boston College. He received his B.A. from Massachusetts College of Liberal Arts and his Ph.D. from Harvard University.