A leading figure in art and ecology, John K. Grande is author of a range of books that include ‘Balance: Art and Nature’ and ‘Art Space Ecology’. In this article he discusses the work of sculptor and environmentalist, Jason deCaires Taylor, in particular his major project Museo Atlantico, a collection over 300 submerged sculptures and architectural forms in Lanzarote, Spain, the first of its kind in European waters. His pioneering public art projects are not only examples of successful marine conservation, but works of art that seek to encourage environmental awareness, instigate social change and lead us to appreciate the breathtaking natural beauty of the underwater world.
Suzanne OConnell is Professor of Earth and Environmental Sciences, Wesleyan University. She studies Antarctic paleoclimate using marine sediment cores from IODP (International Ocean Discovery Program). This is to understand how Antarctica has changed in the past, information that will help researchers to understand and model future climate change. Her current research focuses on Antarctic climate change using sediment cores from the Weddell Sea, Ocean Drilling Program (ODP) Leg 113. She has authored or co-authored over 60 refereed publications and edited the JOIDES Journal as well as ODP Initial Reports and Scientific Results. In 2015, she co-edited and co-authored the book “Women in the Geoscience: Practical, Positive, Practices Toward Parity”
Jonathan Bamber is Professor of Physical Geography, University of Bristol. His main areas of interest are in applications of satellite remote sensing data in the polar regions. More specifically, he has been working on the use of remote sensing data to study the behaviour of the Antarctic and Greenland ice sheets, glaciers and ice caps in the Arctic, Patagonia and to use these observations to test and/or improve climate and Earth System models. He is also using satellite and ground based data to investigate past and present variations in sea level.
Dr. Kate Stafford is a Principal Oceanographer at the Applied Physics Lab and affiliate Associate Professor in the School of Oceanography at the University of Washington in Seattle. She has worked in marine habitats all over the world, from the tropics to the poles, and is fortunate enough to have seen (and recorded) blue whales in every ocean in which they occur. Stafford’s current research focuses on the changing acoustic environment of the Arctic and how changes from declining sea ice to increasing industrial human use may be influencing subarctic and Arctic marine mammals.
Joyce Yamada is a Brooklyn-based artist working in both painting and multi-media installation. An intuitive painter using complex imagery, she is profoundly interested in science, ecology, and the environment. She probes the relationship between humans and nature, the deep history of life on earth, and our possible futures.
Courtney Mattison creates intricately detailed and large-scale ceramic sculptural works inspired by the fragile beauty of coral reefs and the human-caused threats they face. She raises awareness for the protection of our blue planet, urging policy makers and the public to conserve our changing seas.
Alejandro Durán collects the international trash washing up on the Caribbean coast of Mexico and transforms it into aesthetic yet disquieting art works that wake us to the threat of plastic pollution. Through photography and installation, his long-term project “Washed Up: Transforming a Trashed Landscape” examines the fraught intersections of man and nature, revealing the pervasive impact of consumer culture on the natural world. He also engages audiences through community-based environmental art-making and speaking engagements.
Rachael Morgan is a Postdoctoral Research Associate in Ecophysiology, University of Glasgow.
“I am an ecophysiologist who studies temperature effects on fish. My research focuses on understanding how fish are able to acclimate or adapt to rising temperatures and determining the underlying mechanisms of thermal performance and thermal tolerance.”
“I am interested in the flow of liquids and gases at very small scales (so-called microfluidics) where experimental analysis is often impossible. Using mathematical modelling and computational simulation can then provides unique insight into such flows.
Much of my research has concerned the dynamics of liquid drops – how they merge, form and interact with solid surfaces (do they splash?).”
James Sprittles is Assistant Professor in Mathematics, University of Warwick.
“Within my art practice I examine ways in which climate and current cultural awareness influence how we regard landscape phenomena”.
Catherine Richardson experiments with natural processes using paint, inks, pond water and metals; building a library of textures by freezing, thawing, evaporating, heating and burning. Using these textures the artist compiles mixed medium ‘paintings’ on panel or paper. Richardson then uses digital techniques to organize a collage of scanned textures, creating imagery that expresses landforms experienced.