Marcello Trovati is a Reader in the Department of Computer Science at Edge Hill University. His research interests include mathematical modelling, the science of Big Data, including data and text mining, and their applications to multi-disciplinary topics.
Ajay Pandey is a Senior Lecturer in Robotics and Autonomous Systems at the School of Electrical Engineering and Computer Science. He completed his PhD in Physics on Organic Optoelectronics with mention tres honourable from University of Angers, France. His research interest has the interdisciplinary mix of Photonics, Chemical Physics, Molecular Electronics, Neuroscience and Robotics. He leads an interdisciplinary research group at QUT that specialises in technological implementation of advanced materials for applications in Neuroscience, Intelligent Bionics, Medical Robotics, Soft Robotics, Energy conversion and Night Vision.
Jonathan Roberts is Professor in Robotics at Queensland University of Technology (QUT). His main research interest is in the area of Field Robotics and in particular making machines operate autonomously in unstructured environments. Jonathan is the co-inventor, and current head judge of the UAV Challenge Outback Rescue, an international flying robot competition in which teams search for a lost bushwalker using autonomous robotic aircraft. In 2013 Jonathan made international news by being the first person to 3D map the interior of the Leaning Tower of Pisa using his team’s Zebedee 3D laser scanning mobile mapping system. He continues to have an interest in the use of robotics technology for the use in documenting and protecting important cultural heritage sites.
Simon Colton is a British computer scientist, currently working as Professor of Computational Creativity in the Game AI Research Group at Queen Mary University of London, UK and in the Sensilab at Monash University, Australia. He previously had an appointment at Falmouth University, UK and led the Computational Creativity Research Groups at Goldsmiths, University of London and at Imperial College, London in the positions of Professor and Reader, respectively. Simon is the driving force behind thepaintingfool.com, an artificial intelligence that he hopes will one day be accepted as an artist in its own right.
Sofia Crespo’s work consists of different projects working with artificial intelligence, computed image recognition, and neural networks. Her project, Neural Zoo, explores how creativity combines known elements in a specific way in order to create something entirely new. In the process of generating new creatures, that don’t exist yet, she offers a perspective on how similar human creativity works. The creator, in this case, would be the algorithm itself, but with a human artist as its muse.
Gene Kogan is an artist, programmer and leading educator in the field of creative AI – who is developing the world’s first decentralized autonomous artist. He is a collaborator within numerous open-source software projects, and gives workshops and lectures on topics at the intersection of code and art.
Ahmed Elgammal is Professor at the Department of Computer Science, Rutgers University. Director of the Art & AI Lab. Executive Council Faculty at the Center for Cognitive Science at Rutgers University. His research focusses on Computer Vision, Visual Learning, Data Science in Digital Humanities, and Human motion analysis. His research on Art & AI received wide international media attention, including many reports on the Washington Post, New York Times, NBC News, the Times, the Daily Telegraph, Science News, and many others.
Rui Penha is assistant professor of composition at the Superior School of Music and Performing Arts in Porto. He is a composer and media artist, and his work has appeared in the National Contemporary Art Museum in Lisbon, among many others.
Miguel Carvalhais is an assistant professor at the University of Porto in Portugal. His latest book is ‘Artificial Aesthetics: Creative Practices in Computational Art and Design’ (2016).
Melissa Avdeeff is Assistant Professor in Media & Communications at Coventry University.
As a scholar of all things popular, my research interests include: the sociability of music playback technologies; social media and music fandom; the role of popular music in society; emerging technology and media; posthumanism in pop music.
Ernest Edmonds’ art is in the constructivist tradition and he is a pioneer in the use of computers and computational ideas. His art explores algorithms used to relation to colour, time, communication and interaction. He first used computers in his practice in 1968, first showed an interactive artwork with Stroud Cornock in 1970 and first showed a generative time-based computer work in London in 1985. His many awards include ACM SIGGRAPH 2017; Distinguished Artist Award for Lifetime Achievement In Digital Art and ACM SIGCHI 2017; Lifetime Achievement Award for the Practice of Computer Human Interaction.
“Ai-Da is the world’s first ultra-realistic AI robot artist. She can draw, and is a performance artist. As a machine, with AI capabilities, her artist persona is the artwork, along with her drawings, performance art and collaborative paintings and sculptures.”
Named in honour of the pioneering female mathematician Ada Lovelace, Ai-Da was invented by gallery director Aidan Meller. She had her first solo exhibition, ‘Unsecured Futures’, at St John’s College, Oxford in June 2019.