B. Alan Wallace, lecturer, scholar, writer, translator and the president and founder of The Santa Barbara Institute for Consciousness Studies, discusses how the contemplative methods of Buddhism and the scientific methods of enquiry need to come together in order to obtain a deeper understanding of the mind and consciousness.
Arhtur I Miller is fascinated by the nature of creative thinking and, in particular, in creativity in art on the one hand, and science on the other. His latest book, ‘Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art’, takes readers on a wild journey to explore a new frontier.In recent decades, an exciting new art movement has emerged in which artists illuminate the latest advances in science.
Innovate Heritage: Conversations between Arts and Heritage, was an international and inter/transdisciplinary conference composed of lectures, panel discussions, seminars, visual arts, performances and films, which took place on June 6-8, 2014 in Berlin, Germany. It provided a platform that united artists, scholars, and heritage and arts professionals in exploring relationships, promoting creative approaches to theoretical and […]
“Dialogue is not to communicate. It is much deeper. It addresses the blocks in communication, not merely to understand them, but to meet them directly” (David Bohm). In this article, Marina Wallace, Director of Artakt, discusses the new art&science collaborations in the project MitoSys: Lens on Life.
Oliver Wendell Holmes, Sr. (August 29, 1809 – October 7, 1894) was an American physician, poet, professor, lecturer, and author based in Boston.
Janine Benyus is a biologist who works on the border between biology and design. Following her ground-breaking book, Biomimicry: Innovation Inspired by Nature, she has become an award-winning innovation consultant, helping to create a more sustainable world by learning from the designs of nature. In this exclusive interview she discusses the ideas and work of Biomimicry, “the conscious emulation of life’s genius”. An idea that could change the way we think about sustainable design forever.
The exotic forms and colours of the plant world and the way in which they migrate into every aspect of our lives has been a source of inspiration throughout Rob Kesseler’s artistic career. Here he discusses the possible convergent territories of art and science, and a definition of art for scientists.
Helen Storey is an award winning, innovative fashion designer and professor at University of the Arts London, in Fashion and Science. She combines these two disciplines to create work that blends the boundaries between art, fashion and science
primary figure among the concept-based artists who emerged in the 1960s and 1970s, Agnes Denes is internationally known for works created in a wide range of mediums. A pioneer of several art movements, she is difficult to categorize. Investigating science, philosophy, linguistics, psychology, poetry, history, and music. From a conceptual art background, she’s distinctively […]
Rob Kesseler’s work bridges art and science. As well as working with ceramics he also works with photography and digital images. One theme linking his wide-ranging body of work is his overwhelming fascination with plant material and the natural world, particularly microscopic plant and cell structures.