For Chris Wood, her canvas is glass and her medium is light. She uses one to manipulate the other with subtle interventions placed in the optical plane, harnessing patterns of light into exquisite tiny movies or streams of fluttering images, which recall ephemeral glimpsed moments in the natural world.
As well as illustrated articles and interviews, the magazine will include ‘visual’ and ‘sound’ articles.
Lucida is an autonomous image-making machine that creates analogue images in real-time, without generating a permanent record. The images defy classification as digital photographs, radiological scans or three-dimensional computer graphics but allude to all three and are believable as scientific images, while existing exclusively as an artwork.
Michael Falzoni’s work is inspired by the possibilities of infinite combinations, reflecting his interest in relationships and the interplay between internal and external realities. Each piece is an exploration of unity and totality.
Halfway through his PhD program in neuroscience at UPenn, Greg Dunn was inspired to try a new experiment: using the brain structures he was seeing in the lab as the subject matter for his minimalist Asian-inspired paintings. When he finished his Ph.D, he bought himself a sensory deprivation tank as a graduation present. The gift marked a major life transition, from the world of science to a life of meditation and art.
Marc Yankus is a photographer and an artist who uses digital mediums to create mixed media. His fine art and publishing experience span a period of more than thirty years. His latest photographs are the hyperreal “building portraits” shown in his most recent solo exhibition at ClampArt, ‘The Space Between’. In this series, select historical buildings are portrayed in altered cityscapes and invented spaces that evoke the experience of memory, imagination and dream states playing out in a magical place.
Julian Voss-Andreae is a German sculptor based in Portland, Oregon. Starting out as a painter he later changed course and studied physics, mathematics, and philosophy at the Universities of Berlin, Edinburgh and Vienna. He pursued his graduate research in quantum physics, participating in an experiment considered one of the modern milestones of unifying our everyday intuition with the famously bizarre world of quantum physics. Inspired by his background in science, his work has captured the attention of multiple institutions and collectors in the United States and abroad.
In Inner Space Outer Space, artist Liliane Lijn speaks with 12 scientists at NASA’s Jet Propulsion Laboratory and at the Space Sciences Laboratory, University of California, Berkeley, where she was Artist in Residence in 2005 as part of an ACE, NASA, Leonardo Network International Fellowship.
Art activism by Liberate Tate references the growing levels of CO2 in the atmosphere, measured in parts per million (ppm). Steadily increasing since the onset of the industrial revolution, levels now exceed what scientists consider to be a maximum ‘safe’ limit of 350 ppm. This piece also critiques the role of oil companies in contributing to this, and their sponsorship of the arts.
Filmed in Balcombe at the controversial Cuadrilla fracking site in West Sussex, Seize the Day’s ‘Frakka Hakka’ song is performed by the band and protestors at the Balcombe Community Defenders Camp.
“What is fracking, and why are people so concerned?” Produced in association with Frack Free Somerset, Frances Howe’s brilliantly drawn comic puts you in the picture.