Tag Archives: Creativity

On ‘The Artist in the Machine’

Professor Arthur I Miller is an authority on creativity, in both the arts and sciences. In his latest book, ‘The Artist in the Machine: The World of AI-Powered Creativity’, he introduces us to AI’s that are creating art, literature, and music that may well surpass the creations of humans. In this exclusive interview he discusses ideas and work that forms the subject of his book and celebrates the creative possibilities of artificial intelligence in art, music, and literature.

Fairy Tales and Machine Learning: Retelling, Reflecting, Repeating, Recreating

Anna Ridler is an artist and researcher who works with information and data. She was a 2018 EMAP fellow and was listed by Artnet as one of nine “pioneering artists” exploring AI’s creative potential. She is particularly interested in constructing stories and narratives and exploring the intersections of where the quantitative meets the qualitative.

Georgia Ward Dyer studied Philosophy at the University of Cambridge before developing an art practice which focuses on creating conversations about abstract, complex ideas by making them tangible through process-led, multivalent works. Her work often addresses questions of meaning, ontology and epistemology.

Missing Mass

Experimenting with ideas of time, space and physicality, Carey Young’s body of artistic work explores law as a separate kind of ‘reality’, one with its own inherent subjectivities and points of breakdown.

‘Missing Mass’ (2010) is a sculptural work created with the scientific guidance of Prof. Malcolm Fairbairn, an astrophysicist based at King’s College London and is exhibited at the Science Gallery, London exhibition ‘Dark Matter: 95% of the Universe is missing’.

Ashkan Nejad Ebrahimi: Quintessence

“About 95% of our universe is invisible. It seems like ‘Everything’ is embraced by ‘Nothing’ and it makes me feel I am not alone and it causes a sense of relief involved with mystery.
Also as these dark things fill the distance between the visible matter, they fill a gap between science and art too; a distance which can be called wonder. an interruption which both of the Artist and the Scientist begin from there; Where we imagine about the state of a phenomenon.
what if we could see those things instead of regular ones…”

Can Aksoy: Chaosmos

Can Aksoy is an architect and visual artist. Through experimental photography and digital media, Aksoy is concerned with capturing the inner worlds/artefactual representations of the mind and eliciting the unconscious imagery.

Voices

Aura Satz is Moving Image Tutor and Reader in Fine Art (Sound and Moving Image) on the Contemporary Art Practice programme at the Royal College of Art.

Aura Satz’s work encompasses film, sound, performance and sculpture. Her work centres on the trope of ventriloquism in order to conceptualise a distributed, expanded and shared notion of voice. Works are made in conversation and use dialogue as both method and subject matter.
Satz has made a body of work centred on various sound technologies in order to explore notation systems, code and encryption, and ways in which these might resist standardisation, generating new soundscapes, and in turn new forms of listening and attending to the other.

On the Surface

Rachel Pimm works in sculpture, video and performance to explore environments and their materialities, histories and politics often from the point of view of non-human agents such as plants, minerals, worms, water, gravity or rubber. She is interested in the potential of surfaces and matter to transform.

Working in sound, Lori E Allen uses sources including obscure dialogue, background noise, cut-up word percussion and distorted popular television themes to create audio landscapes.

There’s more to this than meets the eye

The work of Yu-Chen Wang asks fundamental questions about human identity at a key point in history, where eco-systems and techno-systems have become inextricably intertwined. Yu-Chen’s central practice is drawing, allowing her to explore and meditate on mechanical and biological forms, and the ways in which their bodily borderlines blur and mutate. From these extemporisations, she then finds collaborative routes that take her work into the realms of fictional text, provoking the subsequent production of sculptural installation, performance, music, and film, in various combinations.

Her new large-scale intricate drawing, exhibited at the Science Gallery, London exhibition ‘Dark Matter: 95% of the Universe is missing’, explores the concepts of dark matter and how knowledge is created.