Marcello Trovati is a Reader in the Department of Computer Science at Edge Hill University. His research interests include mathematical modelling, the science of Big Data, including data and text mining, and their applications to multi-disciplinary topics.
Ajay Pandey is a Senior Lecturer in Robotics and Autonomous Systems at the School of Electrical Engineering and Computer Science. He completed his PhD in Physics on Organic Optoelectronics with mention tres honourable from University of Angers, France. His research interest has the interdisciplinary mix of Photonics, Chemical Physics, Molecular Electronics, Neuroscience and Robotics. He leads an interdisciplinary research group at QUT that specialises in technological implementation of advanced materials for applications in Neuroscience, Intelligent Bionics, Medical Robotics, Soft Robotics, Energy conversion and Night Vision.
Jonathan Roberts is Professor in Robotics at Queensland University of Technology (QUT). His main research interest is in the area of Field Robotics and in particular making machines operate autonomously in unstructured environments. Jonathan is the co-inventor, and current head judge of the UAV Challenge Outback Rescue, an international flying robot competition in which teams search for a lost bushwalker using autonomous robotic aircraft. In 2013 Jonathan made international news by being the first person to 3D map the interior of the Leaning Tower of Pisa using his team’s Zebedee 3D laser scanning mobile mapping system. He continues to have an interest in the use of robotics technology for the use in documenting and protecting important cultural heritage sites.
Dr Yunlong Zhao joined the Advanced Technology Institute, University of Surrey as Lecturer (Assistant Professor) and with a joint appointment at the National Physical Laboratory (UK) as the Senior Research Scientist since October 2018. Prior to this appointment, he carried out his postdoctoral research and joint doctoral research at Harvard University, where he conducted research in nano-semiconductor devices and flexible electronics for electrophysiology and nano-bio interface.
Ernest Edmonds’ art is in the constructivist tradition and he is a pioneer in the use of computers and computational ideas. His art explores algorithms used to relation to colour, time, communication and interaction. He first used computers in his practice in 1968, first showed an interactive artwork with Stroud Cornock in 1970 and first showed a generative time-based computer work in London in 1985. His many awards include ACM SIGGRAPH 2017; Distinguished Artist Award for Lifetime Achievement In Digital Art and ACM SIGCHI 2017; Lifetime Achievement Award for the Practice of Computer Human Interaction.
“Ai-Da is the world’s first ultra-realistic AI robot artist. She can draw, and is a performance artist. As a machine, with AI capabilities, her artist persona is the artwork, along with her drawings, performance art and collaborative paintings and sculptures.”
Named in honour of the pioneering female mathematician Ada Lovelace, Ai-Da was invented by gallery director Aidan Meller. She had her first solo exhibition, ‘Unsecured Futures’, at St John’s College, Oxford in June 2019.
Eduardo R. Miranda is a composer working at the crossroads of music and science. He is most notable in the United Kingdom for his scientific research into computer music, particularly in the field of human-machine interfaces where brain waves will replace keyboards and voice commands to permit the disabled to express themselves musically. He has composed music for symphonic orchestras, chamber groups, solo instruments – with and without live electronics – and electroacoustic music – and also for theatre and contemporary dance.
While attending grad school at NYU, I also took piano classes. I loved learning Baroque pieces from JS Bach, Henry Purcell, and Domenico Scarlatti. When the pieces were originally composed, the piano didn’t exist yet, and they were primarily written for a harpsichord which doesn’t allow for much tonality There is something very fascinating to […]
Špela Petrič and Miha Turšič have been working together for several years and have a background in natural sciences, new media, bio art, product design, space culturalisation and postgravity art. We merged our efforts in the development of new artistic methodologies as a response to new conditions, knowledge and technology; to research the subjective, context dependent value of scientific knowledge; the development of artistic entities; to study the human condition in relation to the non-human; and to research art and humanities in outer space.
In this exclusive interview they discuss their work and their current FEAT ‘becoming.a(thing)’ collaborative project .