The first woman artist to work with kinetic text, exploring both light and text as early as 1962, and internationally recognised for pioneering the interaction of art, science, technology, eastern philosophy and female mythology, Liliane Lijn’s interests cover a wide area. Her work transmutes traditional materials into new and vibrant elements by juxtaposing them with new technologies. In this exclusive interview she discusses her ideas, her work and artistic processes
Arhtur I Miller is fascinated by the nature of creative thinking and, in particular, in creativity in art on the one hand, and science on the other. His latest book, ‘Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art’, takes readers on a wild journey to explore a new frontier.In recent decades, an exciting new art movement has emerged in which artists illuminate the latest advances in science.
Janine Benyus is a biologist who works on the border between biology and design. Following her ground-breaking book, Biomimicry: Innovation Inspired by Nature, she has become an award-winning innovation consultant, helping to create a more sustainable world by learning from the designs of nature. In this exclusive interview she discusses the ideas and work of Biomimicry, “the conscious emulation of life’s genius”. An idea that could change the way we think about sustainable design forever.
The exotic forms and colours of the plant world and the way in which they migrate into every aspect of our lives has been a source of inspiration throughout Rob Kesseler’s artistic career. Here he discusses the possible convergent territories of art and science, and a definition of art for scientists.
Helen Storey is an award winning, innovative fashion designer and professor at University of the Arts London, in Fashion and Science. She combines these two disciplines to create work that blends the boundaries between art, fashion and science
Rob Kesseler’s work bridges art and science. As well as working with ceramics he also works with photography and digital images. One theme linking his wide-ranging body of work is his overwhelming fascination with plant material and the natural world, particularly microscopic plant and cell structures.
Working at the forefront of art/science collaborative practice, Anna Dumitriu has a strong interest in the ethical issues raised by emerging technologies. Her installations, interventions and performances use a range of biological, digital, and traditional media including live bacteria, robotics, interactive media, and textiles. In this exclusive interview she discusses her ideas, work and future projects.
A juggling unicyclist who transformed “information” from a vague idea into a precise concept that underlies the digital revolution. Claude Shannon was one of the greatest of the giants who created the information age.
Can we use new technologies to imagine a world where we are liberated and empowered, where finally all of the technology becomes more than gimmick and starts to actually work for us or are these technologies going to control us, separate us, divide us, create more borders?
Anna Dumitriu is an artist whose work blurs the boundaries between art and science with a strong interest in ethical issues raised by emerging technologies and their impact on society. The “Emergence of Consciousness” project was a collaboration with scientists at the Centre for Computational Neuroscience and Robotics at The University of Sussex.