Massinissa Selmani’s work aims to create drawn forms mingling a documentary approach with fictional constructions and animations, while taking as its point of departure contemporary political and social issues from press cuttings. Through confrontation, juxtaposition and even the superposition of actual elements, whose contexts have systematically been concealed, the artist creates enigmatic, ambiguous scenes unlikely to happen in reality.
Shelly Tregoning’s work is a response to the intimacies of her life – “an emotional connection to those closest to me and to fragments of the everyday that I encounter. I am trying to make sense in some way, of life and personal identity – through conversations with friends, places I have been and the things I see along the way. Visually gathering ‘moments’ which inform my work, these drawings and scribbles create a scaffolding upon which I build my images”.
“My work begins with simple gesture drawings made with graphite. Executed without plan and with as few strokes as possible, the forms that emerge record a confluence of forces. A kind of collaboration between a sensing organism and the dynamics of its environment, each drawing is unique, irreproducible by definition.”
Taney Roniger is a visual artist, writer, and educator based in New York. Since the late 90s she has been exploring the relationship between art, science, and the spirituality of immanence in both her work as an artist and in numerous essays and symposia.
Wura-Natasha Ogunji is a visual artist and performer. Her works include drawings hand-stitched into tracing paper, videos and public performances. Her work is deeply inspired by the daily interactions and frequencies that occur in the city of Lagos, Nigeria, from the epic to the intimate. Ogunji’s performances explore the presence of women in public space; these often include investigations of labor, leisure, freedom and frivolity.
Artist and writer, Richard Bright, has addressed the relationship between art, science and consciousness for over 30 years. He has exhibited both nationally and internationally and was the recipient of the ‘Visions of Science’ Award, The Edge, Andrew Brownsward Gallery, University of Bath (Second Prize Winner). In his recent series of drawings he explores the impermanent and shifting process of time and waves.
History, memory, masculinity and power balance are central themes in Marc Bauer’s work that consist for a major part of black and white drawings, but extends to animation film, ceramics, oil paint and sculpture. He describes drawing as “a way for me and the viewer, to comprehend reality in all its complexity – subjectively, politically, symbolically – and show how history, memory and shifting power structures shade the present.”
Annie Cattrell’s practice is often informed by working with specialists in neuroscience, meteorology, engineering, psychiatry and the history of science. This cross-disciplinary approach has enabled her to learn about cutting edge research and in depth information in these fields. She is particularly interested in the parallels and connections that can be drawn within these approaches in both art and science.
“Umwelt a three-artist exhibition at BioBAT Art Space…….Meredith Tromble, Patricia Olynyk, and Christine Davis are established artists who approach science as material for art. They have individually worked directly with scientists: as residents in their labs, as observers of scientific proceedings, as interviewers treating scientists as informants, and as direct co-creators of artworks. This collaborative presentation offers the opportunity to think about the different approaches that artists are taking to work with science in the new wave of art-science interactions and collaborations that is now well underway.”
Cecelia Chapman is a Massachusetts based artist, born in San Francisco. Her work revolves around video, essay, storytelling, and works on paper and merges the documentary and experimental. Club Paradise: don’t be a tourist…vacation culture, capitalism, consciousness 2017-2019 examines vacation culture photographed and filmed on Cape Cod.
Frank Wilczek is an American theoretical physicist, mathematician and a Nobel laureate. He is currently the Herman Feshbach Professor of Physics at the Massachusetts Institute of Technology (MIT), Founding Director of T. D. Lee Institute and Chief Scientist Wilczek Quantum Center, Shanghai Jiao Tong University (SJTU), Distinguished Origins Professor at Arizona State University (ASU) and full Professor at Stockholm University.
Wilczek, along with David Gross and H. David Politzer, was awarded the Nobel Prize in Physics in 2004 for their discovery of asymptotic freedom in the theory of the strong interaction. He is on the Scientific Advisory Board for the Future of Life Institute.
His most recent book is ‘A Beautiful Question: Finding Nature’s Deep Design’.