Archive of Author | Charissa Terranova

Charissa N. Terranova is a writer and educator. Terranova is author of Art as Organism: Biology and the Evolution of the Digital Image (2016) and Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art (2014), and co-editor with Meredith Tromble of The Routledge Companion to Biology in Art and Architecture (2016). She also edited a two-volume issue of the journal Technoetic Arts on “complexism” (2016). Terranova is currently working on a monograph titled Fearless Polymathy: Morphogenic Modernism in British Art, Science, and Design and coediting with Ellen K. Levy an anthology about Scottish zoologist D’Arcy Wentworth Thompson’s On Growth and Form (1917). Associate Professor of Aesthetic Studies, she lectures and teaches seminars at the University of Texas at Dallas on modern and contemporary art and architectural history and theory, the history of biology in art and architecture, and media and new media art and theory.

Inaugural director and curator of Centraltrak: The UT Dallas Artists Residency, Terranova regularly curates and writes art criticism. From September 2015 to February 2016, Terranova collaborated with Davidson College Professor of Biology David Wessner in the SciArt Center NYC’s virtual residency program. As part of the residency, Terranova and Wessner co-curated in February 2016 Gut Instinct: Art, Design, and the Microbiome, an on-line exhibition about art, the gut-brain axis, and gastrointestinal microbiome. In the fall of 2015 at Gray Matters Gallery in Dallas, Texas she curated Chirality: Defiant Mirror Images, an exhibition about art and the scientific concept of “chirality,” or non-superimposable mirror images.

Terranova holds an MA (2001) and PhD (2004) in architectural history and theory from Harvard University, an MA (1996) in art history from the University of Illinois at Chicago, and a BA (1992) in art history from the University of Tennessee at Knoxville.

Articles with Charissa Terranova


Entangling Art & Biology: Knot One – Identifying the Haraway Therapeutics: Donna, György, and Me

Charissa N. Terranova is a writer and educator. She is author of ‘Art as Organism: Biology and the Evolution of the Digital Image’ (2016) and ‘Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art’ (2014), and co-editor with Meredith Tromble of ‘The Routledge Companion to Biology in Art and Architecture’ (2016). As Associate Professor of Aesthetic Studies, she lectures and teaches seminars at the University of Texas at Dallas on modern and contemporary art and architectural history and theory, the history of biology in art and architecture, and media and new media art and theory.