Edia, by Willy Le Maitre, is a screen based presentation depicting a cosmology of digital space. Here space is neither interior or exterior, but infinite and creative, a metaphysics of interior human space as an exploded view of the self. A self no longer confined to an individualist notion
Halfway through his PhD program in neuroscience at UPenn, Greg Dunn was inspired to try a new experiment: using the brain structures he was seeing in the lab as the subject matter for his minimalist Asian-inspired paintings. When he finished his Ph.D, he bought himself a sensory deprivation tank as a graduation present. The gift marked a major life transition, from the world of science to a life of meditation and art.
Shot in August 1965, ‘Outer and Inner Space’ is Andy Warhol’s first double-screen film and an important transitional work, since the double-screen format was very important in his later cinema. First exhibited by Warhol at the Filmmakers Cinematheque in New York City in January 1966, it was screened on only a few other occasions in the 1960s. Outer and Inner Space had not been seen in over 30 years until it was restored by The Museum of Modern Art in New York in 1998 and premiered as an installation at the Whitney Museum of American Art in October 1998.
In Inner Space Outer Space, artist Liliane Lijn speaks with 12 scientists at NASA’s Jet Propulsion Laboratory and at the Space Sciences Laboratory, University of California, Berkeley, where she was Artist in Residence in 2005 as part of an ACE, NASA, Leonardo Network International Fellowship.
Julian Voss-Andreae is a German sculptor based in Portland, Oregon. Starting out as a painter he later changed course and studied physics, mathematics, and philosophy at the Universities of Berlin, Edinburgh and Vienna. He pursued his graduate research in quantum physics, participating in an experiment considered one of the modern milestones of unifying our everyday intuition with the famously bizarre world of quantum physics. Inspired by his background in science, his work has captured the attention of multiple institutions and collectors in the United States and abroad.
Political film culture in Britain and elsewhere has expanded dramatically in recent years as access to digital technologies have meshed with socio-political, economic and environmental contexts marked by crisis and discontent. Co-founder of the Bristol Radical Film Festival in 2011 and the Radical Film Network in 2013, Steve Presence discusses the relationship between film, politics and the avant-garde.
Maddy Harland, editor of Permaculture Magazine, uncovers some contemporary heresies within our society’s worldview. Unpicking the current, destructive mythologies of our time, she believes, could support social and ecological transformation.
‘Greenspin’ is a collaboration between poet Helen Moore and film-maker Howard Vause. Liberating and exposing the language of corporate advertising and ‘greenwashing’, the film references the creative practice of subvertising through the medium of satirical videopoetry, with an ante-narrative in the form of an ‘ad’ for the spoof Greenspin PR company, followed by the performance of the poem ‘From Greenwash, A User’s Manual’. The piece won 3rd prize in the Liberated Words Poetry Film Festival 2013.
Does nature process quantum information whenever a physical system evolves? In this article, Seth Lloyd uses the concept of quantum information science as the basis for an entire world view, declaring that the universe as a whole is a gigantic quantum computer.
Between stillness and movement, absorption and play; between being utterly ’in the moment’ and on the brink of imminent, inescapable change, Dryden Goodwin’s film ‘Poised’ provides multiple meanings.