Shot in August 1965, ‘Outer and Inner Space’ is Andy Warhol’s first double-screen film and an important transitional work, since the double-screen format was very important in his later cinema. First exhibited by Warhol at the Filmmakers Cinematheque in New York City in January 1966, it was screened on only a few other occasions in the 1960s. Outer and Inner Space had not been seen in over 30 years until it was restored by The Museum of Modern Art in New York in 1998 and premiered as an installation at the Whitney Museum of American Art in October 1998.
Marc Yankus is a photographer and an artist who uses digital mediums to create mixed media. His fine art and publishing experience span a period of more than thirty years. His latest photographs are the hyperreal “building portraits” shown in his most recent solo exhibition at ClampArt, ‘The Space Between’. In this series, select historical buildings are portrayed in altered cityscapes and invented spaces that evoke the experience of memory, imagination and dream states playing out in a magical place.
Created for 5 dancers, Vessel investigates the concept of ‘inner space’ that inspires Out Innerspace Dance Theatre artistic directors Tiffany Tregarthen and David Raymond.
In Inner Space Outer Space, artist Liliane Lijn speaks with 12 scientists at NASA’s Jet Propulsion Laboratory and at the Space Sciences Laboratory, University of California, Berkeley, where she was Artist in Residence in 2005 as part of an ACE, NASA, Leonardo Network International Fellowship.
Julian Voss-Andreae is a German sculptor based in Portland, Oregon. Starting out as a painter he later changed course and studied physics, mathematics, and philosophy at the Universities of Berlin, Edinburgh and Vienna. He pursued his graduate research in quantum physics, participating in an experiment considered one of the modern milestones of unifying our everyday intuition with the famously bizarre world of quantum physics. Inspired by his background in science, his work has captured the attention of multiple institutions and collectors in the United States and abroad.
Helen Moore speaks to the artist David Cooper about how art can play a significant role in raising awareness of ecological issues. The interview discusses his surrealist influences and how surrealism can be an effective approach to tackle the issue of climate change
Dr. Vishwam Jamie Heckert talks openly about activism, his yoga practice, and the inner freedom he’s discovering to tackle internal and external structures of domination
Political film culture in Britain and elsewhere has expanded dramatically in recent years as access to digital technologies have meshed with socio-political, economic and environmental contexts marked by crisis and discontent. Co-founder of the Bristol Radical Film Festival in 2011 and the Radical Film Network in 2013, Steve Presence discusses the relationship between film, politics and the avant-garde.
Helen Moore’s award-winning poem records the mock ecocide trial held at London’s Supreme Court in 2011. The project was initiated by Polly Higgins, an environmental lawyer, barrister and author, as part of the Eradicating Ecocide campaign to make ecocide the fifth international Crime against Peace.
Art activism by Liberate Tate references the growing levels of CO2 in the atmosphere, measured in parts per million (ppm). Steadily increasing since the onset of the industrial revolution, levels now exceed what scientists consider to be a maximum ‘safe’ limit of 350 ppm. This piece also critiques the role of oil companies in contributing to this, and their sponsorship of the arts.