Wura-Natasha Ogunji is a visual artist and performer. Her works include drawings hand-stitched into tracing paper, videos and public performances. Her work is deeply inspired by the daily interactions and frequencies that occur in the city of Lagos, Nigeria, from the epic to the intimate. Ogunji’s performances explore the presence of women in public space; these often include investigations of labor, leisure, freedom and frivolity. Recent exhibitions include City Prince/sses at Palais de Tokyo; A Slice through the World: Contemporary Artists’ Drawings at Modern Art Oxford; and Every Mask I Ever Loved at ifa-Galerie, Berlin. She was an Artist-Curator for the 33rd São Paulo Bienal where her large-scale performance Days of Being Free premiered. She has also exhibited at: Astrup Fearnley Museet, Oslo; the inaugural Lagos Biennial; Kochi-Muziris Biennale; 1:54, London & New York; Seattle Art Museum; Brooklyn Art Museum; and Louisiana Museum of Modern Art, Denmark. Ogunji is a recipient of the prestigious Guggenheim Foundation Fellowship and has received grants from The Pollock-Krasner Foundation; The Dallas Museum of Art; and the Idea Fund. She has a BA from Stanford University [1992, Anthropology] and an MFA from San Jose State University [1998, Photography]. She currently resides in Lagos where she is founder/curator of the experimental art space The Treehouse.