Tag Archives: Art

on Finding your Element

Sir Ken Robinson is an internationally recognized leader in the development of creativity, innovation and human resources in education and business. His inspiring TED talks have been viewed more than 25 million times and seen by an estimated 250 million people in over 150 countries. Here, he gives an exclusive interview for the Interalia Magazine, discussing subjects such as the transformative role of creativity and imagination in education and how we can all ‘Find Our Element’.

Theme and Variation

During the past 25 years Peter Randall-Page has gained an international reputation through his sculpture drawings and prints, with work that is both informed and inspired by the study natural phenomena and its subjective impact on our emotions. In recent years his work has become increasingly concerned with the underlying principles determining growth and the forms it produces. In this exclusive interview, he discusses the themes and variations in nature and music, and how it inspires his art.

Alchemy and the Quest for National Identity in Australian Art

Urszula Szulakowska has written extensively on the history of alchemical illustrations, alongside work exploring the influence of alchemical imagery in contemporary art. In this article she discusses how an increasing number of Australian artists are using alchemy as a metaphor to explore Australian identity and the political struggle of the aboriginals.

The Alchemy of Creativity: Art, Consciousness and Embodiment

How can you define consciousness? In his article, F David Peat looks to art and music for answers and explores how consciousness may not limited to the mind, but the physicality of the entire body. Drawing on the personal experiences from artists and musicians such as Anish Kapoor and Michael Tippet to the physicist David Bohm, he explores how the creative process resembles an alchemical cycle whereby creative ‘gold’ is generated from the mind and the body.

The Reenchantment of the Tree

The Reenchantment of the the Tree concentrates on images of trees found predominantly in the arid zone of far western NSW. Louise Fowler Smith layers or glazes light onto specially chosen trees, that may otherwise have been disregarded and ignored; concentrating on its individual qualities or personality. This process draws out the tree, making it special, individualistic, even sacred.