Can artistic innovation be inspired and guided on knowledge taken from the field of plant genome evolution? I explored this question by subjecting a glitch artwork to processes analogous to those shaping the evolution of the maize genome, that are whole genome duplication (WGD), subgenome bias fractionation and genome dominance, respectively. The mosaic composition of […]
Exploring particular issue themes, articles will be created by contributors via invitation, commission and open submission from subscribers.
“My art is literally created by water, and imbued with its dynamics of movement, fluidity and flow, through my “floating colors” art-making process.”
Laura Ferguson has made her own body the subject of her art, finding beauty in a curving spine and exploring the connections between pain, consciousness, and creativity. “Floating on inner seas” will be part of a book-in-progress about her own art and the process of making it, ‘The Consciousness of the Body’.
“If we each have responsibility for our own safety, we also have responsibility for our own adventure. Each time we swim in a city river, we re-imagine our city from the inside. Our skin is a permeable boundary, letting in the water and the city, feeling the soft impact of the seasons and the water.”
Amy Sharrocks is a live artist, sculptor and film-maker who invites people to come on journeys in which their own experience, communication and expression are a vital part. She has making work about people and water for 10 years.
Susan Derges has established an international reputation through her practice involving cameraless, lens-based, digital and reinvented photographic processes, encompassing subject matter informed by the physical and biological sciences as well as landscape and abstraction. Her art comprises an ongoing enquiry into the relationship of the self to the observed.
“The challenges we face with water are largely a consequence of how we perceive it in postmodern industrialized societies. Despite the myriad ways that water connects us to the world, our management and engineering of it seldom reflects that realization. Whereas expanding our perceptions of water may appear to be a relatively simple task, there are biological and behavioral factors that complicate our capacity and inclination to do so. Given the complex processes and systems that govern water in nature, our mimicking its patterns could supplement our comprehending or predicting them. ”
D.L. Marrin (nickname West) is an applied scientist specializing in biogeochemistry, water resources and aquatic ecology.
John Finney is Emeritus Professor of Physics at University College, London. He is the author of ‘Water: A Very Short Introduction’, published by Oxford University Press. The book provides an introduction to the science of water, ice, snow, and steam, and how the structure of water molecules gives rise to its physical and chemical properties.
“Einstein’s special theory of relativity, shows that time is … relative: the faster you move relative to me, the slower time will pass for you relative to my perception of time. So in our universe of expanding galaxies, spinning stars and swirling planets, experiences of time vary: everything’s past, present and future is relative.
So is there a universal time that we could all agree on?”
Thomas Kitching is a cosmologist, Reader in astrophysics, and Royal Society University Research Fellow working at the Mullard Space Science Laboratory at UCL. His interests are in dark energy, dark matter, statistics, and computer science. He is a manager in one of the worlds largest cosmology experiments, a European Space Agency mission called Euclid.
“Deep time represents a certain displacement of the human and the divine from the story of creation. Yet in the Anthropocene, ironically we humans have become that sublime force, the agents of a fearful something that is greater than ourselves.”
David Farrier is a senior lecturer in English literature at the University of Edinburgh, where his research interests include eco-criticism, postcolonial studies, and asylum and refugee contexts. He is currently working on a book about deep time in contemporary poetry
“Up to today, most experiments have tested entanglement over spatial gaps. The assumption is that the ‘nonlocal’ part of quantum nonlocality refers to the entanglement of properties across space. But what if entanglement also occurs across time? Is there such a thing as temporal nonlocality?”
Elise Crull is assistant professor in history and philosophy of science at the City College of New York. She is the author, together with Guido Bacciagaluppi, of the book The ‘Einstein Paradox’: Debates on Nonlocality and Incompleteness in 1935 (forthcoming).
“My new study – which I worked on with linguist Emanuel Bylund – shows that bilinguals do indeed think about time differently, depending on the language context in which they are estimating the duration of events. But unlike Hollywood, bilinguals sadly can’t see into the future. However, this study does show that learning a new way to talk about time really does rewire the brain. Our findings are the first psycho-physical evidence of cognitive flexibility in bilinguals.”
Panos Athanasopoulos is Professor of Linguistics and English Language, Lancaster University. He works in the areas of experimental psycholinguistics, experimental cognitive linguistics, bilingual cognition, linguistic and cultural relativity, first, second and additional language learning.