Marc Yankus is a photographer and an artist who uses digital mediums to create mixed media. His fine art and publishing experience span a period of more than thirty years. His latest photographs are the hyperreal “building portraits” shown in his most recent solo exhibition at ClampArt, ‘The Space Between’. In this series, select historical buildings are portrayed in altered cityscapes and invented spaces that evoke the experience of memory, imagination and dream states playing out in a magical place.
As well as illustrated articles and interviews, the magazine will include ‘visual’ and ‘sound’ articles.
Julian Voss-Andreae is a German sculptor based in Portland, Oregon. Starting out as a painter he later changed course and studied physics, mathematics, and philosophy at the Universities of Berlin, Edinburgh and Vienna. He pursued his graduate research in quantum physics, participating in an experiment considered one of the modern milestones of unifying our everyday intuition with the famously bizarre world of quantum physics. Inspired by his background in science, his work has captured the attention of multiple institutions and collectors in the United States and abroad.
In Inner Space Outer Space, artist Liliane Lijn speaks with 12 scientists at NASA’s Jet Propulsion Laboratory and at the Space Sciences Laboratory, University of California, Berkeley, where she was Artist in Residence in 2005 as part of an ACE, NASA, Leonardo Network International Fellowship.
Art activism by Liberate Tate references the growing levels of CO2 in the atmosphere, measured in parts per million (ppm). Steadily increasing since the onset of the industrial revolution, levels now exceed what scientists consider to be a maximum ‘safe’ limit of 350 ppm. This piece also critiques the role of oil companies in contributing to this, and their sponsorship of the arts.
Filmed in Balcombe at the controversial Cuadrilla fracking site in West Sussex, Seize the Day’s ‘Frakka Hakka’ song is performed by the band and protestors at the Balcombe Community Defenders Camp.
“What is fracking, and why are people so concerned?” Produced in association with Frack Free Somerset, Frances Howe’s brilliantly drawn comic puts you in the picture.
‘Greenspin’ is a collaboration between poet Helen Moore and film-maker Howard Vause. Liberating and exposing the language of corporate advertising and ‘greenwashing’, the film references the creative practice of subvertising through the medium of satirical videopoetry, with an ante-narrative in the form of an ‘ad’ for the spoof Greenspin PR company, followed by the performance of the poem ‘From Greenwash, A User’s Manual’. The piece won 3rd prize in the Liberated Words Poetry Film Festival 2013.
www.laurentmiaille.com Facebook: Laurent Miaille Photographies
A photographer with a fast growing reputation, Ed Norton’s images evoke a strong sense of place – identifying oneself in relation to a particular piece of land on the surface of planet Earth. As Wendell Berry famously said, ‘If you don’t know where you are, you don’t know who you are’.
The Reenchantment of the the Tree concentrates on images of trees found predominantly in the arid zone of far western NSW. Louise Fowler Smith layers or glazes light onto specially chosen trees, that may otherwise have been disregarded and ignored; concentrating on its individual qualities or personality. This process draws out the tree, making it special, individualistic, even sacred.