Helen Storey is an award winning, innovative fashion designer and professor at University of the Arts London, in Fashion and Science. She combines these two disciplines to create work that blends the boundaries between art, fashion and science
primary figure among the concept-based artists who emerged in the 1960s and 1970s, Agnes Denes is internationally known for works created in a wide range of mediums. A pioneer of several art movements, she is difficult to categorize. Investigating science, philosophy, linguistics, psychology, poetry, history, and music. From a conceptual art background, she’s distinctively […]
Rob Kesseler’s work bridges art and science. As well as working with ceramics he also works with photography and digital images. One theme linking his wide-ranging body of work is his overwhelming fascination with plant material and the natural world, particularly microscopic plant and cell structures.
Experimental philosophy is an emerging field of philosophical inquiry that makes use of empirical data—often gathered through surveys which probe the intuitions of ordinary people—in order to inform research on philosophical questions. In this exclusive interview Joshua Knobe discusses this new and exciting philosophy, its scope and its limits, and whether or not it is an elephant.
Working at the forefront of art/science collaborative practice, Anna Dumitriu has a strong interest in the ethical issues raised by emerging technologies. Her installations, interventions and performances use a range of biological, digital, and traditional media including live bacteria, robotics, interactive media, and textiles. In this exclusive interview she discusses her ideas, work and future projects.
A juggling unicyclist who transformed “information” from a vague idea into a precise concept that underlies the digital revolution. Claude Shannon was one of the greatest of the giants who created the information age.
The word ‘sacred’ is not a word that has been used within modern science. In this exclusive interview, Stuart Kauffman discusses how our scientific understanding of complexity and emergence has “Reinvented the Sacred”.
Can we use new technologies to imagine a world where we are liberated and empowered, where finally all of the technology becomes more than gimmick and starts to actually work for us or are these technologies going to control us, separate us, divide us, create more borders?
Simeon Nelson’s art installation, Anarchy in the Organism, featured four simultaneous algorithmic videos and eight-speaker ‘whispering windows’. The book that followed explored integrative ways of looking at disparate phenomena to confront the possible meanings of cancer.
Anna Dumitriu is an artist whose work blurs the boundaries between art and science with a strong interest in ethical issues raised by emerging technologies and their impact on society. The “Emergence of Consciousness” project was a collaboration with scientists at the Centre for Computational Neuroscience and Robotics at The University of Sussex.