Does self-organisation pose a threat to theology? Or is God the facilitator of a complex world? And is there a role for thought experiments in religion? Niels Henrik Gregerson, Professor of Systematic Theology at University of Copenhagen, discusses religion’s place in a scientific world and how both science and religion could benefit from a combined approach.
The magazine will feature exclusive interviews with artists, scientists, writers and creative thinkers.
B. Alan Wallace, lecturer, scholar, writer, translator and the president and founder of The Santa Barbara Institute for Consciousness Studies, discusses how the contemplative methods of Buddhism and the scientific methods of enquiry need to come together in order to obtain a deeper understanding of the mind and consciousness.
The first woman artist to work with kinetic text, exploring both light and text as early as 1962, and internationally recognised for pioneering the interaction of art, science, technology, eastern philosophy and female mythology, Liliane Lijn’s interests cover a wide area. Her work transmutes traditional materials into new and vibrant elements by juxtaposing them with new technologies. In this exclusive interview she discusses her ideas, her work and artistic processes
Arhtur I Miller is fascinated by the nature of creative thinking and, in particular, in creativity in art on the one hand, and science on the other. His latest book, ‘Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art’, takes readers on a wild journey to explore a new frontier.In recent decades, an exciting new art movement has emerged in which artists illuminate the latest advances in science.
Janine Benyus is a biologist who works on the border between biology and design. Following her ground-breaking book, Biomimicry: Innovation Inspired by Nature, she has become an award-winning innovation consultant, helping to create a more sustainable world by learning from the designs of nature. In this exclusive interview she discusses the ideas and work of Biomimicry, “the conscious emulation of life’s genius”. An idea that could change the way we think about sustainable design forever.
Rob Kesseler’s work bridges art and science. As well as working with ceramics he also works with photography and digital images. One theme linking his wide-ranging body of work is his overwhelming fascination with plant material and the natural world, particularly microscopic plant and cell structures.
Experimental philosophy is an emerging field of philosophical inquiry that makes use of empirical data—often gathered through surveys which probe the intuitions of ordinary people—in order to inform research on philosophical questions. In this exclusive interview Joshua Knobe discusses this new and exciting philosophy, its scope and its limits, and whether or not it is an elephant.
Working at the forefront of art/science collaborative practice, Anna Dumitriu has a strong interest in the ethical issues raised by emerging technologies. Her installations, interventions and performances use a range of biological, digital, and traditional media including live bacteria, robotics, interactive media, and textiles. In this exclusive interview she discusses her ideas, work and future projects.
The word ‘sacred’ is not a word that has been used within modern science. In this exclusive interview, Stuart Kauffman discusses how our scientific understanding of complexity and emergence has “Reinvented the Sacred”.
For a physicist, all the world is information. The Universe and its workings are the ebb and flow of information. In this engaging and mind-stretching interview, Vlatko Vedral considers some of the deepest questions about the Universe and considers the implications of interpreting it in terms of information.