Tag Archives: Sound

Vibration on the skin helps hearing-impaired people locate sounds

Sean R Mills is a psycho-physicist and sensory neuroscientist at the Institute of Sound and Vibration Research at the University of Southampton.
“I am working on a PhD on the diagnosis of impaired touch perception. I’m also part of the Electro-Haptics Project (www.electrohaptics.co.uk), a multi-disciplinary team working to improve the hearing of Cochlear Implant (CI) users by providing missing information through small vibrations on the skin”.

Mark Fletcher is a Senior Research Fellow within the University of Southampton Auditory Implant Service. He leads the electro-haptics research project (https://www.electrohaptics.co.uk/).

Processing Hyperacusis and PPPD : Inner-view of Neurological Disorder

“This visual article is based on my acoustic condition of bilateral Hyperacusis (both pain and vestibular type) with also its related levels of hearing impairments (i.e.hidden and  fluctuating hearing loss, bilateral tinnitus, vertigo) as well as Persistent Postural Perceptual Dizziness (PPPD). The combination of hyperacusis and PPPD creates a sensory disability.” This article and the following article will look at the inner and outer response to the disability with a different lens.

Luca M Damiani is a Media Artist and a Lecturer on BA (Hons) Graphic and Media Design at London College of Communication, University of the Arts London. Luca practices internationally in the fields of art, digital media, and visual culture. He works and experiments with creative techniques such as digital technology, animation, photography, coding, and mixed media.

Restoring Things with the Power of Sound

“When reflecting upon the most pivotal experiences in life, those that stand out as being most positively influential to who we are, what would you choose?  If we consider art to be less an object and more a cognitive space to inhabit, than among the top of my list are sonic experiences.”

Daniel Hill is an abstract painter and sound artist whose work has been included in numerous exhibitions exploring the relationship between painting, sound, and science. He is currently an Adjunct Associate Professor of Art at Pace University in Manhattan.

Processing Hyperacusis and PPPD : Outer-view of Neurological Disorder

“This visual piece is interconnected and follows the previous piece ‘Processing Hyperacusis and PPPD : Inner-view of Neurological Disorder’…….in this piece, I look into the outer-view of the condition, considering how the impact of the “inner-view” in response to sound modifies my experience of the urban as a case study.”

Luca M Damiani is a Media Artist and a Lecturer on BA (Hons) Graphic and Media Design at London College of Communication, University of the Arts London. Luca practices internationally in the fields of art, digital media, and visual culture. He works and experiments with creative techniques such as digital technology, animation, photography, coding, and mixed media.

Interlocking Systems of Making

“My work is an exploration between vision and sound and the power of this connection to generate compelling visual environments. The inquiry of this integration has also satisfied a strong interest in the ideas and methodology of science as a basis for the conceptual underpinning of the work. As such, the method of creating my work is scientifically inspired with a well thought out and tested process oriented to have optimal pragmatic results both for the quality of the work itself and the benefits of the process for me as the maker.”

Daniel Hill is a painter, sound artist, curator, educator, and writer whose work explores the relationship between visual art, sound, and science. His paintings employ a rules based system in which the notion of embodied cognition is an inquiry as well as the balance between the aesthetic and conceptual.

Cassini’s Dreams

Sounds of the cosmos have only been explored to a limited degree yet Saturn’s rings have not been deeply explored for its sound. From Cassini’s research, artist China Blue and her team translated the raw data from the dust and ice particles combined with an artistic interpretation of what would be heard from Cassini’s viewpoint as it traveled through and around Saturn’s rings, to create the bases of her exhibition at the Venice Biennale 2019.

Listening to nature: How sound can help us understand environmental change

Garth Paine is a composer, scholar and acoustic ecologist. He is an associate professor in interactive sound and digital media in the School of Arts, Media and Engineering and associate professor of composition in the School of Music at Arizona State University. He crosses art-science boundaries with his community embedded work on environmental listening and creative place-making in addition to his environmental musical works and performances. In 2018 he was researcher/artist in residence in Europe at IRCAM (Centre Pompideau) and Center for Arts and Media (ZKM).