The Reenchantment of the the Tree concentrates on images of trees found predominantly in the arid zone of far western NSW. Louise Fowler Smith layers or glazes light onto specially chosen trees, that may otherwise have been disregarded and ignored; concentrating on its individual qualities or personality. This process draws out the tree, making it special, individualistic, even sacred.
Biological information is not only instructional but also has to do with ‘valued’ and ‘significant’ information, which puts the receiver in the centre of interest. Bernd-Olaf Küppers, Professor of Natural Sciences, offers a distinct naturalistic view about how crucial semantic levels of information might emerge via evolutionary processes.
Between stillness and movement, absorption and play; between being utterly ’in the moment’ and on the brink of imminent, inescapable change, Dryden Goodwin’s film ‘Poised’ provides multiple meanings.
The first woman artist to work with kinetic text, exploring both light and text as early as 1962, and internationally recognised for pioneering the interaction of art, science, technology, eastern philosophy and female mythology, Liliane Lijn’s interests cover a wide area. Her work transmutes traditional materials into new and vibrant elements by juxtaposing them with new technologies. In this exclusive interview she discusses her ideas, her work and artistic processes
Arhtur I Miller is fascinated by the nature of creative thinking and, in particular, in creativity in art on the one hand, and science on the other. His latest book, ‘Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art’, takes readers on a wild journey to explore a new frontier.In recent decades, an exciting new art movement has emerged in which artists illuminate the latest advances in science.
Innovate Heritage: Conversations between Arts and Heritage, was an international and inter/transdisciplinary conference composed of lectures, panel discussions, seminars, visual arts, performances and films, which took place on June 6-8, 2014 in Berlin, Germany. It provided a platform that united artists, scholars, and heritage and arts professionals in exploring relationships, promoting creative approaches to theoretical and […]
More than any other artist of the modern era, the work of Marcel Duchamp (1887-1968) has shifted how art is understood. His views have altered not only the way art is made, but also the way it is presented to and experienced by the public, erasing the barrier between art and life, and integrating art into the real world. Jacquelynn Baas discusses his work and ideas in relation to contemporary artists.
“Dialogue is not to communicate. It is much deeper. It addresses the blocks in communication, not merely to understand them, but to meet them directly” (David Bohm). In this article, Marina Wallace, Director of Artakt, discusses the new art&science collaborations in the project MitoSys: Lens on Life.
Janine Benyus is a biologist who works on the border between biology and design. Following her ground-breaking book, Biomimicry: Innovation Inspired by Nature, she has become an award-winning innovation consultant, helping to create a more sustainable world by learning from the designs of nature. In this exclusive interview she discusses the ideas and work of Biomimicry, “the conscious emulation of life’s genius”. An idea that could change the way we think about sustainable design forever.
“Rather than rely on our raw natural thinking processes, we can utilize disciplined and controlled thinking styles and tools that channel our thinking processes for enhancing creative thought”. Murray Hunter discusses creativity as an undervalued skill that anyone can cultivate, one that crosses disciplines.