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Exploring particular issue themes, articles will be created by contributors via invitation, commission and open submission from subscribers.

From Consciousness and the Brain

How does our brain generate a conscious thought? And why does so much of our knowledge remain unconscious? Thanks to clever psychological and brain-imaging experiments, scientists are closer to cracking this mystery than ever before.

In his lively book, ‘Consciousness and the Brain’, Stanislas Dehaene describes the pioneering work his lab and the labs of other cognitive neuroscientists worldwide have accomplished in defining, testing, and explaining the brain events behind a conscious state. The book explores cutting-edge science and technology and the vast philosophical, personal, and ethical implications of finally quantifying consciousness.
This excerpt is from the Introduction; The Stuff of Thought.

Colour-Form Abstraction

Roy Osborne is an artist, educator and writer. He was twice Chairman of the Colour Group GB and the first recipient of its Turner Medal (2003). Since 1978 he has presented some 2,000 lectures at 200 institutions worldwide and contributed to over 100 group exhibitions and several solo shows. In 1989 he curated a touring exhibition, From Prism to Paintbox: Colour Theory and Practice in Modern British Painting. He is author of a number of books on colour and colour theory, including Lights and Pigments (1980) and Color Influencing Form (2004) – (see Library section for more publications).

On Theme and Variation

The ways in which the author, the sculptor Peter Randall-Page, has made use of the ideas of D’Arcy Thompson are described. How Thompson showed that commonalities of form and pattern exist across the biological and abiotic realms is described, and the implications that physical constraints limit and sometimes dominate the capabilities of evolutionary natural selection are explored. Since we evolved in a world shaped in this manner, the likelihood that this palette of forms is one that carries strong psychological meanings and associations is examined, and the ways in which these forms are a rich source of inspiration and allusion for visual artists are discussed, hinting at the play of opposing tendencies, the dance between order and randomness, and the ways in which nature can derive variations on a theme.

Random Art

John D Barrow is a Fellow of the Royal Society and has been Professor of Mathematical Sciences at the University of Cambridge since 1999, carrying out research in mathematical physics, with special interest in cosmology, gravitation, and particle physics. He is the author of over 420 articles and 19 books, translated in 28 languages, a number of which deal with the relationship between art, maths and science. This article is taken from his latest book ‘100 Essential Things You Didn’t Know You Didn’t Know About Maths and the Arts’.

The Infinite Possibilities of Line

Artist, Maureen McQuillan, explores aspects of growth and unpredictability, repetition, replication and imperfection in the process and activity of drawing itself. Her work has often been compared to scientific imagery and encoding but paradoxically results from simple means. As she has stated, “I do not believe it is necessary to sacrifice working by hand in order to reflect my interest in the way technology has shaped, changed and enriched the way we see the world.”


“In Sugababe, we have regrown Vincent van Gogh’s ear….from tissue engineered cartilage, containing natural genetic information about him as well as genetically engineered components.” In an intriguing combination of art and science, Diemut Strebe used cells from Lieuwe van Gogh, nephew in 4th generation from Vincent van Gogh, descending in a direct uninterrupted male line, and other DNA to construct a living replica of the ear. One can even speak to the ear through a microphone system.

Transhumanist Art Will Help Guide People to Becoming Masterpieces

Many people associate transhumanism — the field of using science and technology to radically alter and improve the human being — with scientists, technologists and futurists. In this article, Zoltan Istvan discusses how transhumanist artists have recently been increasing in popularity and numbers. Whether it’s metal-welding sculptors, futurist-oriented video game developers or techno-musicians celebrating life extension, there is more of it being created every day, some of it in new forms of media.

I Caught it at The Movies

Have you walked out of a pandemic movie lately with the hair raised on the back of your neck? Elaine Whittaker’s, I Caught it at The Movies, is a mixed media installation of digital images, painting and live bacteria that blurs the boundaries between what is real and what is manufactured, what is animate and what is inanimate.

Wigner’s friends

The Soyuz capsule roared into the pre-dawn darkness just after 3 a.m. Monday (2100 GMT Sunday) from the Russian manned space facility in Baikonur, Kazakhstan, en route for the International Space Station. Aboard the capsule are Russian Anton Shkaplerov, NASA’s Terry Virts and European Space Agency astronaut Samantha Cristoforetti of Italy. There was also a small telescope, that will be used in an extraordinary project, Wigner’s friends, that will create a universal show consisting of all possible works of art at once.