Daniel Dennett: The Hard Question of Consciousness ; David Chalmers: How do you explain consciousness? ; Christof Koch: The Search for Consciousness ; Antonio Damasio: The quest to understand consciousness ; Sir Roger Penrose — The quantum nature of consciousness ; Max Tegmark: Consciousness is a mathematical pattern ; Nicholas Humphrey: The Magic of Consciousness
Hans Borgonjon is an artist with a background in philosophy and art history. He draws his inspiration for ‘Microtubuli X4’ from such scientists/philosophers as David Chalmers, Stuart Hammeroff and Roger Penrose.
Murray Shanahan is Professor of Cognitive Robotics at Imperial College London. His current interests include brain connectivity, neurodynamics, comparative cognition, and the relationship between cognition and consciousness. His book “Embodiment and the Inner Life” was published by Oxford University Press in 2010, and he is currently working on a book about the technological singularity for MIT Press.
How does our brain generate a conscious thought? And why does so much of our knowledge remain unconscious? Thanks to clever psychological and brain-imaging experiments, scientists are closer to cracking this mystery than ever before.
In his lively book, ‘Consciousness and the Brain’, Stanislas Dehaene describes the pioneering work his lab and the labs of other cognitive neuroscientists worldwide have accomplished in defining, testing, and explaining the brain events behind a conscious state. The book explores cutting-edge science and technology and the vast philosophical, personal, and ethical implications of finally quantifying consciousness.
This excerpt is from the Introduction; The Stuff of Thought.
John R Searle is the Willis S. and Marion Slusser Professor Emeritus of the Philosophy of Mind and Language at the University of California, Berkeley. His work ranges broadly over philosophical problems of mind and language. He received the Jean Nicod Prize in 2000; the National Humanities Medal in 2004; and the Mind & Brain Prize in 2006. Among his notable concepts is the “Chinese room” argument against “strong” artificial intelligence.
“I don’t think there’s a hard problem, I think the hard problem is an illusion that comes about because of the way we wrongly think about consciousness,” Dr Susan Blackmore explains in this exclusive interview. A freelance writer, lecturer and broadcaster, her research interests include memes, evolutionary theory, consciousness, and meditation. Her many publications include The Meme Machine; Conversations on Consciousness; Zen and the Art of Consciousness; and Consciousness- An Introduction.
As an artist, Julia Buntaine is interested in what has proven to be the most complex puzzle, the epitome of emergence, the deepest well our sciences have examined; the brain. The instantiation of form and function united, from the molecular to the level of Neuroscience as a discipline, her work seeks to address the beliefs, theories and findings of the biological phenomenon of consciousness. Beginning with biological form or data, her work departs into the world of aesthetics as she manipulates the idea through the use of scale, metaphor, material and form. Unlike articles and raw data, scientific ideas in the form of art inherently demand subjective judgment and interpretation, and her goal as a science-based artist is to provide the viewer an alternative way to understand the wonders of biology we have discovered in ourselves.
Questions: Why is it so difficult to understand consciousness? What can be done to understand it better?
Film Director, David Cronenberg, leads us into the future of human bio implants with BMC Labs.
Halfway through his PhD program in neuroscience at UPenn, Greg Dunn was inspired to try a new experiment: using the brain structures he was seeing in the lab as the subject matter for his minimalist Asian-inspired paintings. When he finished his Ph.D, he bought himself a sensory deprivation tank as a graduation present. The gift marked a major life transition, from the world of science to a life of meditation and art.