Lynne Goldsmith’s first book, ‘Secondary Cicatrices’, won the 2018 Halcyon Poetry Prize, was a 2019 Finalist in the American Book Fest Awards, a 2020 Human Relations Indie Book Award Gold Winner and won a new Finalist Award in the International Book Awards. Her poetry has been published in Backchannels Journal, Spillway, Thimble Literary Magazine, Environmental Magazine, Red Planet Magazine, among others, with upcoming poems in Tiny Seed Literary Journal and Scotland’s 2020 Geopoetry Conference program.
David Livingstone Fore is a researcher and designer living in Oakland, California. His most recent work explores relationships between climate changes taking place in the world and those taking place in our bodies.
Logan Chipkin is a freelance writer and ghostwriter in Philadelphia, USA. His articles focus on science, philosophy, economics, and history. In this selection of his poetry, the first poem tells the story of a single theorist’s late afternoon in his office. The second poem tells the story of the entire universe in a few hundred words, from the Big Bang to the emergence of civilization. The third poem is about human nature as understood through the laws of physics.
Lynne Goldsmith’s first book, ‘Secondary Cicatrices’, won the 2018 Halcyon Poetry Prize and was a 2019 Finalist in the American Book Fest Awards and a 2020 Human Relations Indie Book Award Gold Winner. Her poetry has been published in Backchannels Journal, Spillway, Thimble Literary Magazine, Environmental Magazine, Red Planet Magazine, among others, with upcoming poems in Tiny Seed Literary Journal and Scotland’s 2020 Geopoetry Conference program.
James Harpur has had six poetry collections published by Carcanet and Anvil Press, including his latest, The White Silhouette (2018), an Irish Times Book of the Year. Angels and Harvesters (2012), was a PBS Recommendation and shortlisted for the 2013 Irish Times Award. In his poem, Opera, he celebrates the imagination – “an impromptu school trip back in the day which was as much as an opera as the actual opera we went to see”.
“At the heart of James Harpur’s ‘The White Silhouette’ is a meditative poem inspired by ‘The Book of Kells’, a poem that follows threads into themes such as the nature of the divine, the efficacy of sacred art, and the way of silence.”
Francesca Diano discovers in the work of a contemporary poet, James Harpur, a maze of connections that takes her on a journey through Neoplatonism to Krishnamurti and quantum mechanics.
Sarah Howe is a British poet, academic and editor. Her first book, Loop of Jade (Chatto & Windus, 2015), won the T.S. Eliot Prize and The Sunday Times / PFD Young Writer of the Year Award, and was shortlisted for the Forward Prize for Best First Collection. ‘A New Music’ was commissioned for the ‘Deconstructing Patterns’ exhibition/project.
Poet in the City specialise in large-scale live events aimed at new audiences for poetry. Founded in 2006, the organisation brings poetry to life beyond books, producing classic and contemporary poetry performances, experiences and conversations taking on major ideas, issues and people. The group showcase biopics, use poetry to animate cultural moments and to peer into ideas past and present, and create dramatic poetry experiences in major arts venues and unusual spaces. They also support young people to become poetry producers and work with many volunteers, who all help to make a thriving arts community. For the ‘Deconstructing Patterns’ project, The Francis Crick Institute worked alongside Poet in the City to commission work by Sarah Howe and Chu-Li Shewring.
Poetry in Data is an experiment.
At first glance, poetry and data are very different things. They inhabit different worlds and speak different languages. So what happens when they collide? Could they fuse into something interesting?
Will Holloway is a London-based poet who writes about science and other public themes. His collection Better Than Paradise is due to be published by Smokestack Books in 2018.